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A portrait of Austrian artist Gustav Klimt whose lavish, sexual paintings came to symbolize the art nouveau style of the late 19th and early 20th century.
Klimt (2006 )
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Liu Yue Ping reports to the ICAC about a rich 2G Cao Yuen Yuen who bribed officers of the Hong Kong Correctional Services (HKCS) from inside the prison. William Luk decides to infiltrate the prison as an inmate to conduct his investigation, while his partner Ching Tak Ming and Chief Inspector Lau Po-keung back him up from the outside.
P Storm (2019 )
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My Autopsy is a story of the progression of a woman's strength as she journeys to escape the invisible chains of a past abusive relationship.
My Autopsy (2021 )
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This poetic short romance takes us inside the mind and heart of Fred, an introverted young man. When he meets Raphael, the boy of his dreams, his vision, energy and sensuality leave him breathless. Though they part ways, Fred is compelled to tell Raphael how he really feels.
Raphael (2021 )
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At the age of 21, Nicolás decides to get his first HIV test. The uncertainty about the disease will affect the relationship with his family and his sexual life during the weekend he awaits the results.
The Grey Zones (2018 )
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Game Face shows the quest to self-realization of LGBT athletes and the acceptance in society. The film follows athletes during their coming out process, and sheds light on the obstacles LGBT sports players deal with throughout their career.
Game Face (2015 )
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After a pop-up on a man’s phone recommends that he lower the volume of his music, a series of supernatural events brings forth the realization that he must insert himself into the concerning situations around him.
Listen! (2024 )
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Born This Way is a portrait of the underground gay and lesbian community in Cameroon. It follows Cedric and Gertrude, two young Cameroonians, as they move between a secret, supportive LGBT community and an outside culture that, though intensely homophobic, is in transition toward greater acceptance.
Born This Way (2013 )
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“an experimental documentary shot in Lebanon from 2019 to 2021 dealing with issues of dislocation, points of view and memory. Through the position of ‘peripheral vision’, which I practice as an observer, Detours builds a narrative of sensory impressions, orientations, alienated images, images that remain outside of the frame. The work is not a documentation or analysis of current policies and turbulent events but an experience of disorientations within them. The film was shot using Super 8, still analog cameras, digital cameras and various lenses.” - Vida Guzmić.
Detours (2024 )