Watch DocAlliance Films Movies Online in Canada
DocAlliance Films offers a large selection of movies in Canada. Whether you're looking for the latest releases, trending titles, or timeless classics, DocAlliance Films has something for everyone. Explore popular genres and discover your next favorite film with ease.
Discover the best of DocAlliance Films in Canada, where you’ll find an unmatched variety of movies to enjoy. From blockbuster hits to critically acclaimed favorites, DocAlliance Films has options for every mood and moment. Love discovering something new? Dive into curated collections of trending titles, hidden gems, or recent releases tailored to your taste. With content spanning across genres like action, romance, documentaries, and more, there's always something exciting waiting for you.
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In 2019, the Brazilian government coordinates the largest and riskiest expedition of the last decades into the Amazon rainforest to search for a group of isolated indigenous people in vulnerability and promote their first contact with non-indigenous. Bruno Pereira, who would later be murdered in the same region and turned into an international symbol in favor of the indigenous and the forest, leads the expedition.
The Invention of the Other (2022 )
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The film depicts the lives of the two sole residents of an abandoned company town while unfolding a complex labour history and revealing the vestiges of environmental degradation. Combining large format cinematography and an inquiry into the archival record, it interlaces past and present.
Anyox (2022 )
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Ida, the grandniece of Simona Kossak, travels to the Bialowieza Forest at the Polish-Belarussian border. Sorting through the photos left by Lech Wilczek, Ida uncovers the life he had with Simona, captured in the photographs, footage and memories. A moving and powerful documentary about the life of Simona Kossak, a biologist, ecologist and activist known for her efforts to preserve the remnants of natural ecosystems in Poland and for living among the animals in the Białowieża Forest for over 30 years.
Simona (2022 )
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Zosia, Kinga and Oskar start their first year at school for blind and visually impaired children.
Fledglings (2022 )
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A portrait of the disenchanted youth of the city of Tolyatti, once a symbol of Soviet progress and the automobile, now devastated by economic decline. Laura Sistero encounters an aimless young generation, who express their dreams of escape through crazy races in old patched-up Ladas. A cinematic object is propelled by spectacular skids to the rhythm of an electro-rock soundtrack.
Tolyatti Adrift (2022 )
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KIM Soonak is a survivor of sex slavery by the Japanese military. The war may have ended, but her life was still at a war. She lived in the prostitute quarters to survive, did sex business in the US military camp town, and peddled goods from the US military. She raised two kids on her own as she worked as a maid. We’ll listen to her story in her absence. The film reconstructs the life story of the deceased KIM Soonak with interviews with activists, archive videos, animation, and read-aloud testimony.
Comfort (2022 )
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“A burned-out group of Brno intellectuals decides to go to Kolochava in Ukraine to perform ‘A Ballad for a Bandit’ there.” With these words, the author's collective presents their film, in which they use primarily documentary imagery to compose a lyrical grotesque about an epochal trip, which might be their goal. But it doesn't have to be. The main tool of expression here is the film’s edit, which places various shots, statements, and meanings next to each other, often in a sort of productive conflict. Just like in a poem, the “poetic function” of art and its ability to serve as the primary tool for expressing beauty is manifested in full force before our very eyes.
Bandits of the Ballad (2022 )
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In Croatia in 2005, a machine tools factory was occupied by its workers. Since then, they have operated collectively, becoming the only successful example of a worker occupation in post-socialist Europe. Today, as they seek a new model of collective ownership, the microcosmic world of the factory clashes with the forces of the globalized market economy, having an increasingly brutal impact on wages and the organization of the factory, causing rising disaffection among the workers. Filmmaker Srđan Kovačević returns regularly over a five year period to make a film that charts the evolution of this communal enterprise. Factory to the Workers tells the inside story of the workers who challenged the dominant economic narrative with their actions. After a decade, the same question remains: can a factory in the hands of workers survive at the periphery of capitalism, or do we need a bigger dream?
