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Film
Unpredictably, as most of my life’s key events have been, for a period of several years of late sixties and early seventies, I had the fortune to spend some time, mostly during the summers, with Jackie Kennedy’s and her sister Lee Radziwill’s families and children. Cinema was an integral, inseparable, as a matter of fact, a key part of our friendship. The time was still very close to the untimely, tragic death of John F. Kennedy. Jackie wanted to give something to her children to do, to help to ease the transition, life without a father. One of her thoughts was that a movie camera would be fun for children. Peter Beard, who was at that time tutoring John Jr. and Caroline in art history, suggested to Jackie that I was the man to introduce the children to cinema. Jackie said yes. And that’s how it all began
This Side of Paradise: Fragments of An Unfinished Biography (1999 )
Film
The first of Peter Tscherkassky's Cinemascope trilogy of short films is a fragmented glimpse of images pulsating with chaotic rhythm as they fight white margins for room in his palette. Mirrored frames being split by white margin and trying to reassemble again like the poles of a magnet, a train approaching station and colliding with itself in white-hot blistering chaos.
The Arrival (1999 )
Film
A propulsively jittering journey through the cinematic imaginary using glitchy found footage and jacked-up cyber sounds, Get Ready hits the highway hard and takes us with it. A car crash? An escape? This turbo-charged condensation of cinematic moods and tropes makes much of its tiny run-time.
Get Ready (1999 )
Film
Like everything rotates around: vodkas searching, vituperation, floating barge, wind gusts. It seems the people, and the nature feel approaching farewell, and intermittent band, repetitive shots and phrases, accentuated the importance of the passing moment.
The First Farewell to Paradise (1998 )
Film
Balifilm was originally commissioned as a stage performance, created from diary images and sounds collected in 1990 and 1992 by Peter Mettler on the island of Bali. The soundtrack is a live recording of eight Gamelan musicians playing the bronze and wooden instruments of Indonesia during the projection of the film. balifilm is a personal, lyrical observation and expression of the creative pulse of an extraordinary culture.
Balifilm (1997 )
Film
An acclaimed hijacking documentary that eerily foreshadowed 9/11. We meet the romantic skyjackers who fought their revolutions and won airtime on the passenger planes of the 1960s and '70s. By the 1990s, such characters were apparently no more, replaced on our TV screens by stories of anonymous bombs in suitcases. Director Johan Grimonprez investigates the politics behind this change, at the same time unwrapping our own complicity in the urge for ultimate disaster.
Dial H-I-S-T-O-R-Y (1997 )
Film
Kidlat Tahimik, a director and performer, sought to recreate relations between the body and filmed image seen through "Asian eyes." This groundbreaking project took the form of a documentary which Mr. Tahimik directed and in which he performed himself in order to show his own thinking about the different views of the body held by the "East" and the "West."
Japanese Summers of a Filipino Fundoshi (1996 )
Film
Explores the relationships among grandmothers, mothers and daughters in a changing Japanese society.
37 Stories About Leaving Home (1996 )
Film
SIGNERS KOFFER is a kind of road movie across Europa. From the Swiss Alps to eastern Poland, from Stromboli to Iceland. Always following the scenery's magically charged contours. Immersing yourself, letting yourself be infected, then travelling on. Roman Signer determines the route that we are moving on and the film improvises along the way. Being on the road also means tracking down the right places. Signer brings them alive using his own personel instruments, brilliantly simple operations full of subtle humour. «Simple» poems being transmitted into space with INSTRUMENTS as gunpowder, fuse, rubber boots, balloons, stool, small table ... and a three wheelded Plaggio. SIGNERS KOFFER is also a journey through the state of mind. A tightrope walk between fun and melancholy. Danger also mental mental danger becomes the stimulus of the senses. Sudden crashes, abrupt chagnes of mood determine the rythm and atmosphere of this cinematic journey.
Signer's Suitcase (1995 )
Film
A small company valiantly struggles to survive under the respectful yet probing camera of Claire Simon in “At All Costs.” As the docu opens, founder and manager Jihad is off to see his banker. The lack of ready cash to pay his loyal employees, wholesale produce providers and a whole range of other creditors, including the tax-gobbling French government, is omnipresent. From a staff of 14, Jihad is down to three cooks, one delivery driver and a secretary in less than six months. The good-natured pluck of the remaining employees is at the heart of the film. Subterfuges for putting up a brave united front include scheduling food orders from a coin-operated pay phone when the office phone is cut off for nonpayment.
At All Costs (1995 )
Film
A documentary of an expedition to Churchill, Manitoba to film the Northern Lights.
Picture of Light (1994 )
Film
As French kindergarteners pour forth for recess, play takes on epic proportions. In every corner, some miniature drama is unfolding. Violence, love, jealousy, treachery are all here! This is human society in the making.
Récréations (1993 )
Film
In the little town of Herzsprung - whose name harks back to an ancient legend of broken hearts - almost nothing has changed since German unification, except a rise in unemployment. Johanna, a young mother and widow, becomes one of the unemployed and lives on welfare. To make matters worse, she falls in love with a dark-skinned, roving adventurer and the whole village starts talking about it.
Herzsprung (1992 )
Film
Fluchtpunkt von Bilder der Welt ist das Gedankenbild vom blinden 'Fleck' der Auswerter von amerikanischen Flugaufnahmen, die sich 1944 nur für die industrielle Anlage der IG-Farben, nicht aber für das nahegelegene Konzentrationslager Auschwitz interessierten. Kommentar und Hinweise auf den Luftaufnahmen zeigen, daß erst Jahrzehnte später der CIA entdeckte, was die Alliierten 1944 nicht sehen wollten: daß neben dem industriellen Bombenziel IG-Farben-Werke das KZ Auschwitz abgebildet war.
Bilder der Welt und Inschrift des Krieges (1991 )
Film
The winner of numerous festival prizes, this early work by Lynne Sachs is a provocative film essay on women's perspectives on their bodies in a "man's world." It touches on everything from the female form's depiction in Renaissance art to the school of 19th century "scientific" thought equating "abnormal" physiognomy with criminality. This adventurous collage also features the filmmaker's own diaristic recollections (notably of being fitted for a diaphragm by a cold, intimidating doctor), poetical staged sequences, other women's audio testimonies, an old classroom instructional reel about menstruation, prose by Gertrude Stein and feminine "ideals" like the undulating young woman performing in fish-tail costumes at Florida's kitschy Weeki-Wachee Springs "Underwater Mermaid Theater." - Dennis Harvey
The House of Science: A Museum of False Facts (1991 )
Film
An avant-garde documentary film on English guitarist, composer and improviser Fred Frith.
Step Across the Border (1990 )
