Yayınla Türkiye'de
DocAlliance Films üzerinde en yeni ve en harika film ve dizileri yakalayın.
Film
Following Bellavista and Totó, Peter Schreiner completes his informal trilogy of epic, black-and-white digital-video essay-films with the utterly monumental Fata Morgana. Shot in the Libyan desert and in an abandoned building in Lausitz, Germany, it features a man (Christian Schmidt), a woman (Giuliana Pachner, from Bellavista) - and, glimpsed now and again, a guide (Awad Elkish.) They talk, they fall silent. Winds blow. The sun shines. The camera runs. What gradually takes shape is nothing less than a painstakingly concentrated attempt to understand the human condition through the lens of cinema. A lofty ambition, and one that demands a considerable leap of faith on the part of the audience: this film is sedate, "difficult", challenging, often apparently impenetrable. But anyone who has seen Schreiner's previous films will be aware that he is by any standards a major artist, one that can be trusted to find places that other directors may not even suspect exist.
Fata Morgana (2013 )
Film
The women in this documentary have a lot of cleaning to do. They work in motel El Pasajero, where the guests generally don't stay longer than a few hours. The rooms don't have to be particularly beautiful, either; as long as there's a bed on which the couples can indulge their carnal passions, sometimes under the influence of alcohol and drugs. We don't see or hear much of these visitors, other than the odd leg, disembodied voices and - increasingly as the film progresses - moaning. They are filmed nonchalantly, from a strange, accidental-looking angle, as if they are not important. The visitors are in fact just extras in this love story. How else could you get a positive view of love in a place like this? We follow four female cleaners during their daily rounds. They change the beds, polish the mirrors and energetically wipe down a clinical-looking sex chair.
The Women and the Passenger (2013 )
Film
Max "Adlersson" Herzberg, 20 years of age, from Dresden decided not to spend his life working. Ever since, he reviews knives and other products, unboxes limited fan editions of mainly gangsta rap albums, gives talks about himself, drinks, swears and bawls in town, humiliates others, cracks borderline jokes and crosses every boundary he sees - Max is a YouTube creator and makes a decent living off of it. Most of Max's friends have their own channels on YouTube, some even quite successfully. Max and his gang are dubious role models but without a doubt, they are celebrities of their generation having more than 300.000 active fans. Is Max a violence-glorifying influencer with far-right tendencies or a usual adolescent, just trying to find himself and happens to be born into a time where the lines between private life and public self-display are blurring? He might be both, possibly without being overly aware of it.
Lord of the Toys (2019 )
Film
Theres and Kenneth are both young when they first meet whilst on holiday. They fall in love but are unable to prevent themselves from losing each other. Thirty years later, in another country, another couple: Ariane leaves her husband David because she no longer loves him. The paths they both take lead them to Kenneth and Theres.
The Dreamed Path (2017 )
Film
Lena is a 17-year-old girl from a middle-class family who is experiencing her first love: secret night adventures and magical morning walks along the Danube. However, her dream world is shattered when she is raped. Withdrawing, she ultimately attempts to slit her wrists. Her family, helpless, entrusts her to a psychiatric institute.
Filthy (2017 )
George the Dog, Refugee (2019 )
Film
After being appointed literary executor, Audrey Benac (Deragh Campbell) uncovers a series of letters that her great-grandmother had written to a fellow poet. Both displaced from Poland, Zofia Bohdanowiczowa and Nobel Prize nominee Jozef Wittlin corresponded from 1957-1964 between Toronto, Wales and New York City. Over the course of three days, Audrey embarks on a journey to Houghton Library at Harvard University to translate and make sense of Zofia’s words.
MS Slavic 7 (2019 )
Film
Asalif and his mother defy Ethiopia’s omnipresent modern housing development culture, by continuing to live a life characterised by proximity to nature and rootedness in community. The boy counters the ruptures in his accustomed surroundings and the threat posed by the hyena that haunts his neighbourhood by reinventing himself as a hero: as Anbessa, the lion.