Factory to the Workers (2022 )
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90-year-old architect Florian Yuriev is facing the destruction of his magnum opus: an avant-garde concert hall set to be repurposed as a shopping mall. Florian confronts the powerful real estate developer behind this investment project, and uses his visionary ideas to capture an unlikely victory. This is an architectural documentary with infusions of science fiction and horror film.
Infinity According to Florian (2022 )
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A self-portrait in winter. The director is taking a short rest among the key locations of his life. He reminisces about places forgotten, years gone by, and friends gone away.
The Bear's Lair (2022 )
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Adina Camhy investigates the phenomenon of a crater as a metaphor, as well as a concrete physical shape, resulting in a meditation on ‘dynamic memorials’ around the Ramon Crater in the Negev desert and its counterpart with the same name on the Moon.
Crater (2022 )
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Three radically different protagonists, with polar opposite political views, try to define their identities against the background of contemporary Poland. They are at turning points of their lives. The woman has an abortion. One man is getting more politically radical and joins a right-wing party. The other man breaks his ties with the Church and chooses apostasy. Even though they could not be more different in terms of their worldviews, they have one thing in common – each of them is trying to embrace their own uniqueness and understand who they are.
Identity (2022 )
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A detailed collection of the voices, struggles, and events at People’s Park in Berkeley, California. The footage, recorded between February and October of 2022, highlights a transitional period of the park and its historically marginalized community. The observed human experiences illustrate a grounded portrait of a larger tendency in the West.
People's Park (2022 )
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The couple Laura and Israël have a five-year-old son, Lucas. They live together but seem to have lost interest in one another's thoughts and cares. Their relationship seems headed for the rocks, and the only one who seems to still be looking for something from life is Lucas.
Abandonment (2021 )
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The love story of Davud, a young man in search of his ‘true’ family, who completes his life cycle in a single day. When he does find Love, it's in the place he has always lived. But perhaps it is too late.
In Between Dying (2021 )
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In FEAST, perpetrators, victims and their spectators become involved in a dramatic reconstruction of the Groningen HIV case. The film tells a story about power and surrender, the reversibility of truth and the desire to come home somewhere.
Feast (2021 )
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A pair of estranged offspring visit their parents in an abandoned Mexican village.
Fauna (2021 )
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HIM consists of three separate stories in one film. Harald (11) is a boy who constantly falls outside the group. He is not recognized either by friends, school or parents. Emil (30) is unemployed, he is angry and looks down on everyone else. Petter (60) is a Norwegian renowned scriptwriter who wants to make a film about the national hero Fridtjof Nansen. Two men and one boy, one day in Oslo, whom all experiences a social and emotional fall. The film discusses the male role in the contemporary Norway.
HIM (2021 )
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Images from helicopters. Video recordings from the American and the French military forces in Afghanistan, Iraq and Syria. The intervention is taking place right before our eyes. How far can the desire to see lead to, when it has no limits?
There Will Be No More Night (2021 )
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An exhaustive explanation of how the military occupation of an invaded territory occurs and its consequences, using as a paradigmatic example the recent history of Israel and the Palestinian territories, the West Bank and the Gaza Strip, from 1967, when the Six-Day War took place, to the present day; an account by filmmaker Avi Mograbi enriched by the testimonies of Israeli army veterans.
The First 54 Years: An Abbreviated Manual for Military Occupation (2021 )
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Composed from the conversations that the director holds with people passing by in the street under his Warsaw apartment, each story in 'The Balcony Movie' is unique and deals with the way we try to cope with life as individuals. All together, they create a self-portrait of contemporary human life, and the passers-by present a composite picture of today's world.
The Balcony Movie (2021 )
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This documentary film reveals how the lives of the descendants of a partisan fighter in the Second World War are still impacted by the events of that period, 75 years after the end of hostilities. In making her case, Lacková provides glimpses into her private surroundings. Over the course of her film, she also points out frightening parallels between the reign of the Nazi terror regime and the resurgence of racist currents throughout today's Europe.
