Vaata DocAlliance Films filme ja telesaateid veebis Eestis
DocAlliance Films pakub suurt valikut filme ja telesaateid Eestis. Olgu otsite uusimaid väljalaskeid, trendikaid pealkirju või ajatu klassikat, DocAlliance Filmsl on midagi igaühele. Avastage populaarseid žanre ja leidke oma järgmine lemmik film või telesaade hõlpsasti.
Avasta Eestis parim DocAlliance Films, kus leiad ületamatu valiku filme ja seriaale, mida nautida. Alates kassahittidest kuni kriitikute poolt kiidetud lemmikuteni - DocAlliance Films pakub valikuid igaks tujuks ja hetkeks. Kas armastad avastada midagi uut? Sukeldu kureeritud kollektsioonidesse, mis sisaldavad trendikaid pealkirju, peidetud pärleid või hiljutisi väljaandeid, mis on kohandatud sinu maitsele. Sisu hõlmab žanre nagu action, romantika, dokumentaalfilmid ja palju muud, seega on alati midagi põnevat sind ootamas.
Leia, mida vaadata kiiremini koos DocAlliance Films ja Popcorn Time'iga. Olgu see siis filmiõhtu planeerimine või oma lemmik filmi või sarja järjest vaatamine, sul on alati lihtne juurdepääs parimatele meelelahutusvõimalustele.
Film
In the flat where I grew up, in a closet, hidden behind his clothes, uniform and a pistol, my father kept a box with papers, school documents and volumes. After he died, I searched the box. In his student report book I found a name of professor who lectured "The basics of Marxist sociology" in 1976. I went to the professor and asked him: "What is friendship?" - "A tiny bird," he said.
Tiny Bird (2013 )
Film
Varziela, Vila do Conde, the biggest Chinatown in Portugal. A man wearing a hat and a missing woman. A high-heeled shoe, a blond wig and a Chinese dress. The confrontation between the East Wind and the Red Dragon; the cardinal points switched as in an ultimate Mahjong game.
Mahjong (2013 )
Film
A man returns, after fifty years, to Chinatown to care for his dying mother. He is a librarian, a cataloguer and recorder, a gay man, a watcher, an impersonator. He passes his time collecting images - his witnesses and collaborators. Sitting in the dark, we look at them and share his cloak of invisibility, both a benefit and a curse.
Touch (2013 )
Film
Paris, North Station, anything comes by, even trains. One would like to stay, but they have to hurry up... Like other thousands lives crossing, Ismael, Mathilde, Sacha and Joan are going to meet here...
Gare du Nord (2013 )
Film
Rain on a window pane, a fire truck, a tomcat with innumerable offspring: it is an intentionally unintentional gaze that allows for chance encounters, for stories and memories - leads that Ruth Beckermann follows across Europe and the Mediterranean. Nigerian asylum seekers in Sicily, an Arab musician in Galilee, nationalists drunk on beer in Vienna, the Capitoline Wolf, and three veiled young women trying for minutes to cross a busy road in Alexandria. Threads, cloth and textiles pop up like book marks in a fabric of movement, of traveling or seeking refuge.
Those Who Go Those Who Stay (2013 )
Film
The father tends his large garden with the utmost precision. The mother irons shirts and regrets that the father never wears T-shirts. The father likes order, always knows best, and has everything under control. The mother prays and talks of her loneliness. The two are fundamentally different, have opposing views and interests, and have been married for 62 years. Closely knit yet poles apart: this is the ambivalent standpoint from which Peter Liechti turns his lens on his elderly parents and the story of their marriage. Alongside conversations that shift from slapstick to insanity and observations of daily life in his parents’ cramped, lower middle class apartment, a puppet theatre is also established as a second location. This forms the stage for scenes between mother and father to be reenacted by rabbit puppets; as a puppet, the son can also react in explosive fashion.
Father's Garden: The Love of My Parents (2013 )
Film
Materia oscura tells the story of a war zone in peacetime. The film location is the Salto di Quirra test range (Sardinia, Italy) where, for over fifty years, governments around the world have tested 'new weapons' and where the Italian government has carried out controlled explosions of old weapon stocks, inexorably endangering the territory.
Dark Matter (2013 )
Film
In addition to demonstrating the unexpected complexities of individual life paths, THE WILD establishes the possibility of “cinematic space” becoming a type of “third space”. Two seemingly contrasting spaces merge to construct a new space. The first space is the living room of a retired couple. The second space is embodied in Super 8 recordings filmed by the old man during his numerous trips to Africa and Asia during the 60s, 70s, 80s and 90s. The pictures show exotic animals which are projected directly onto the walls and furniture of the house. The assembly of these differing spaces does not create a more succinct boundary between them, but rather assists in the mingling of the two spaces. In this fleeting moment of third space, as it is limited by time, a new cinematic reality is formed.
