Where to Watch Marceline. A Woman. A Century in US
Portrait of Marceline Loridan-Ivens, a writer and filmmaker who survived the Holocaust. Discover "Marceline. A Woman. A Century" a captivating documentary movie that first graced the screens in 2019. This production, originating from France.
Watch "Marceline. A Woman. A Century" now on DocAlliance Films and GuideDoc, and explore even more ways to dive into your favorite movie with Popcorn Time ultimate streaming guide.
There is 1 more external providers. You can see the complete list where to watch Marceline. A Woman. A Century.
Marceline. A Woman. A Century is ranked #22646 on the Popcorn Time Streaming Charts today in US. The movie has dropped 17 places since yesterday.
The Popcorn Time ranking system calculates popularity by combining data from multiple trusted sources, including streaming platforms, peer-to-peer trends, and global databases.
Our algorithm dynamically adjusts rankings based on how content performs across different platforms, regions, and timeframes. Each movie or show is scored using a combination of its global position, regional popularity, and historical performance. This ensures a fair, accurate, and constantly updated reflection of what's trending in US.
Explore even more streaming options for Marceline. A Woman. A Century!
Discover how to watch Marceline. A Woman. A Century across multiple platforms and countries! Whether you are at home or traveling abroad, finding where to stream legally has never been easier. From , Marceline. A Woman. A Century is available on leading services like . Accessible in 9 other countries, you can explore tailored streaming options that comply with local licensing, ensuring a hassle-free and legal viewing experience.
More Info
- Runtime
- 58 minutes
- Released
- Origin Country
- France
- Languages
- en, fr
- Subtitles
- ca, en
Similars to Marceline. A Woman. A Century
Movie
The intimate journey of Caroline, a flamboyant grandmother, and Stéphane, her filmmaker grandson, exploring the development and transmission of gender identity.
Madame (2019 )
Movie
After twenty-five years spent in France, I return to Bulgaria, camera in hand, with a vertiginous suspicion: what if my family had collaborated with the political police of the communist regime? And what if they were part of the "red trash" that the demonstrators on the street want to see disappear? I decide to investigate and to film, constantly, ready for anything. My adventure transforms itself into a tragic comic odyssey; a film that combines espionage with family.
I See Red People (2019 )
Movie
The story of a young woman who will never fit in but whom the cinema, because it is able to appreciate her extraordinary existence, helps her to find her own special place in the world.
Penelope My Love (2022 )
Movie
Ada is 19. She agrees to have dinner at the home of a boy she knows. It all happens very quickly, she does not defend herself. It is in 2013, after a screening of her first film, that Alexe Poukine meets her: a woman of her age who shares with her something that happened nine years before and that she does not know what to do with.
That Which Does Not Kill (2022 )
Movie
After five years studying in Paris, Arash has not adjusted to life there and has decided to return to Iran to live. Hoping to change his mind, his two friends Hossein and Ashkan convince him to take a last trip through France.
Before Summer Ends (2017 )
Movie
An impressionistic journey that reveals the daily struggle of the hungry peasant class.
The Dispossessed (2017 )
Movie
This film does not deal with Chernobyl, but rather with the world of Chernobyl, about which we know very little. Eyewitness reports have survived: scientists, teachers, journalists, couples, children... They tell of their old daily lives, then of the catastrophe. Their voices form a long, terrible but necessary supplication which traverses borders and stimulates us to question our status quo.
Voices from Chernobyl (2016 )
Movie
Colonel Honorine Munyole is a robust forty-four-year-old widow and mother of seven young children – four of her own, three adopted. She wields her uniform, beret and black handbag like a protective shield, which her daily work desperately requires. More or less on her own, she runs a small police unit dedicated to protecting women who’ve been raped and children who’ve suffered abuse in the war-plagued regions of the Congo. At the start of Maman Colonelle, she’s transferred from Bukavu to Kisangani, arriving only to discover her future home and office in a desolate state. While she deals with such practical obstacles with suitable feistiness, the traumas and social deformities of the people around her have nightmarish dimensions: the envy surrounding those with state-recognised ‘victim’ status, hope for help from the ‘whites’, depression, helplessness.
Mama Colonel (2017 )