How I Became a Partisan (2021 )
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In the past ten years, the Slovak citizens’ trust in justice has fallen sharply. Thanks to the access to Threema messages of Marian Kočner, a businessman under investigation in relation to the murder of the journalist Ján Kuciak and his fiancée Martina Kušnírová, a vast corruption network within state administration and the justice system has been revealed. Disintegrating the merciless machinery including corrupt judges, rich and influential businessmen, mafia, politicians, and innocent citizens alike, is all but an easy task. Reflecting on the long-term crisis of the Slovak justice system, Zuzana Piussi’s investigative documentary asks whether the justice system with its many failures can ever be corrected.
The Ordeal (2021 )
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Kentucky. For decades, Brian Ritchie's family has been living in the heart of the Appalachians. But the mines have been shut down, with nothing to replace them. Caught between a mythical past and an indiscernible future, Brian is one of the last witnesses of a vanishing world, that inspires his poetry.
The Last Hillbilly (2021 )
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A computer screen, images from the four corners of the world. We cross borders in one-click while another trip’s story reach us in bits, through text messages, chats, phone conversations, and an immigration office’s questionnaire. It’s the journey of Shahin, a 20-year-old Iranian boy who, fleeing his country alone, lands in Greece, then winds his way to England where he claims asylum.
Elsewhere, Everywhere (2021 )
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Tara Emory is a pioneering erotic photographer who has been active online since the early 2000s. This documentary paints a portray of her at a time when, absorbed by her epic sci-fic trans pornography project, she has to juggle being evicted from her studio, Le Wonderland, her personal and family struggles with compulsive hoarding and her hectic lifestyle. Between the gargantuan sets in her studio, the complicated dilemmas she must face, and the robots spurting a mixture of Mentos and Sprite, this first feature by Laurence Turcotte-Fraser deftly interweaves elements of her inner and outer life to introduce us to an unconventional artist with a wide variety of different interests. The End of Wonderland gives a voice to one those oft-forgotten exhilarating personalities by sensitively exploring Tara Emory’s day-to-day life. (Programming Collective)
The End of Wonderland (2021 )
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The film takes on a walk alongside parasites, symbionts and decomposers offering ideas of both interconnectedness and collaboration. Driven by a vision of resistance, the encounters seek possibilities of renewal and question what connects us when the world seems to be falling apart. With mushrooms and their allies the film invites to imagine a myco-cultural (r)evolution. What if the fungus could help us address and radically change our relationship to this world?
The Mushroom Speaks (2021 )
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I Am The Tigress is an observational style documentary that follows the journey of protagonist Tischa “The Tigress” Thomas during the last year of her career as an African American female bodybuilder. Philipp Fussenegger and Dino Osmanović worked for over 2.5 years on creating this unique piece. They traveled with her from Harlem to Bucharest as she strived towards her goal to place number one in the world in female bodybuilding.
I Am the Tigress (2021 )
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Ordinary people suddenly find themselves face-to-face with a mysterious, silent camera operator.
A Man and a Camera (2021 )
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When the Filmmaker is told his next film must be about crime, sex or celebrity to get funded, he takes matters into his own hands and begins shooting in his home with a cast of characters connected to his own life. We first meet two English builders, employed to replace the garden fence, temporarily removing the barrier between the house and a Pakistani neighbour. This introduces the film’s central theme of hospitality which ultimately finds its expression when a homeless Slovakian man charms the Filmmaker’s Colombian cleaner to let him in and tests everyone's ideas of the expectations and boundaries between host and guests.
The Filmmaker's House (2021 )
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A tragicomic documentary road movie that follows the path of a law that could affect millions of lives. “The Law of Love” guarantees everyone, regardless of sexual orientation, the right to marry – and it is supported by the majority of Czechs. Who, then, is bothered by this bill that has stirred up so much passion, such atypically emotional response? What, for that matter, is the difference between marriage and registered partnerships?
The Law of Love (2021 )
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In intimate close-ups the camera captures an idyllic scene that seems to belong to a different era.
My Uncle Tudor (2021 )