The Wild (2013 )
Film
A remote village in the Northwest of Russia. A mental asylum is located in an old wooden house. The place and its inhabitants seem to be untouched by civilization. In this pristine setting, no articulate human voice is heard, and pain is muted. The landscapes and buildings are not so much inhabited as lightly entwined and then passed through by their anonymous residents, like some creeping mist. Phantoms half stuck, half undone in a phantom world—lost persons from a lost society?
The Letter (2013 )
Film
There is Luis, pushing his walker forward as he drags along the lawn chair he likes to sit on. And Dorian, a crutch under each arm, making frantic efforts to get the payphone working. And then Sara, legally blind and searching for the sink by feel. One of the residents has his own radio station and plays nostalgic songs and other recordings he makes for his housemates outside, like the sound of the sea. He also keeps his listeners informed of the latest news - which mostly consists of obituaries. These various portraits of people who have been forgotten by the outside world but still have a very rich inner life are beautifully filmed - every shot is like a painting, with the natural light playing an important supporting role.
The Last Station (2013 )
Film
Fantasizes an 'Old' Middle East, wherein communities were not divided along ethnic and religious lines; a Middle East in which even metaphorical borders had no place
Once I Entered in a Garden (2013 )
Film
Following Bellavista and Totó, Peter Schreiner completes his informal trilogy of epic, black-and-white digital-video essay-films with the utterly monumental Fata Morgana. Shot in the Libyan desert and in an abandoned building in Lausitz, Germany, it features a man (Christian Schmidt), a woman (Giuliana Pachner, from Bellavista) - and, glimpsed now and again, a guide (Awad Elkish.) They talk, they fall silent. Winds blow. The sun shines. The camera runs. What gradually takes shape is nothing less than a painstakingly concentrated attempt to understand the human condition through the lens of cinema. A lofty ambition, and one that demands a considerable leap of faith on the part of the audience: this film is sedate, "difficult", challenging, often apparently impenetrable. But anyone who has seen Schreiner's previous films will be aware that he is by any standards a major artist, one that can be trusted to find places that other directors may not even suspect exist.
Fata Morgana (2013 )
Film
The women in this documentary have a lot of cleaning to do. They work in motel El Pasajero, where the guests generally don't stay longer than a few hours. The rooms don't have to be particularly beautiful, either; as long as there's a bed on which the couples can indulge their carnal passions, sometimes under the influence of alcohol and drugs. We don't see or hear much of these visitors, other than the odd leg, disembodied voices and - increasingly as the film progresses - moaning. They are filmed nonchalantly, from a strange, accidental-looking angle, as if they are not important. The visitors are in fact just extras in this love story. How else could you get a positive view of love in a place like this? We follow four female cleaners during their daily rounds. They change the beds, polish the mirrors and energetically wipe down a clinical-looking sex chair.
The Women and the Passenger (2013 )
Film
Two acclaimed documentary film-makers - father and son - drive from Poland to Paris to see the place where the ashes of the father's mother are buried. What accompanies them on the way are resentments, quarrels and sincere confessions.
Father and Son (2013 )
Film
The main character is 96. She is imprisoned in the flat, not sure what day it is and hardly remembers who of her relatives is still alive. Is it life? But everything is filled with meaning: life outside her window, worrying for her close ones and love toward those around her. That becomes more important than details of everyday reality.
Mom (2013 )
Film
A portrait of the daily lives of young people living in a new-built estate on the outskirts of Lisbon. School is a joke and there’s no work to be had anyway, so the girls try to have fun as best they can. New-girl Eva is very pretty but quiet. The others aren’t sure at first whether she’s arrogant or just shy. Iara and Eva head off to the beach with two boys. The lads turn a couple of abandoned shopping trolleys into racing chariots for them and the atmosphere begins to tingle. Later, they argue with the rest of the group. The other girls manage to get into a club that night but the boys don’t and must kick their heels outside. They’re bent on revenge. They meet up with Eva and go back to her place.
The End Of The World (2013 )
Vojta Lavička: Nahoru a dolů (2013 )
Film
In the aftermath of Stalin’s death, three Italian communists engage in a trip to the Soviet Union to challenge their utopia with an 8mm camera. In 1957, Sauro, Luigi and Enzo all live in Alfonsine, a small town in Italy ruled like a miniature Soviet Union by the Italian Communist Party. As many communists in the West, they dream of the Soviet Union, and hope for the great Revolution. But with the wind of reform and self-criticism blowing through the Eastern Bloc after the death of Stalin the image of the Soviet Union as the workers’ paradise begins to crumble. They therefore decide to travel to the USSR to find out what is true and what is false in this supposed land of milk and honey. They film their entire journey with their 8mm camera. Through this invaluable personal archive, our film tells the hopes, disappointments and challenges of three young men faced with the reality of what seemed to be a utopia come true.
