Watch True Story Movies Online in Canada
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Alfredo Stroessner was the longest ruling dictator on the South American continent, controlling Paraguay from 1954 to 1989 with an iron fist. Opponents were imprisoned, tortured or killed. In Guapo’y, Celsa, now in her 60s, looks back on that horrific period. Forty-five years ago, pregnant with her son, she was imprisoned and tortured. Later she learned that her husband had also been tortured and then murdered. After eight years, she was reunited with her mother, who herself had been imprisoned, and the two women talk about the traumatic past. We also hear the perspective of Celsa’s son. Celsa fights the demons in her mind with homemade herbal infusions and herbs applied to her body. The beauty of nature, which provides the herbs she carefully gathers, contrasts starkly with the horrific memories.
Guapo’y (2022 )
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On March 11, 2011, a tsunami devastated the coasts of Japan, claiming thousands of lives. Today, the scars of this tragedy remain visible. Yet in spite of this, people, plants and animals alike continue to exist. Through striking images shot on land and in the sea, Jennifer Rainsford’s film celebrates human resilience and the endless beauty of our planet.
All of Our Heartbeats Are Connected Through Exploding Stars (2022 )
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The film depicts the lives of the two sole residents of an abandoned company town while unfolding a complex labour history and revealing the vestiges of environmental degradation. Combining large format cinematography and an inquiry into the archival record, it interlaces past and present.
Anyox (2022 )
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As head of the Organization for the Prohibition of Chemical Weapons, Brazilian diplomat José Bustani became an obstacle in America’s march to war with Iraq. Ousted from his position, he now revisits the chilling events that marked a turning point in global power structures.
A Symphony for a Common Man (2022 )
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A portrait of the disenchanted youth of the city of Tolyatti, once a symbol of Soviet progress and the automobile, now devastated by economic decline. Laura Sistero encounters an aimless young generation, who express their dreams of escape through crazy races in old patched-up Ladas. A cinematic object is propelled by spectacular skids to the rhythm of an electro-rock soundtrack.
Tolyatti Adrift (2022 )
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In Croatia in 2005, a machine tools factory was occupied by its workers. Since then, they have operated collectively, becoming the only successful example of a worker occupation in post-socialist Europe. Today, as they seek a new model of collective ownership, the microcosmic world of the factory clashes with the forces of the globalized market economy, having an increasingly brutal impact on wages and the organization of the factory, causing rising disaffection among the workers. Filmmaker Srđan Kovačević returns regularly over a five year period to make a film that charts the evolution of this communal enterprise. Factory to the Workers tells the inside story of the workers who challenged the dominant economic narrative with their actions. After a decade, the same question remains: can a factory in the hands of workers survive at the periphery of capitalism, or do we need a bigger dream?
Factory to the Workers (2022 )
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45,000 patients died in French psychiatric hospitals between 1939 and 1945. A single site escaped this carnage: the asylum in Saint-Alban, an isolated village in Lozère. What happened there for it to be an exception? Retracing several decades in the history of this important site of psychiatry, using precious archival films and the accounts of those who worked there, Martine Deyres answers this question and, in doing so, shows how the political courage and poetic audacity that were practised there contributed to changing medicine and society’s perception on madness. Intersecting in the crucible of this movement called “institutional psychotherapy” were members of the Resistance, artists, doctors and philosophers—including Paul Eluard, Tristan Tzara and Georges Canguilhem.
Our Lucky Hours (2022 )
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When her father becomes suddenly paralyzed, the filmmaker spends four years in between hospitals finding shelter behind her camera away from a family tragedy. Rehabilitation centers, cemeteries, love making, VR experiments, fervent prayers and voice notes are the record of a filmmaker’s journey trying to amend the impossible: finding absolution for a broken family by making her father walk again.
Perhaps What I Fear Does Not Exist (2022 )
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90-year-old architect Florian Yuriev is facing the destruction of his magnum opus: an avant-garde concert hall set to be repurposed as a shopping mall. Florian confronts the powerful real estate developer behind this investment project, and uses his visionary ideas to capture an unlikely victory. This is an architectural documentary with infusions of science fiction and horror film.
Infinity According to Florian (2022 )
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A personal family epic, where Danish-Pakistani director Anita Mathal Hopland looks back at the history of her two families over 15 years in Karachi and Copenhagen.
