Discover where to watch Royal Opera House Live: La Valquiria in US
Antonio Pappano conducts a full performance of the second opera in Richard Wagner’s epic Der Ring des Nibelungen.
Antonio Pappano conducts a full performance of the second opera in Richard Wagner’s epic Der Ring des Nibelungen. During a storm, Sieglinde gives shelter to a wounded stranger. They find themselves drawn to each other. He is Siegmund, the twin from whom Sieglinde was separated in childhood. Unknown to them, their father is Wotan, the most powerful of the gods. Through Siegmund, Wotan hopes to retrieve a gold ring of ultimate power that he cannot take himself.
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Beethoven’s only opera is a masterpiece, an uplifting story of risk and triumph. In this new production, conducted by Antonio Pappano, Jonas Kaufmann plays the political prisoner Florestan, and Lise Davidsen his wife Leonore (disguised as ‘Fidelio’) who daringly sets out to rescue him. Set in strong counterpoint are the ingredients of domestic intrigue, determined love and the cruelty of an oppressive regime. The music is transcendent throughout and includes the famous Act I Quartet, the Prisoners’ Chorus and Florestan’s impassioned Act II cry in the darkness and vision of hope. Tobias Kratzer’s new staging brings together the dark reality of the French Revolutionary ‘Terror’ and our own time to illuminate Fidelio’s inspiring message of shared humanity.
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A full-length ballet created by choreographer Christopher Wheeldon for the Royal Ballet at the Royal Opera House, Covent Garden. The ballet is based on Lewis Carroll's famous story of Alice, an ordinary girl who one summer afternoon falls down a rabbit hole and finds herself on an extraordinary adventure. The music is by Joby Talbot, with designs by the internationally acclaimed Bob Crowley. Alice is danced by the Royal Ballet's Lauren Cuthbertson, and actor Simon Russell-Beale plays the cameo role of the Duchess.
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Rolando Villazón Triumphantly Returns To The Stage As Don Carlo In The 2007/2008 Royal Opera House'S Producton Of Don Carlo. National Theatre director Nicholas Hytner's new staging of Verdi's grandest-- and arguably greatest -- opera, Don Carlo, was the highlight of the 2007/2008 Royal Opera House season. This new production marked Rolando Villazón's much anticipated and triumphant return. Set amidst the political, religious and sexual intrigue of the 16th century Spanish court, this epic work tells the tragic story of Don Carlo, a virtuous young prince who is pitted against the powers of a dominant, corrupt society. First staged at The Royal Opera House in 1886, this new production is the first new version of the 5-Act complete opera to be staged at Covent Garden in 50 years. With sets and costumes by Bob Crowley, direction by Nicholas Hytner, and an enviable cast, this production of Don Carlo is worthy of the greatness of Verdi's original, masterful work.
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A disfigured musical genius, hidden away in the Paris Opera House, terrorises the opera company for the unwitting benefit of a young protégée whom he trains and loves. The 25th anniversary of the first public performance of Phantom of the Opera was celebrated with a grand performance at the Royal Albert Hall in London.
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23-year-old Gioachino Rossini completed his masterpiece IL BARBIERE DI SIVIGLIA incredibly quickly – legend has it in just 13 days – which Rossini attributed to ‘facility and lots of instinct’. The opera, characterized by youthful energy and bold wit, has all the ingredients for comic chaos: an imprisoned young woman, her lecherous guardian and a young noble suitor. Skilfully plotting behind the scenes is Figaro, an irrepressible and inventive character in whom many have seen a resemblance to the young Rossini himself. The score fizzes with musical brilliance, from Figaro’s famous entrance aria to the frenzy of the Act I finale. This recording sees Joyce DiDonato (Rosina) bring literal meaning to the old theatrical motto Break a leg! She did just that in an earlier show but was determined to finish her commitment and was re-staged into the production to allow for the additional challenges that come when a leading lady in a lively physical role must wheel around the other performers...
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At the Opéra Royal de Wallonie-Liège, stage director David Hermann and music director Christian Zacharias lead a production of Otto Nicolai's 1849 opera The Merry Wives of Windsor, a work that draws its inspiration from William Shakespeare's beloved eponymous play.
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Famed countertenor Andreas Scholl sings the title role of Roman emperor Julius Caesar in this memorable production of Georg Friederich Handel's "Giulio Cesare," staged at the Royal Danish Opera. Transporting the action from ancient times to the present day, director Francisco Negrin paints a passionate portrait of Caesar's storied romance with the Egyptian queen Cleopatra (played by soprano Inger Dam-Jensen).
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- Runtime
- 290 minutes
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- Origin Country
- US
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