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Film
Reflecting on Mao's famous saying, "Let a hundred flowers blossom and a hundred schools of thought contend," Trinh T. Minh-ha's film — whose title refers in part to a Chinese guessing game — is a unique excursion into the maze of allegorical naming and storytelling in China.
Shoot for the Contents (1992 )
Film
Based on Samuel R. Delany’s short novel ‘Aye, and Gomorrah...’, where the sci-fi premise of radiation-resistant state-neutered space travellers allows the author to explore androgyny, sexual identity, etc. Hammel uses Delany’s story to create a spookily beautiful world where asexual bodies live in the contradiction between their unarousable loneliness and desire for intimacy and contact.
The Black Sun (1992 )
Film
In the little town of Herzsprung - whose name harks back to an ancient legend of broken hearts - almost nothing has changed since German unification, except a rise in unemployment. Johanna, a young mother and widow, becomes one of the unemployed and lives on welfare. To make matters worse, she falls in love with a dark-skinned, roving adventurer and the whole village starts talking about it.
Herzsprung (1992 )
Film
In early summer 1989, Helke Misselwitz portrays young musicians in a band who produce their music on other people’s waste items. The four boys call themselves "Bulk Rubbish" and they drum out their resentment, having grown up on the new housing estates of East Berlin. A straight-up picture of the GDR youth is presented here, which in no way conforms to the official image. The film crew concentrates on the observation of the boy Enrico and his mother Erika: when the mother marries in the West, her son decides to stay in East Berlin, bidding her farewell at the border-crossing. Only shortly after, the tables are turned again: as the events in Berlin leading up to the fall of the Wall are practically captured live from the film crew, Enrico insists on maintaining his cultural identity, even after the fall of the Wall. The "Bulk Rubbish" musicians want to remain citizens of their own state and perceive the looming reunification with scepticism.
Bulky Trash (1991 )
Film
Fluchtpunkt von Bilder der Welt ist das Gedankenbild vom blinden 'Fleck' der Auswerter von amerikanischen Flugaufnahmen, die sich 1944 nur für die industrielle Anlage der IG-Farben, nicht aber für das nahegelegene Konzentrationslager Auschwitz interessierten. Kommentar und Hinweise auf den Luftaufnahmen zeigen, daß erst Jahrzehnte später der CIA entdeckte, was die Alliierten 1944 nicht sehen wollten: daß neben dem industriellen Bombenziel IG-Farben-Werke das KZ Auschwitz abgebildet war.
Bilder der Welt und Inschrift des Krieges (1991 )
Film
Izkor is about the orchestration of memory. The film shows how school children of all ages in Israel are taught to pay tribute to their nation's past. It keenly observes how some memories are even physically conditioned into the future generations. "One of the most truly, most intelligent, most terrible and sharpest films about Israeli society. A film on memory and politics: this is the way that Israeli society exploits its myths to train people to have no doubts or remorse, creating the soldiers of the future wars." (Tom Segev - Haaretz)
Izkor: Slaves of Memory (1991 )
Film
Firdaus is a Blackjack dealer in a Las Vegas landscape juxtaposed between glittering casino lights and the deteriorating desert oasis. Negotiating a missing husband and neighboring domestic violence, Firdaus’ world unfolds as a fragmented interplay between repetition and repressed anger.
Queen of Diamonds (1991 )
Film
An avant-garde documentary film on English guitarist, composer and improviser Fred Frith.
Step Across the Border (1990 )
Film
While a group of workers demolish a building in the Providencia district, the director of the documentary talks with a stucco worker, accompanying him to his house. The dialogue, which begins with an inquiry into his trade, reveals the frustration of the worker, whose meager salary prevents him from paying the money required to obtain the title deeds to his own house.
Under Construction (1977 )
