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Fifty years ago, the entire Creole population of the Chagos Islands was expelled by the British authorities. This secret operation took place to facilitate the leasing of the main island, Diego Garcia, to the US government so that it could build one of its largest and most secretive military bases overseas. As the military lease is about to expire, Chagossian exiles are attempting to recover their home in the middle of the Indian Ocean from Great Britain. The charismatic woman leading their fight in the UK is Sabrina Jean. Through unrelenting activism, including the exile community's improbable participation in the World Football Cup for Stateless People, she strives to keep the flame of hope alive in her community with one single goal: to return home. But as the elders disappear and memory fades, time is running out.
Another Paradise (2019 )
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The incredible life story of a Soviet soldier of Tatar descent who was captured by the Nazis during WWII. Today, his daughter Sana is tracing the path of her silent father, trying to understand what made him the man she knew as a child, through his diaries, as well as various personal and public archives and registries. As she accompanies Sana in her journey, filmmaker Aliona van der Horst excavates film archives, to find traces of those millions of Soviet soldiers who were caught in the crossfire of fighting between dictators, who were there but were easily left out of the narrative of the global war.
Turn Your Body to the Sun (2021 )
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The filmmaker tries to communicate with the sheep living where his parents are buried.
Some Kind of Intimacy (2021 )
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On Guadeloupe, an archipelago in the Caribbean, the past speaks up. Sylvaine Dampierre has the workers of an old sugar refinery read passages from the transcripts of an 1842 court case, while the machines roar and groan in the background. The testimonies of the slaves from back then in the rusty halls of today give rise to a polyphony both explosive and poetic in nature.
Words of Negroes (2021 )
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During the pandemic, a 14 year old boy remains stuck in his school dormitory while his mother tries to contact him.
My Courtyard (2021 )
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Today, 11 years after the massive earthquake in Haiti that left over a million people homeless and killed hundreds of thousands, the country has still not recovered from the disaster. Despite billions of dollars in aid money, Haiti struggles with some of the highest levels of poverty and unemployment in the Western hemisphere. In Port-au-Prince, various citizens are shuttled through a city in crisis. Maneuvering around barricades, garbage dumps and the packed streets of the capital, they speak candidly about the current state of their country. Through the car window a frustrated population passes and occasionally interacts with the passengers in the vehicle. Beautifully shot, with a lively score, Zo Reken presents a complicated portrait that testifies to the magnitude of the tragedy and highlights the disorganized state of international aid.
zo reken (2021 )
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Tara Emory is a pioneering erotic photographer who has been active online since the early 2000s. This documentary paints a portray of her at a time when, absorbed by her epic sci-fic trans pornography project, she has to juggle being evicted from her studio, Le Wonderland, her personal and family struggles with compulsive hoarding and her hectic lifestyle. Between the gargantuan sets in her studio, the complicated dilemmas she must face, and the robots spurting a mixture of Mentos and Sprite, this first feature by Laurence Turcotte-Fraser deftly interweaves elements of her inner and outer life to introduce us to an unconventional artist with a wide variety of different interests. The End of Wonderland gives a voice to one those oft-forgotten exhilarating personalities by sensitively exploring Tara Emory’s day-to-day life. (Programming Collective)
The End of Wonderland (2021 )
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Unemployed youths, many looking to leave the country for want of better options, are swelling the ranks of gangs that sow violence in Zinder, in Niger. Aïcha Macky explores the origins of the radicalization that is spreading through her hometown and the prospects for escaping it.
Zinder (2021 )
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The film takes on a walk alongside parasites, symbionts and decomposers offering ideas of both interconnectedness and collaboration. Driven by a vision of resistance, the encounters seek possibilities of renewal and question what connects us when the world seems to be falling apart. With mushrooms and their allies the film invites to imagine a myco-cultural (r)evolution. What if the fungus could help us address and radically change our relationship to this world?
The Mushroom Speaks (2021 )
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Made from images filmed by the Syrian artist Amel Alzakout after the boat on which she was fleeing Syria sank off the coast of Lesbos, Purple Sea reports on the moment in which the co-director and the other passengers are floating in the sea in their lifejackets, waiting to be rescued. Her voice-over accompanies this extremely poignant experience.
Purple Sea (2021 )
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I Am The Tigress is an observational style documentary that follows the journey of protagonist Tischa “The Tigress” Thomas during the last year of her career as an African American female bodybuilder. Philipp Fussenegger and Dino Osmanović worked for over 2.5 years on creating this unique piece. They traveled with her from Harlem to Bucharest as she strived towards her goal to place number one in the world in female bodybuilding.
