Watch NFB Movies Online in Canada
NFB offers a large selection of movies in Canada. Whether you're looking for the latest releases, trending titles, or timeless classics, NFB has something for everyone. Explore popular genres and discover your next favorite film with ease.
Discover the best of NFB in Canada, where you’ll find an unmatched variety of movies to enjoy. From blockbuster hits to critically acclaimed favorites, NFB has options for every mood and moment. Love discovering something new? Dive into curated collections of trending titles, hidden gems, or recent releases tailored to your taste. With content spanning across genres like action, romance, documentaries, and more, there's always something exciting waiting for you.
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In 2013, a 2,000-year-old statue of Apollo was found near Gaza, only to disappear all of a sudden. Apollo, god of art, beauty and divinations, incites all sorts of rumors, even the craziest ones. The Apollo of Gaza is at once an inquiry and a meditation on history, plunging us into the barely known reality of a territory that is still paying the price of wars and a merciless blockade, but where life also subsists, undefeated. By bringing a little light to the sky of Gaza, the statue and its stupefying story could return some dignity and hope to all people.
The Apollo of Gaza (2020 )
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Québexit is a multi-lingual (English, French, Cree) ensemble political comedy: when a transnational pipeline leads to a successful third Québec sovereignty referendum, a small road at the Québec-New Brunswick border becomes a lighting rod of conflict between the new Québec military, the Canadian Armed Forces and two indigenous women who traverse the border frequently.
Québexit (2020 )
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Director Michèle Stephenson’s new documentary follows families of those affected by the 2013 legislation stripping citizenship from Dominicans of Haitian descent, uncovering the complex history and present-day politics of Haiti and the Dominican Republic through the grassroots electoral campaign of a young attorney named Rosa Iris.
Stateless (2020 )
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The Covid pandemic strikes a tragically familiar chord for the Inuvialuit of the Mackenzie River Delta. In the early 19th century John Franklin and his crew infected their ancestors with deadly smallpox. Other devastating epidemics would follow. Historian Randal Pokiak returns to the ancient site of Kitigaaruk, a community abandoned after the great flu epidemic of 1918, to deliver a vivid cautionary tale.
Pandemic At the End of the World (2020 )
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By the summer of his 19th birthday, Charlie Hall, champion wakeboarder, doesn’t know if he’ll ever get back on a wakeboard following an injury. When he flees his anguish and uncertainty by going to his cousin Noah’s house in the town of Chambly, he meets Juliette, a young employee of the local marina. The chemistry clicks and the two youngsters develop a unique relationship that only has as obstacles the fear of their ambitions.
The Marina (2020 )
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Bad Seeds takes us to a bizarre world populated by carnivorous plants that can change shapes the way a chameleon changes colours. The veteran director of deftly connects growth with rivalry and evolution with competition, crafting an increasingly shocking duel that’s peppered with allusions to the western, the Cold War, board games, and much more.
Bad Seeds (2020 )
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I, Barnabé takes a luminous look at a desperate man’s existential crisis. During a night of stormy drunkenness, he receives a visit from a mysterious bird and is forced to reconsider his life.
I, Barnabé (2020 )
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Old Dog shows how elderly dogs' lives are improved by technology - from diapers for amputees to doggie strollers - through animated vignettes. The soundtrack consists of an older man describing his dog's ailments and what he does to care for them. Clearly, he could be talking about himself.
Old Dog (2020 )
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Over the course of over six decades, Honest Ed's became a Toronto Landmark. The neighbourhood it left behind when it closed its doors in 2016 reflects on its history and legacy.
There's No Place Like This Place, Anyplace (2020 )
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Thursday shot from filmmaker Galen Johnson's high-rise apartment during COVID-19 “lockdown” in Winnipeg, captures people going about their daily routines in the city's eerily empty streets, yards and parking lots, on their balconies and on the riverbanks. The extreme distance and the diminutive scale of humans is paired with sound close-ups—a combination that embodies the strange, heightened intensity of feeling of the time, knowing an era-defining tragedy is happening yet being so physically removed.