Anbessa (2019 )
Film
On the western-most point of Brittany, in the lighthouse, at night, Damien is busily building a mysterious something out of pieces of mirror. The more the storm makes itself known, the more he hurries. When Isabelle arrives in the village, suddenly he is seized by a sense of urgency.
Hurry (2019 )
Film
Interpersonal relationships in a dysfunctional family under the microscope of the camera.
The Family (2017 )
Loli paradička (2019 )
Film
A journey through the times and spaces of the Hotel Jugoslavija.
Hotel Yugoslavia (2017 )
Film
In the Californian part of the Sonoran desert, in the close vicinity of military bases, there is a “wild” town called Slab City inhabited by the refugees from the American Dream. Of different age, they brought with them various stories, but all chose freedom, even for the price of the most basic comforts. The only place equipped with electricity is a makeshift Internet café run by Rob which serves “the best coffee in the neighbourhood”.
Desert Coffee (2017 )
Film
A portrait of the daily lives of young people living in a new-built estate on the outskirts of Lisbon. School is a joke and there’s no work to be had anyway, so the girls try to have fun as best they can. New-girl Eva is very pretty but quiet. The others aren’t sure at first whether she’s arrogant or just shy. Iara and Eva head off to the beach with two boys. The lads turn a couple of abandoned shopping trolleys into racing chariots for them and the atmosphere begins to tingle. Later, they argue with the rest of the group. The other girls manage to get into a club that night but the boys don’t and must kick their heels outside. They’re bent on revenge. They meet up with Eva and go back to her place.
The End Of The World (2013 )
Film
Why did Milos Forman have to make certain films the way he did? Where does his inner strength come from? What is the story of his life?
Miloš Forman: What Doesn't Kill You… (2009 )
Film
"Pictures from the late eighties in the GDR on up to the immediate present in the year 2008 in Germany. What has been left over besieges my mind. All these pictures keep reassembling themselves to make up something which they were originally not made for. They are still in motion. They are becoming history." (Thomas Heise)
Material (2009 )
Film
The Ursus factory once covered 170 hectares and employed 20,000 workers, producing 100 tractors a day. Now, its buildings stand derelict and empty; half have already been demolished by investors with new plans. The symphony of mechanical sounds and gestures that is gradually built up throughout the film is produced by former factory employees. Proud of their factory, they reminisce about the huge numbers of people and the parties they had. They were a community, passionate about supporting agriculture through their factory. The Ursus tractor was well-known, not only in Poland but throughout the world.
Symphony of the Ursus Factory (2019 )
Film
In Men of the City, Isaacs takes a more stylised approach to the lives of workers in the City of London during the recent financial meltdown, balancing sensitive portraits of diverse individuals striving to retain their dignity and humanity in the midst of the crisis. Strong human characters are at the heart of all of Isaacs' work, and with these films he continues to create a unique vision of modern Britain.
Men of the City (2009 )
Film
In Comparison revisits issues explored in the director's 2007 two channel installation Comparison Via a Third. Spanning continents and cultures, the film focuses on the brick in its many contexts, from the collective efforts of a community building a clinic in Burkina Faso, through semi industrialized moldings in India, to industrial production lines in Germany, France, Austria and Switzerland. Through its notable structure and its captivating rhythms, In Comparison presents various methods of labor production, allowing for an assessment that changes with every layer and goes well beyond a simple binary divide.
In Comparison (2009 )
Film
Rachel Corrie, a young American woman and her friends attempt to stop a bulldozer from clearing out some homes and other buildings. Corrie was run over and killed. Witnesses claim it was deliberate.
Rachel (2009 )
Film
We enter the film, like we access Gorgona, by the sea. A rock bristling with greenery, surrounded by the dark blue waves of the Mediterranean. On this small island between Tuscany and Corsica, there is an agricultural penal colony. The prisoners held there are free to move around, working the vines, the small pig farm or the vegetable garden surrounding the prison buildings. Here, the relationship to nature is particular and undoubtedly redeeming.