I Am the Tigress (2021 )
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Shadow Game is an experimentally filmed account of the far-reaching consequences of European asylum policy. Now fences have gone up all over Europe, seeking asylum has become almost impossible. The teenagers cross snowy landscapes and meet aggressive border police on their way. Reaching their final destination has become more difficult than ever. Their journey takes them through the whole of Europe: from Greece to North Macedonia, Serbia and Bosnia and Herzegovina, from Italy to France and The Netherlands. The film was shot over a period of three years, partly by the main characters themselves on their phones.
Shadow Game (2021 )
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Anny follows the life of the titular, intriguing character for 16 years, from 1996 up until 2012. Living in the Czech Republic, Anny is a 46-year-old woman whose day-to-day life has consisted of several different occupations, from a bathroom attendant and a doorman, to occasional sex work. Her outlook on her jobs is fairly simple, you have to do the work if you want to eat, spoil your grandkids, or buy yourself new clothes.
Anny (2021 )
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A clear decision surrounded by mixed feelings. A young woman recounts her experience with abortion.
Inside Me (2019 )
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When the Filmmaker is told his next film must be about crime, sex or celebrity to get funded, he takes matters into his own hands and begins shooting in his home with a cast of characters connected to his own life. We first meet two English builders, employed to replace the garden fence, temporarily removing the barrier between the house and a Pakistani neighbour. This introduces the film’s central theme of hospitality which ultimately finds its expression when a homeless Slovakian man charms the Filmmaker’s Colombian cleaner to let him in and tests everyone's ideas of the expectations and boundaries between host and guests.
The Filmmaker's House (2021 )
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Slavery has never ended. It has just assumed other names and ways to conceal itself. Roser Corella’s film zooms in on Beirut, where the upper class on a large scale hires maids from countries such as Ethiopia, Kenya and the Philippines through agencies that advise people how to cheat and manipulate the young women to work full-time (literally) for meagre wages. An upsetting revelation, but Corella keeps a cool head and tears the inhuman ‘kafala’ system apart piece by piece. She analyses the situation in both words and images, but it is the underpaid maids themselves who provide the conclusion in the form of demonstrations, protests and demands for proper working conditions. ‘Room without a View’, the title of which describes the rooms made available to the women, combines an artistic and an investigative approach to its exposition of the abominable monster that is modern slavery. A film that is highly topical in all parts of the world - unfortunately.
Room Without a View (2021 )
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Restricted by her lifelong agoraphobia, Kaye has spent most of her life within the four walls of her parents’ house. Finding relief from her fears in the faces and lives of old film stars, she pastes their images alongside those of her deceased family on the walls of her house, creating a kaleidoscopic collage that mixes personal history with Hollywood fantasy. Told first-hand via freewheeling monologues, Portrait of Kaye is a bittersweet portrait of a woman forming her own unique identity while navigating the conflicting influences of her mother’s bawdy humour and her father’s anxieties. Now 74 and recently widowed, her infatuation with a younger neighbour gives her an opportunity to explore personal and sexual freedoms that have always been hidden away. Shot over two years, former next-door neighbour and music video director Ben Reed has assembled a unique and touching meditation on family, film and the meaning of freedom.
Portrait of Kaye (2021 )
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The film is a portrait of Marlon, after being the victim of a great socio-environmental tragedy: his city was buried by the collapse of a dam. “The safest place in the world” is how he refers to his original place, today surrounded by cameras and security.
The Safest Place in the World (2021 )
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May 2017. As the new President of the United States takes his ease in the White House, the city of Breaux Bridge, Louisiana, is the theatre of the mythic Crawfish Festival. It's just another day, in America.
Acadiana (2019 )
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Starting with the memory of a song hummed in a rainy night, Chronicles of That Time investigates the shifting identity of the Mediterranean; from ‘the shared sea’, unifying the cultural diversity of Africa and Europe, to closed borders.
Chronicles of That Time (2021 )
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In northern Scandinavia, a seemingly never-ending border conflict is going on between the indigenous Sami people and the Norwegian and Swedish authorities.
Radji (2021 )
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In Homework (1989), Abbas Kiarostami put questions to students at a public school: questions about homework, punishments, and dreams of the future. The result was a portrait of the generation that grew up during the Iran-Iraq war, trapped by uncertainty and a rigid upbringing. Now, some 30 years later, directors Ashkan Nejati and Mehran Nematollahi repeat Kiarostami’s questions and come to the conclusion that the school system and society itself have changed dramatically. The gulf between rich and poor has grown far wider, and that has become evident in the schools. Parents, many of whom are illiterate, are unable to help their young ones, or otherwise too busy with their careers to supervise homework. Any sense of interest or guidance is absent.
