İzle Master and Tatyana Türkiye'de Nerede
Lithuanian photographer, the legend of Soviet Sixties' generation Vitas Luckus tragically passed away in 1987. Yet the life and times of the talented rebel still impassion and lead us to a journey questioning why, at all times, we are wary of those who are really free.
Şimdi "Master and Tatyana" izleyin DocAlliance Films üzerinde ve Popcorn Time nihai yayın rehberi ile favori film türünüze daha fazla dalış yapmanın yollarını keşfedin.
Master and Tatyana için daha fazla akış seçeneğini keşfedin!
Master and Tatyana'ı birden fazla platform ve ülkede nasıl izleyeceğinizi keşfedin! İster evde olun ister yurt dışında seyahat edin, yasal olarak nereden izleneceğini bulmak hiç bu kadar kolay olmamıştı. ile Master and Tatyana, gibi önde gelen hizmetlerde mevcut. 12 başka ülkede erişilebilir, yerel lisanslamaya uygun, sorunsuz ve yasal bir izleme deneyimi sağlayan özel yayın seçeneklerini keşfedebilirsiniz.
Daha Fazla Bilgi
- Çalışma Süresi
- ```80 dakika```
- Yayınlandı
- Menşei Ülke
- Litvanya
- Diller
- en
Master and Tatyana benzerleri
Film
Human beings are the kings of all animals, at least if you ask us humans. Our vanity is given something to mirror itself in, but does not escape without a scratch or two in this documentary, which observes a taxidermist, a deer farmer and a museum curator at work. Three jobs that have one thing in common: turning animals into aesthetic objects, alive as well as dead. When the work is done properly, it is impossible to tell the difference. Dead pets are mummified. At the zoological museum, the animals' glassy eyes stare back at us from the showcases. Even a plastic alligator has its natural place in the human master plan.
Animus Animalis (A Story about People, Animals and Things) (2018 )
Film
To say life in Vilnius, Lithuania, during Soviet occupation was tense would be an understatement. People were followed and photographed; restaurant dinner plates were bugged to catch potentially illicit conversations; car accidents were staged to waylay people while surveillance equipment was installed in their apartments; and many were detained, interrogated, imprisoned, or worse. Through expertly assembled KGB archival footage, earnest present-day interviews, and cleverly crafted returns-to-the-scene-of-the-crime, directors Maxì Dejoie and Virginija Vareikyté present an acutely compelling contemplation of a “non war” from both sides.
When We Talk About KGB (2015 )