Moosa Lane (2022 )
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Filmmaker and anthropologist Céline Pernet questions her relationship with the men of her generation. Responding to an advert, men aged 30 to 45 years old answer her questions, in a quest as personal as it is societal. Garçonnières casts an amused and caring eye, reflecting an urgent need to discuss current models of masculinity.
Man Caves (2022 )
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25 years after the end of apartheid, an Afrikaner man returns to the small town and haunting landscapes he grew up in in rural South Africa. Confronted with the failing health of his father and ghosts from the past, he remembers and seeks out the town's dogs, gays and people fallen by the wayside of the 'rainbow nation'. The town simmers with unresolved histories compounded with fresh challenges in a climate-changing world, preoccupied by questions of life and death, meaning and survival.
Calvinia (2022 )
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During the Syrian civil war, the district of Yarmouk, home to thousands of Palestinians, became the scene of dramatic and ferocious fighting. Little Palestine (Diary of a Siege) is a film that follows the destiny of civilians during the brutal sieges, imposed by the Syrian regime, that took place in the wake of the battles. With his camera, Abdallah Al-Khatib composes a love song to a place that proudly resists the atrocities of war.
Little Palestine: Diary of a Siege (2021 )
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The incredible life story of a Soviet soldier of Tatar descent who was captured by the Nazis during WWII. Today, his daughter Sana is tracing the path of her silent father, trying to understand what made him the man she knew as a child, through his diaries, as well as various personal and public archives and registries. As she accompanies Sana in her journey, filmmaker Aliona van der Horst excavates film archives, to find traces of those millions of Soviet soldiers who were caught in the crossfire of fighting between dictators, who were there but were easily left out of the narrative of the global war.
Turn Your Body to the Sun (2021 )
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The filmmaker tries to communicate with the sheep living where his parents are buried.
Some Kind of Intimacy (2021 )
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On Guadeloupe, an archipelago in the Caribbean, the past speaks up. Sylvaine Dampierre has the workers of an old sugar refinery read passages from the transcripts of an 1842 court case, while the machines roar and groan in the background. The testimonies of the slaves from back then in the rusty halls of today give rise to a polyphony both explosive and poetic in nature.
Words of Negroes (2021 )
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After 62 years of marriage, an elderly couple decides to get a divorce.
Their Algeria (2021 )
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During the pandemic, a 14 year old boy remains stuck in his school dormitory while his mother tries to contact him.
My Courtyard (2021 )
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Today, 11 years after the massive earthquake in Haiti that left over a million people homeless and killed hundreds of thousands, the country has still not recovered from the disaster. Despite billions of dollars in aid money, Haiti struggles with some of the highest levels of poverty and unemployment in the Western hemisphere. In Port-au-Prince, various citizens are shuttled through a city in crisis. Maneuvering around barricades, garbage dumps and the packed streets of the capital, they speak candidly about the current state of their country. Through the car window a frustrated population passes and occasionally interacts with the passengers in the vehicle. Beautifully shot, with a lively score, Zo Reken presents a complicated portrait that testifies to the magnitude of the tragedy and highlights the disorganized state of international aid.
zo reken (2021 )
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Tara Emory is a pioneering erotic photographer who has been active online since the early 2000s. This documentary paints a portray of her at a time when, absorbed by her epic sci-fic trans pornography project, she has to juggle being evicted from her studio, Le Wonderland, her personal and family struggles with compulsive hoarding and her hectic lifestyle. Between the gargantuan sets in her studio, the complicated dilemmas she must face, and the robots spurting a mixture of Mentos and Sprite, this first feature by Laurence Turcotte-Fraser deftly interweaves elements of her inner and outer life to introduce us to an unconventional artist with a wide variety of different interests. The End of Wonderland gives a voice to one those oft-forgotten exhilarating personalities by sensitively exploring Tara Emory’s day-to-day life. (Programming Collective)
The End of Wonderland (2021 )
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Unemployed youths, many looking to leave the country for want of better options, are swelling the ranks of gangs that sow violence in Zinder, in Niger. Aïcha Macky explores the origins of the radicalization that is spreading through her hometown and the prospects for escaping it.