Thursday (2020 )
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When COVID protocols impose restrictions on human interaction, Millefiore Clarkes seizes the opportunity to reflect on the nature of love itself, juxtaposing her own existential quest with those of a teenager grappling with identity and self-worth in a time of social distancing, and a woman who finds surprising new romance despite pandemic isolation.
Love in Quarantine (2020 )
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Watch 4,000 cattle return from summer grazing to 20 families who share a communal pasture and corral. Mesmerizing visual patterns from sky and ground frame an evocative contemplation of the relationship between human and animals, landscape and architecture.
Roundup (2020 )
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A few years ago, the al-Mahamids fled Bashar al-Assad and Syria to settle in Montreal. A nuanced portrayal of a courageous family coping with a seemingly interminable war, thousands of kilometres away, that continues to affect their lives.
Far from Bashar (2020 )
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The story of a young boy forced to spend all five years of his short life in hospital while the federal and provincial governments argued over which was responsible for his care, as well as the long struggle of Indigenous activists to force the Canadian government to enforce “Jordan’s Principle” — the promise that no First Nations children would experience inequitable access to government-funded services again.
Jordan River Anderson, The Messenger (2019 )
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When an extraordinary new resident – Balakrishna, an Indian elephant – arrived in the town of East River, Nova Scotia, in 1967, no one was more in awe of the creature than young Winton Cook, who became inseparable from his mammoth new friend. Using painterly animation, photographs and home-movie treasures, Balakrishna transmits the wistfulness of childhood memories, while evoking themes of friendship and loss, and issues of immigration and elephant conservation.
Balakrishna (2019 )
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Some people grapple with the moral challenges of treating human beings decently. Others are just… assholes. Inspired by Aaron James’ New York Times bestseller of the same name, this documentary investigates the breeding grounds of contemporary ‘asshole culture’ — and locates signs of civility in an otherwise rude and nasty universe. Venturing into predominantly male domain, this film moves from Ivy League frat clubs to the bratty princedoms of Silicon Valley and the bear pits of international finance. Why do assholes thrive in certain environments? What explains their perverse appeal? And how do they keep getting elected?
Assholes: A Theory (2019 )
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Josh Crooks is a promising teen hockey star in a sport where Black players like him are chronically underrepresented. Ice Breakers reveals the buried history of a pioneering Black hockey league in Atlantic Canada, as Crooks discovers that his unshakable passion is tied to a rich and remarkable heritage.
Ice Breakers (2019 )
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When internationally renowned Haida carver Robert Davidson was only 22 years old, he carved the first new totem pole on British Columbia’s Haida Gwaii in almost a century. On the 50th anniversary of the pole’s raising, Haida filmmaker Christopher Auchter steps easily through history to revisit that day in August 1969, when the entire village of Old Massett gathered to celebrate the event that would signal the rebirth of the Haida spirit.
Now Is the Time (2019 )
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Deeply rooted in artistic families, young Luben Boykov and Elena Popova escape the repressions of communist Bulgaria and find refuge on the island of Newfoundland in 1990. With their 2-year-old daughter and sixty dollars they begin to build a new life. At the height of what many would define as success, they leap again, understanding that the greatest risk for art, and for love, is taking it for granted.
Luben & Elena (2019 )
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A teenager wakes to discover she’s the last person on Earth.
Martha (2019 )
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Deanne Foley profiles fellow Newfoundlander Mary Walsh, the Great Warrior Queen of Canadian comedy, musing on time wasted as an object of desire and time well spent as the fearless agent of her own destiny. A joyous call to action.
Radical (2019 )
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Written and directed by Jason Young (Animals, Inside Time), Gun Killers takes us into the rural, secluded paradise that retired blacksmiths John and Nancy Little call home. As the tranquil light of a typical day of harvesting vegetables descends into night, we experience the secret work that John and Nancy are sometimes called upon to undertake for the RCMP.
