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In Croatia in 2005, a machine tools factory was occupied by its workers. Since then, they have operated collectively, becoming the only successful example of a worker occupation in post-socialist Europe. Today, as they seek a new model of collective ownership, the microcosmic world of the factory clashes with the forces of the globalized market economy, having an increasingly brutal impact on wages and the organization of the factory, causing rising disaffection among the workers. Filmmaker Srđan Kovačević returns regularly over a five year period to make a film that charts the evolution of this communal enterprise. Factory to the Workers tells the inside story of the workers who challenged the dominant economic narrative with their actions. After a decade, the same question remains: can a factory in the hands of workers survive at the periphery of capitalism, or do we need a bigger dream?
Factory to the Workers (2022 )
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45,000 patients died in French psychiatric hospitals between 1939 and 1945. A single site escaped this carnage: the asylum in Saint-Alban, an isolated village in Lozère. What happened there for it to be an exception? Retracing several decades in the history of this important site of psychiatry, using precious archival films and the accounts of those who worked there, Martine Deyres answers this question and, in doing so, shows how the political courage and poetic audacity that were practised there contributed to changing medicine and society’s perception on madness. Intersecting in the crucible of this movement called “institutional psychotherapy” were members of the Resistance, artists, doctors and philosophers—including Paul Eluard, Tristan Tzara and Georges Canguilhem.
Our Lucky Hours (2022 )
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When her father becomes suddenly paralyzed, the filmmaker spends four years in between hospitals finding shelter behind her camera away from a family tragedy. Rehabilitation centers, cemeteries, love making, VR experiments, fervent prayers and voice notes are the record of a filmmaker’s journey trying to amend the impossible: finding absolution for a broken family by making her father walk again.
Perhaps What I Fear Does Not Exist (2022 )
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90-year-old architect Florian Yuriev is facing the destruction of his magnum opus: an avant-garde concert hall set to be repurposed as a shopping mall. Florian confronts the powerful real estate developer behind this investment project, and uses his visionary ideas to capture an unlikely victory. This is an architectural documentary with infusions of science fiction and horror film.
Infinity According to Florian (2022 )
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A personal family epic, where Danish-Pakistani director Anita Mathal Hopland looks back at the history of her two families over 15 years in Karachi and Copenhagen.
Moosa Lane (2022 )
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Filmmaker and anthropologist Céline Pernet questions her relationship with the men of her generation. Responding to an advert, men aged 30 to 45 years old answer her questions, in a quest as personal as it is societal. Garçonnières casts an amused and caring eye, reflecting an urgent need to discuss current models of masculinity.
Man Caves (2022 )
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25 years after the end of apartheid, an Afrikaner man returns to the small town and haunting landscapes he grew up in in rural South Africa. Confronted with the failing health of his father and ghosts from the past, he remembers and seeks out the town's dogs, gays and people fallen by the wayside of the 'rainbow nation'. The town simmers with unresolved histories compounded with fresh challenges in a climate-changing world, preoccupied by questions of life and death, meaning and survival.
Calvinia (2022 )
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They grew up in the land of dictators and surveillance, where images are censored, photos are burned, thoughts are discreet, and mouths are kept shut. They grew up in Syria.
Republic of Silence (2022 )
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With fine watercolour strokes, Daniela de Felice paints the portrait of a young woman in love and with a true passion for politics. The film takes us back to the Italy of the 1990s, between Berlusconi’s rise to power and the final reverberations of the 20th century. Ardenza is unexpected and moving, with riveting sensitivity and sensuality.
Ardenza (2022 )
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Bircan has decided to learn Kurdish, her once-forbidden mothertongue, with all the words her grandmother has forgotten and all the stories that have remained unspoken.
My Name is Anik (2022 )
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Introduced with a quote that invents its own creator, someone is dancing in a figure skating costume to a piece of music that conceals its source.
Jackson/Marker 4am (2012 )
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An immersive initiation into the life of a Maroon community in the former Dutch colony of Suriname. Combining stories of African ancestral traditions and escaped slavery with enacted contemporary rituals, the film explores how the community’s powerful ties to the land have become endangered as industries threaten to devastate the region through deforestation and mining.
Stones Have Laws (2019 )
- Free
Movie
The Czech criminal René is finding it difficult to go straight. Roaming from job to shelter, from woman to woman, he discovers that living honestly is a lot more difficult than just stealing something every once in a while. In 1989, filmmaker Helena Třeštíková started filming the then 18-year-old delinquent, ultimately resulting in the 2008 film René, which follows his life inside and outside prison. This sequel to that film begins with the premiere of René and the ensuing storm of media attention.
René – The Prisoner of Freedom (2022 )
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The 60-year-old Nils has turned his back on society and has taken his refuge in a small wooden cabin in the mountains of Norway. Despite his attempt to distance himself from the world, Nils brought his cellphone and is confronted with his urge to have contact with others. This documentary describes and observes how Nils is trying to find the balance between being in touch with nature, himself and his family. This film explores the question of durable contact, and how and with whom you can manage it.
Drømmeland (2019 )
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An old downtown hotel had been visited by people with secrets. Each of them was assigned a number, and it was guaranteed that all the secrets would be forever kept in the hotel. No. 287 is quite a unique case. She hides her secrets in this hotel as well as a grand palace where her memories with her lover remain intact. Years later, the old hotel was relocated, and the palace was devoured by fire. All the secrets have thereby disappeared.
Broca's Aphasia (2022 )
- Free
Movie
Beckermann's parents met in Vienna after the Holocaust. Tracing the migratory paths of her family before World War II, Beckerman returns to the European Jewish communities which inspired her childhood stories.
The Paper Bridge (1987 )