İzle Touch Türkiye'de Nerede
A man returns, after fifty years, to Chinatown to care for his dying mother. He is a librarian, a cataloguer and recorder, a gay man, a watcher, an impersonator. He passes his time collecting images - his witnesses and collaborators. Sitting in the dark, we look at them and share his cloak of invisibility, both a benefit and a curse.
Şimdi "Touch" izleyin DocAlliance Films üzerinde ve Popcorn Time nihai yayın rehberi ile favori film türünüze daha fazla dalış yapmanın yollarını keşfedin.
Touch, Popcorn Time Yayın Listelerinde bugün Türkiye'de #5063 olarak sıralandı. Film, dünden bu yana 2 sıra yükseldi.
Popcorn Time sıralama sistemi, popülerliği hesaplamak için akış platformları, eşler arası trendler ve küresel veritabanları gibi birden fazla güvenilir kaynaktan gelen verileri birleştirir.
Algoritmamız, içeriğin farklı platformlar, bölgeler ve zaman dilimlerinde nasıl performans gösterdiğine bağlı olarak sıralamaları dinamik olarak ayarlar. Her film veya dizi, küresel konumu, bölgesel popülaritesi ve tarihsel performansının bir kombinasyonu kullanılarak puanlanır. Bu, Türkiye'de'de neyin trend olduğunu adil, doğru ve sürekli güncellenen bir yansıma sağlar.
Touch için daha fazla akış seçeneğini keşfedin!
Touch'ı birden fazla platform ve ülkede nasıl izleyeceğinizi keşfedin! İster evde olun ister yurt dışında seyahat edin, yasal olarak nereden izleneceğini bulmak hiç bu kadar kolay olmamıştı. ile Touch, gibi önde gelen hizmetlerde mevcut. 12 başka ülkede erişilebilir, yerel lisanslamaya uygun, sorunsuz ve yasal bir izleme deneyimi sağlayan özel yayın seçeneklerini keşfedebilirsiniz.
Daha Fazla Bilgi
- Çalışma Süresi
- 68 dakika
- Yayınlandı
- Menşei Ülke
- Amerika Birleşik Devletleri
- Diller
- en
Touch benzerleri
Film
For 15 months, 45 inmates, some completely illiterate, worked together to present an adaptation of Reginald Rose's famous stage play 12 Angry Men.
12 Angry Lebanese (2009 )
Film
The documentary film HUMAN study what’s human – out of context. Without familiar purposes and surroundings, the film plays our labeling instinct against the factual meeting with another person. How close can we get to another human before it gets inhuman, – or maybe too human?
Human (2009 )
Film
A former Israeli soldier participated in a mission of retribution in which two Palestinian policemen were killed. He seeks forgiveness for what he did. His girlfriend does not think it is so simple and raises questions that he is not yet able to cope with. The soldier willingly testifies before the camera as long as his identity is not revealed. The filmmaker, while seeking a solution to protect the identity of the soldier, questions his own political and artistic conduct.
Z32 (2009 )
Film
19 year old Bert sits in the shade of a tree in Yo Park. Cassandra Warrior feeds her daughter Diamond Rose. Daniel Runs Close sweats under the sun at Wounded Knee Memorial site. Kassel Sky Little puts his boots on at the Waters Rodeo. Vanessa Piper is alone in the middle of Badlands. Lance Red Cloud hangs out behind the gas station at night. It is summer and they all live here, at the Pine Ridge Reservation in South Dakota, USA.
Pine Ridge (2013 )
Film
A poetic portrait of people working in the state-run post office, rail station and fire headquarters in the 3rd largest city of Africa, Kinshasa.
Elephant's Dream (2014 )
Film
One in four women experience violence in their homes. Have you ever asked, “Why doesn't she just leave?” Private Violence shatters the brutality of our logic and intimately reveals the stories of two women: Deanna Walters, who transforms from victim to survivor, and Kit Gruelle, who advocates for justice.
Private Violence (2014 )
Film
Filmed over three years on China’s railways, The Iron Ministry traces the vast interiors of a country on the move: flesh and metal, clangs and squeals, light and dark, and language and gesture. Scores of rail journeys come together into one, capturing the thrills and anxieties of social and technological transformation. The Iron Ministry immerses audiences in fleeting relationships and uneasy encounters between humans and machines on what will soon be the world’s largest railway network.
The Iron Ministry (2014 )
Film
Following Bellavista and Totó, Peter Schreiner completes his informal trilogy of epic, black-and-white digital-video essay-films with the utterly monumental Fata Morgana. Shot in the Libyan desert and in an abandoned building in Lausitz, Germany, it features a man (Christian Schmidt), a woman (Giuliana Pachner, from Bellavista) - and, glimpsed now and again, a guide (Awad Elkish.) They talk, they fall silent. Winds blow. The sun shines. The camera runs. What gradually takes shape is nothing less than a painstakingly concentrated attempt to understand the human condition through the lens of cinema. A lofty ambition, and one that demands a considerable leap of faith on the part of the audience: this film is sedate, "difficult", challenging, often apparently impenetrable. But anyone who has seen Schreiner's previous films will be aware that he is by any standards a major artist, one that can be trusted to find places that other directors may not even suspect exist.
Fata Morgana (2013 )