Gun Killers (2019 )
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Tracks an unknown man’s life as he sifts through memories of his youth in Bulgaria through to his increasingly rootless and melancholic adulthood in Canada.
The Physics of Sorrow (2019 )
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An unpredictable documentary from a fascinating storyteller, Agnès Varda’s last film sheds light on her experience as a director, bringing a personal insight to what she calls "cine-writing," traveling from Rue Daguerre in Paris to Los Angeles and Beijing.
Varda by Agnès (2019 )
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Built on a layer of frozen earth, Dawson City, Yukon, Canada has subarctic winters where temperatures routinely drop below −40°C. Meet the four season food producers who engage in small-scale agriculture, and those who support their back-to-the-land movement. These resilient unassuming farmers have carved out small patches of fertile soil, in an otherwise unforgiving expanse of isolated wilderness, to make a living and a life.
Sovereign Soil (2019 )
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Three sisters have spent years bracing themselves for the pivotal moment that opens this film: the final verdict in their trial against their cousin, their childhood sexual abuser. From there, the story returns to their memories of growing up in a large and insular Punjabi-Canadian family in the small mill town of Williams Lake, British Columbia. With unflinching candour, the sisters discuss their family's dark secrets and expose a toxic family culture that relied on female subservience and obedience. These roles, they acknowledge, have deeper roots and have in part been reinforced by the Bollywood films that have structured their fantasies of romantic relationships. While the film tells a difficult and confrontational story of abuse, it is also a celebration of the loving sisterhood that allows these women to demand justice for the wrongs of their childhood years.
Because We Are Girls (2019 )
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I Am Skylar is the emotionally compelling story of an articulate girl who is thoughtfully defining her future and the woman she is to become. Skylar faces the complexities of being a transgender girl on the cusp of puberty with refreshing honesty and unshakeable dignity.
I Am Skylar (2019 )
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Director Mirjam Leuze’s The Whale and The Raven illuminates the many issues that have drawn whale researchers, the Gitga’at First Nation, and the Government of British Columbia into a complex conflict. As the people in the Great Bear Rainforest struggle to protect their territory against the pressure and promise of the gas industry, caught in between are the countless beings that call this place home.
The Whale and the Raven (2019 )
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On August 9, 2016, a young Cree man named Colten Boushie died from a gunshot to the back of his head after entering Gerald Stanley's rural property with his friends. The jury's subsequent acquittal of Stanley captured international attention, raising questions about racism embedded within Canada's legal system and propelling Colten's family to national and international stages in their pursuit of justice. Sensitively directed by Tasha Hubbard, "nîpawistamâsowin: We Will Stand Up" weaves a profound narrative encompassing the filmmaker's own adoption, the stark history of colonialism on the Prairies, and a vision of a future where Indigenous children can live safely on their homelands.
nîpawistamâsowin : We Will Stand Up (2019 )
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In both amateur and professional sports, being gay remains taboo. Few dare to come out of the closet for fear of being stigmatized, and for many, the pressure to perform is compounded by a further strain: whether or not to affirm their sexual identity. Standing on the Line takes a fresh and often moving look at some of our gay athletes, who share their experiences with the camera. They’ve set out to overcome prejudice in the hopes of changing things for the athletes of tomorrow.
Standing on the Line (2019 )
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A look at the current global climate crisis and how we're adapting to these changes.
Metamorphosis (2018 )
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One fateful night, after leaving a bar in his home town of Nova Scotia, musician Scott Jones was subjected to a vicious and targeted attack which left him paralysed and in a wheelchair. Despite Scott knowing that this was a homophobic hate crime, the assault was not treated as such in the courts, or by the media. As Scott rebuilds his life, he is forced to make sense of the way the incident was handled while also struggling to make peace with his attacker. Taking place across the three years following this life-changing ordeal, close friend and filmmaker Laura Marie Wayne gracefully charts the impact of the attack on Scott’s life, both physically and mentally. The resulting documentary is a tender, heartbreaking and inspiring testament to one man’s strength and resilience.
Love, Scott (2018 )