Isola (2019 )
Film
Antonio Cotroneo, a man in his fifties; in his Calabrian hometown everybody calls him Totó. For many decades he has been living in his chosen exile. Having subsequently married an Austrian woman and fathered four sons, the graduate political scientist earns his money as an usher at Vienna Konzerthaus.
Totò (2009 )
Film
Diana is not the only one for whom the monthly period is no fun at all. Headaches, nausea, depression -- why is it so widely accepted that women all over the world should feel so lousy on a regular basis? And why is the subject still not openly discussed? With a keen sense of perspective, humor, and self-mockery, Diana goes in search of answers in this documentary.
The Moon Inside You (2009 )
Film
The war in Congo has caused more than six million deaths over the last twenty years. The population is suffering, but the offenders stay with impunity. Many people see this conflict as one of globalisation's crucial econimic distribution battles because the country has major deposits of many high-tech raw materials. Milo Rau, one of Europe's most acclaimed theatre directors, succeeds in gathering victims, perpetrators, observes and analysts of the conflict for a unique civil tribunal in eastern Congo. The documentary film brings these spectacular court trials to life on the big screen and creates an unvarnished portrait of the largest and bloodiest economic wars in human history.
The Congo Tribunal (2017 )
Film
Free-diver Goran Colak has dedicated his life to surviving devoid of oxygen. Driven by a desire to be the best in the world, Goran has achieved every feat possible in the sport of free-diving. In doing so he has expanded our understanding of human capability, floating in an arrested state somewhere between life and death. Beautifully lyrical, My Life Without Air demonstrates the power of will to transcend its body's earthly limitations.
My Life Without Air (2017 )
Film
A film about the artist Daniel Spoerri. It's actually a film about a thought by Daniel Spoerri: a film almost without Daniel Spoerri, it's actually mostly acted out by a child - to say no less than that everything somehow goes on in life, even if you die in between.
This Movie Is a Gift (2019 )
Film
Portrait of Marceline Loridan-Ivens, a writer and filmmaker who survived the Holocaust.
Marceline. A Woman. A Century (2019 )
Film
Documentary about human hair, including its political significance.
Hairy (2017 )
Film
An impressionistic journey that reveals the daily struggle of the hungry peasant class.
The Dispossessed (2017 )
Film
Analog celluloid strips are disappearing. Is film dying, or just changing? Are the world's film archives on the brink of a dark age? Renowned filmmakers, museum curators, historians, and engineers help dramatize the future of film and the cinema in the age of digital moving pictures.
Cinema Futures (2016 )
Film
Colonel Honorine Munyole is a robust forty-four-year-old widow and mother of seven young children – four of her own, three adopted. She wields her uniform, beret and black handbag like a protective shield, which her daily work desperately requires. More or less on her own, she runs a small police unit dedicated to protecting women who’ve been raped and children who’ve suffered abuse in the war-plagued regions of the Congo. At the start of Maman Colonelle, she’s transferred from Bukavu to Kisangani, arriving only to discover her future home and office in a desolate state. While she deals with such practical obstacles with suitable feistiness, the traumas and social deformities of the people around her have nightmarish dimensions: the envy surrounding those with state-recognised ‘victim’ status, hope for help from the ‘whites’, depression, helplessness.
Mama Colonel (2017 )
Film
In Beirut, Syrian construction workers are building a skyscraper while at the same time their own houses at home are being shelled. The Lebanese war is over but the Syrian one still rages on. The workers are locked in the building site. They are not allowed to leave it after 19.00. The Lebanese government has imposed night-time curfews on the refugees. The only contact with the outside world for these Syrian workers is the hole through which they climb out in the morning to begin a new day of work. Cut off from their homeland, they gather at night around a small TV set to get the news from Syria. Tormented by anguish and anxiety, while suffering the deprivation of the most basic human and workers right, they keep hoping for a different life.
Taste of Cement (2017 )