The Train to Moscow (2013 )
Film
The key to the communal laundry room in the block of flats on the Rue de Genève 85 in Lausanne serves a much greater function than merely unlocking the door. This encounter between a symbol of typical Swiss mentality with a penchant for order and the tenants who have been housed here by the city’s social services department is not something to be taken for granted. Although the laundry room is normally located in the cellar, the tenants in this building share a tiny laundry room off the entrance hall because the cellar is reserved for prostitution. To maintain order and cleanliness, the landlord hires Claudina, a new “laundry woman”.
The Laundry Room (2013 )
Film
The Palace is a documentary that follows the everyday life of seventeen women who live together, sharing a large house for emotional and financial reasons. They help each other to train for various jobs. Most become nannies, domestic workers and private nurses for elderly patients.
The Palace (2013 )
Film
Prominent Ukrainian / Italian documentary film director Oleksandr Balahura (most known for link) visits Roma neighborhoods and social events in Zakarpattia (Western Ukraine) and re-visits his earlier work, "Widow-Street", shot on same locations in 1991. He also screens "Widow-Street" to its characters, whom he meets again in 2013.
Loli Kali Shuba (2013 )
Film
She menage to save from a fire a bunch of pictures and a diary written by hand. Those words and faces becomes the last traces left from the man she one day knew and loved. Crossing mountains and roads, she tries to remake his steps. The places she vists bring people, gestures, memories and histories that slowly become part of her life.
The Volcano Exiles (2013 )
Film
Gare du Nord in Paris is a transit station for all those coming from the suburbs, the provinces or abroad. Accompanied by Simon Mérabet, the son of Algerian immigrants from the Var, Human Geography offers a series of brief meetings with individuals who recount their lives in just a few words before disappearing to take their trains. The crowd of passengers is embodied in these stories, one life after another, and we see how globalization fashions individual destinies, subject to geographical and economic pressures.
Human Geography (2013 )
Film
Both an activist and a documentarian, Valentina Pedicini also brings her background in anthropology to this impressively captured, claustrophobic nonfiction feature. Venturing beneath sea level, From the Depths profiles the lone woman at work in the last coal mine in Sardinia, Italy.
From the Depths (2013 )
DK (2013 )
Film
A group of young people on the eve of adult life: the boys experiment all solutions to avoid doing their military service, but one of them decides to go for it, with the hope of making an easier life; the girls think about studying, meeting up with their boyfriends abroad, marrying soon.
Les Chebabs de Yarmouk (2013 )
Film
If the scorpion could see and the viper could hear, there would be no escape". The viper is deaf and the scorpion can't see, so it is and so shall be, the same way the countryside is peaceful and the city bustling and the human being impossible to satisfy. Lacrau demands the return "to the curve where man got lost" in a journey from the city towards nature. The escape from chaos and emotional void we call progress; matter without spirit, without will. The search for the most ancient sensations and relationships of mankind. The amazement, the fear of the unknown, the loss of basic comforts, loneliness, the meeting with the other, the other animal, the other vegetable. A dive looking for a connection with the world. Where beginning and end are the same, but I am not.
Lacrau (2013 )
Children of Flameco (2013 )
Film
Grasp the Nettle follows the exploits of a ragtag band of land rights activists in London as they struggle against corporations, government, police - and themselves - in their efforts to create alternative communities outside the framework of consumer society. When an eco-village pops up on a piece of disused land in West London , film-maker Dean Puckett (The Crisis of Civilization) gives up everything - his flat, job and normal life - to live among its eclectic inhabitants in an effort to understand what makes them tick.
Grasp the Nettle (2013 )
Film
A prominent Chilean documentary director shares his family album with the film editor of his late works. A review of one hundred photographs and a quiet conversation will rise to memories of the films of one of the most personal filmmakers.
What Is This Story and How Does It End? (2013 )
Film
The film is a Slovak version of The Thin Blue Line, recounting the unsolved disappearance and murder of a young woman that happened thirty years ago. It was a case that was paraded in the communist media at the end of which seven individuals were found guilty of this heinous crime. They are the same individuals who at present proclaim their innocence.
Normalization (2013 )
Film
In the sixteenth century the Padrão Real hung from the ceiling of the Map Room in the Casa da Índia. It was a secret map, guarded from the eyes of foreign spies, which was changed and reworked with the comings and goings of each expedition. Aided by scientific equipment to measure distance, the navigators dreamed up the representation of the expanses that they had covered. When at sea, they looked up to the heavens and gauged their path by the stars, hands drawing in space fictional lines that carved territories. Upon returning to shore, they took the map that had previously belonged to others as their own, erasing divisive lines and constructing new borders. The map that they followed has been lost over time, and what remains of it is a stolen copy, made from memory by one of the cartographers in order to outwit enemies.
Theatrum Orbis Terrarum (2013 )