Zinder (2021 )
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The film takes on a walk alongside parasites, symbionts and decomposers offering ideas of both interconnectedness and collaboration. Driven by a vision of resistance, the encounters seek possibilities of renewal and question what connects us when the world seems to be falling apart. With mushrooms and their allies the film invites to imagine a myco-cultural (r)evolution. What if the fungus could help us address and radically change our relationship to this world?
The Mushroom Speaks (2021 )
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Made from images filmed by the Syrian artist Amel Alzakout after the boat on which she was fleeing Syria sank off the coast of Lesbos, Purple Sea reports on the moment in which the co-director and the other passengers are floating in the sea in their lifejackets, waiting to be rescued. Her voice-over accompanies this extremely poignant experience.
Purple Sea (2021 )
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I Am The Tigress is an observational style documentary that follows the journey of protagonist Tischa “The Tigress” Thomas during the last year of her career as an African American female bodybuilder. Philipp Fussenegger and Dino Osmanović worked for over 2.5 years on creating this unique piece. They traveled with her from Harlem to Bucharest as she strived towards her goal to place number one in the world in female bodybuilding.
I Am the Tigress (2021 )
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When the Filmmaker is told his next film must be about crime, sex or celebrity to get funded, he takes matters into his own hands and begins shooting in his home with a cast of characters connected to his own life. We first meet two English builders, employed to replace the garden fence, temporarily removing the barrier between the house and a Pakistani neighbour. This introduces the film’s central theme of hospitality which ultimately finds its expression when a homeless Slovakian man charms the Filmmaker’s Colombian cleaner to let him in and tests everyone's ideas of the expectations and boundaries between host and guests.
The Filmmaker's House (2021 )
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Restricted by her lifelong agoraphobia, Kaye has spent most of her life within the four walls of her parents’ house. Finding relief from her fears in the faces and lives of old film stars, she pastes their images alongside those of her deceased family on the walls of her house, creating a kaleidoscopic collage that mixes personal history with Hollywood fantasy. Told first-hand via freewheeling monologues, Portrait of Kaye is a bittersweet portrait of a woman forming her own unique identity while navigating the conflicting influences of her mother’s bawdy humour and her father’s anxieties. Now 74 and recently widowed, her infatuation with a younger neighbour gives her an opportunity to explore personal and sexual freedoms that have always been hidden away. Shot over two years, former next-door neighbour and music video director Ben Reed has assembled a unique and touching meditation on family, film and the meaning of freedom.
Portrait of Kaye (2021 )
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The film is a portrait of Marlon, after being the victim of a great socio-environmental tragedy: his city was buried by the collapse of a dam. “The safest place in the world” is how he refers to his original place, today surrounded by cameras and security.
The Safest Place in the World (2021 )
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Starting with the memory of a song hummed in a rainy night, Chronicles of That Time investigates the shifting identity of the Mediterranean; from ‘the shared sea’, unifying the cultural diversity of Africa and Europe, to closed borders.
Chronicles of That Time (2021 )
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In northern Scandinavia, a seemingly never-ending border conflict is going on between the indigenous Sami people and the Norwegian and Swedish authorities.
Radji (2021 )
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In Homework (1989), Abbas Kiarostami put questions to students at a public school: questions about homework, punishments, and dreams of the future. The result was a portrait of the generation that grew up during the Iran-Iraq war, trapped by uncertainty and a rigid upbringing. Now, some 30 years later, directors Ashkan Nejati and Mehran Nematollahi repeat Kiarostami’s questions and come to the conclusion that the school system and society itself have changed dramatically. The gulf between rich and poor has grown far wider, and that has become evident in the schools. Parents, many of whom are illiterate, are unable to help their young ones, or otherwise too busy with their careers to supervise homework. Any sense of interest or guidance is absent.
Tonight’s Homework (2021 )
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A wistful but witty account of a trip to Beijing by filmmaker Viv Li, a Chinese art student who has been living abroad for ten years. Her stay with her family mercilessly exposes how uprooted she has become by her life abroad.
I Don’t Feel at Home Anywhere Anymore (2020 )
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At Hotel Astoria, the former hotspot of Leipzig, guests were served champagne and turtle soup while the Stasi listened in. Animated memories from times gone by.
Hotel Astoria (2020 )