Tonight’s Homework (2021 )
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Shakespeare's 'King Lear' travelling on the dusty and risky roads to the remotest forgotten villages in the mountains of Turkey where even drinking water can hardly reach, turns delicately into 'Queen Lear' in the hands of a peasant-women theatre group. In the early 2000s, a handful of peasant women from the mountains of southern Turkey formed a theater group, which later became the subject of the documentary, The Play. The women acted out their own life stories in the village, and the play changed their lives. Now, they take to the road with an adaptation of Shakespeare's King Lear, traveling the dusty, dangerous roads to the farthest-flung mountain villages where there isn't even running water. On the road, their lives merge with the world of King Lear and become bound up with "the good and the bad", "the young and the old", "the rich and the poor", "the honest and the dishonest" of the play.
Queen Lear (2019 )
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It Takes A Family is a complex, personal story about the director’s family, its secrets and repressed memories. Susanne Kovács knows that her paternal grandparents survived the Holocaust and fled to Denmark to begin a new life. The Hungarian couple kept their own story under lock and key throughout their lives and focused on immersing themselves into Danish everyday life as quickly as possible. A picture book life, seen from the outside. To escape the memory of death, they smiled and remained silent. If no one sees the darkness, they hoped, normality becomes possible. However the unsaid did not fade but grew and finally began to darken the present. Now, Susanne wants to break the silence. But her probing questions bring back painful memories. Is she at all allowed to dig into a family history that holds so many ghosts from the past? And maybe there is more than one truth?
It Takes a Family (2019 )
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From the Barents Sea, a chill wind seems to blow constantly across a semi-deserted town at the edge of the world. Nevertheless, a little community holds out here. In a flawlessly filmed portrait of this extraordinary place, the theme linking the residents is their determination to chart their own course. Bardak was a marine, but his garrison broke up and his comrades sought a better life elsewhere. He stayed behind among the many empty buildings that are slowly but surely being consumed by the elements. Meanwhile, Dima, a young poacher, flouts as many rules as he can, but gives friendly directions to lost tourists and reads lovingly to his little daughter. Ferryman Alexander is locked in a silent generational battle with his teenage daughter Masha; her eyes are on the outside world. Further along, a little team of ships from the Second World War turns up, and a woman steadfastly runs a weather station.
Froth (2019 )
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When a VHS-tape proves the existence of a rumored doorway to paradise, a young man abandons his decaying hometown in pursuit of the door to salvation, evading vengeful pursuers along the way.
Exodus (2021 )
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"Casa del Migrante" in Huehuetoca, a suburb at the gates of Mexico City, is a safe haven for migrants. At least for two days. Then they must go on with their journey towards north in freight train carriages, which everyone here just calls "La Bestia," the beast.
La Bestia - Train of the Unknowns (2019 )
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A cinematic portrait of the homeless population who live permanently in the underground tunnels of New York City.
Dark Days (2000 )
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The picture is about the inexplicable property of a person to fill with energy and life even the most frightening and abandoned places. This is a portrait of the abandoned city of New Idrija and the last years of the lives of those who spent their youth in believing in an alternative version of the “American Dream”.
Quicksilver Chronicles (2019 )
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In the final days leading up to the Colombian national soccer finals, Jorge, a young man from the northeastern Colombia, travels 1,000 miles across the country with his friends to see his native Bucaramanga’s soccer team. Proving their commitment as loyal fans, they travel by illegally hopping onto tractor trailers to attend the most important game of the season — one that promises the team a chance to return to Division A of the Colombian professional soccer league after eight years in Division B.
The Fortress (2019 )
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Ruth Beckermann documents the process of uncovering former UN Secretary General Kurt Waldheim’s wartime past. It shows the swift succession of new allegations by the World Jewish Congress during his Austrian presidential campaign, the denial by the Austrian political class, the outbreak of anti-Semitism and patriotism, which finally led to his election.
The Waldheim Waltz (2018 )
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On the slopes of the Navarrese Pyrenees, the construction of the Itoiz dam in the 1990s flooded seven villages and three nature reserves. A strip of bare land, 592 metres above sea level, today marks a dividing line within the landscape of the valley. Below that level, the water; above it, life goes on.
Above 592 Metres (2018 )