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  Atlantis is known across the world as a myth. But is this really the truth? No matter what cultural history we explore, we discover a story very similar to the one we know about Atlantis...why? For years, experts and researchers have been looking in the wrong place, at the wrong people and for the wrong thing. For too long historians have focused on a few words left to us by Plato whose meaning they misunderstood. The fact is, even Plato didn't understand what had been told to him. The startling truth is that the remnants of Atlantis are all around us right now and have been for a very long time - long before recorded history. New research and insight exposes Atlantis to be a pivotal part of our ancient beginnings. The legendary lost city that many think of as myth, was in fact a very real and highly advanced civilization that was uniquely aware of the laws of the universe and was able to access hidden dimensions and make contact with extraterrestrial races.

  Aliens and Atlantis: Stargates and Hidden Realms (2016 )

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  Black holes stand at the limit of what we can know. To explore that edge of knowledge, the Event Horizon Telescope links observatories across the world to simulate an earth-sized instrument. With this tool the team pursues the first-ever picture of a black hole, resulting in an image seen by billions of people in April 2019. Meanwhile, Hawking and his team attack the black hole paradox at the heart of theoretical physics—Do predictive laws still function, even in these massive distortions of space and time? Weaving them together is a third strand, philosophical and exploratory using expressive animation. “Edge” is about practicing science at the highest level, a film where observation, theory, and philosophy combine to grasp these most mysterious objects.

  Black Holes: The Edge of All We Know (2020 )

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  The bonds of brotherhood, the laws of loyalty, and the futility of violence in the shadows of the US Mexico border gang wars.

  Broken Horses (2015 )

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  In a dystopian near future, single people, according to the laws of The City, are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into animals and sent off into The Woods.

  The Lobster (2015 )

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  A heist film unlike any you've ever seen. In his second film (following his debut Finisterrae), Sergio Caballero plays fast and loose with all the laws of genre filmmaking. The ‘distance’ in the title is the ultimate MacGuffin - the term coined by Hitchcock for the thing the characters are pursuing, but which for the audience is completely meaningless. The fact that everyone communicates by telepathy enables Caballero to ‘speak’ a lingua franca made up of many different languages: from the Russian of the dwarves and the guard, to the German of the artist and the Chinese of the guard with the brazier.

  The Distance (2014 )

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  Corniche Kennedy. In the blue of the Mediterranean, at the foot of luxurious villas, the young kids of Marseille defy the laws of gravity. Marco, Mehdi, Franck, Mélissa, Hamza, Mamaa, Julie : girls and boys dive, take flight, take risks to experience life to the fullest. Suzanne devours them with her eyes from inside her chic villa. Their free bodies, their excess. She wants to be part of them. She will be part of them.

  Corniche Kennedy (2017 )

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  Manel, a physicist working on his PhD thesis, accidentally fall in love with Elena, a young model and aspiring actress.

  The Laws of Thermodynamics (2018 )

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  The terrifying thriller tells the story of Sara (Lydia Bosch, 'Grand Hotel'), a popular novelist who after suffering a serious accident, it is host to a monastery in the north section of Italy in which dwells an ancient brotherhood. A place stuck in the past: without light, water or telephone, where the Benedictine monks, sitting in the dark, cold and silent, strictly follow the laws of Christianity.

  La hermandad (2013 )