Where to Watch Philippine New Wave: This Is Not a Film Movement in United States
Documentary profiling the directors involved in the loose Philippine New Wave filmmaking movement. Discover "Philippine New Wave: This Is Not a Film Movement" a captivating documentary movie that first graced the screens in 2010. This production, originating from United States features contributions from Brillante Ma Mendoza in the role of Himself, Raya Martin in the role of Himself, Adolfo Alix Jr. in the role of Himself, Ato Bautista in the role of Himself, and Kidlat Tahimik in the role of Himself.
Watch "Philippine New Wave: This Is Not a Film Movement" now on DocAlliance Films, and explore even more ways to dive into your favorite movie with Popcorn Time ultimate streaming guide.
Explore even more streaming options for Philippine New Wave: This Is Not a Film Movement!
Discover how to watch Philippine New Wave: This Is Not a Film Movement across multiple platforms and countries! Whether you are at home or traveling abroad, finding where to stream legally has never been easier. From , Philippine New Wave: This Is Not a Film Movement is available on leading services like . Accessible in 4 other countries, you can explore tailored streaming options that comply with local licensing, ensuring a hassle-free and legal viewing experience.
More Info
- Runtime
- 75 minutes
- Released
- Origin Country
- United States
- Languages
- en
Similars to Philippine New Wave: This Is Not a Film Movement
Movie
A transgender Native Hawaiian teacher inspires a young girl to fulfill her destiny of leading the school's male hula troupe, even as she struggles to find love and a committed relationship in her own life.
Kumu Hina (2014 )
Movie
Zelal is a documentary that's an invitation to delve into the world of psychiatry and "madness" in Egypt. It meets the ordinary madmen and women banished to mental institutions by Egyptian society and offers more than just a journey into their world of shadows. The hospitals end up becoming the only place patients can conceive, not because they are truly "crazy", but because they fear the outside world. The film forces viewers to put their own preconceptions and interpretations to the test, reminding us that freedom is precarious in a society that does not tolerate any differences.
Zelal (2010 )
Movie
A poetic portrait of people working in the state-run post office, rail station and fire headquarters in the 3rd largest city of Africa, Kinshasa.
Elephant's Dream (2014 )
Movie
One in four women experience violence in their homes. Have you ever asked, “Why doesn't she just leave?” Private Violence shatters the brutality of our logic and intimately reveals the stories of two women: Deanna Walters, who transforms from victim to survivor, and Kit Gruelle, who advocates for justice.
Private Violence (2014 )
Movie
Each night in Silicon Valley, the Line 22 transforms from a public city bus into an unofficial shelter for the homeless in one of the richest parts of the world.
Hotel 22 (2014 )
Movie
Filmed over three years on China’s railways, The Iron Ministry traces the vast interiors of a country on the move: flesh and metal, clangs and squeals, light and dark, and language and gesture. Scores of rail journeys come together into one, capturing the thrills and anxieties of social and technological transformation. The Iron Ministry immerses audiences in fleeting relationships and uneasy encounters between humans and machines on what will soon be the world’s largest railway network.
The Iron Ministry (2014 )
Movie
A portrait of Sonja, adventurer of the twentieth century, living on an island that she built by herself: Motu Maeva.
Motu Maeva (2014 )
Movie
Double Happiness takes the Chinese copy of Hallstatt, a small idyllic town in Austria, as a starting point to explore China's fast urbanization. Chinese cities are built where histories and memories can be easily forgotten and thus rewritten. The film intersects the real and the fake through visual imaginary and commentary, interviews and songs.
Double Happiness (2014 )