Mira DocAlliance Films películas en línea en España
DocAlliance Films ofrece una amplia selección de películas en España. Ya sea que busques los últimos estrenos, títulos de tendencia o clásicos atemporales, DocAlliance Films tiene algo para todos. Explora géneros populares y descubre tu próxima película favorita con facilidad.
Descubre lo mejor de DocAlliance Films en España, donde encontrarás una variedad inigualable de películas para disfrutar. Desde éxitos de taquilla hasta favoritos aclamados por la crítica, DocAlliance Films tiene opciones para cada estado de ánimo y momento. ¿Te encanta descubrir algo nuevo? Sumérgete en colecciones curadas de títulos en tendencia, joyas ocultas o lanzamientos recientes adaptados a tu gusto. Con contenido que abarca géneros como acción, romance, documentales y más, siempre hay algo emocionante esperándote.
Encuentra qué ver más rápido con DocAlliance Films y Popcorn Time. Ya sea que estés planeando una noche de películas o haciendo maratón de tu película favorita, siempre tendrás fácil acceso a las mejores opciones de entretenimiento disponibles.
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Three Armenias are sketched out here, brilliantly and with delicacy, through four protagonists aspiring to fulfil their dream. There is the lift operator in a hospital who wants to travel into space, the farmer in search of a perfect wife, and the young queer couple who simply want to live out their love story… while awaiting the demonstrations and hopes of the revolution.
5 Dreamers and a Horse (2022 )
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'Why are you here? Are you mentally sick? Do you want to kill people?" the Ukrainian military commander asks the 18 year old recruit Artiom.
Boy of War (2022 )
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Follows inmates from Roumieh Prison in Lebanon who produce a play about their fellow prisoners who suffer from mental illness and are thus filed under 'Mad and Possessed' by the Penal Code and forgotten behind bars for life.
The Blue Inmates (2022 )
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Brazil, 2018. Driven by the impact of coming across a 16mm film whose uncanny images seemed familiar but came from far away, and were made long ago, I decided to investigate the origins of this footage. At first, it seemed just an innocent home movie, but after careful research, the film has proven to be a revealing document from South Africa’s apartheid past. Among sinister discoveries and unavoidable gaps, I now reveal the results of my endeavour, based on contemporary online search tools.
Private Footage (2022 )
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The Czech criminal René is finding it difficult to go straight. Roaming from job to shelter, from woman to woman, he discovers that living honestly is a lot more difficult than just stealing something every once in a while. In 1989, filmmaker Helena Třeštíková started filming the then 18-year-old delinquent, ultimately resulting in the 2008 film René, which follows his life inside and outside prison. This sequel to that film begins with the premiere of René and the ensuing storm of media attention.
René – The Prisoner of Freedom (2022 )
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Is it possible to use sound to travel through time and experience the fate of other people? This story of a sound engineer studying recordings of war conflicts from the past transports viewers smack dab in the middle of a ravenous rampage where the horrors of the past come to the fore. The film also presents a philosophical reflection on the role that sound plays in our world. The film was developed on the program of the AAMOD Premio Zavattini.
The Sound of Time (2022 )
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In a Swiss mountain village, hikers head out, a fountain splashes reassuringly and a churchwarden prepares a mass. Debut director Valentina Shasivari evokes the calm of this serene landscape with tightly framed shots in contrast-rich black-and-white.
Mountain Flesh (2022 )
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Just before falling asleep, Mariana has a particular impulse: she will change the names of everything in the world. As if in a trance, the woman gives precise instructions to reinvent words and the order of things. Peaches will be called brushes; death will now be a mask.
Mariana and the Order of Things (2022 )
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For mysterious reasons, two watchmen are made to guard access to the river in an area of Lausanne where retirees and immigrant families live. Through the different people they encounter, a territory takes shape and a friendship is born. Tizian Büchi creates a fable—part documentary, part fiction and tinged with magical realism—to subtly question our surveillance society.
Like an Island (2022 )
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The title of this documentary about Michael Kocáb alone suggests that art and politics will collide onscreen. Although this cinematic portrayal focuses primarily on the artistic pursuits of the protagonist — who reminisces with slight improvisation his years at the conservatoire and his performances with his band Pražský výběr — the film also maps his political and personal milestones and conveys his current world views and personal reflections on historical and political events. The documentary is playful and spontaneous and features dynamic shots with rock music that has stood the test of time.
MICHAEL KOCÁB - ROCKER VS. POLITICIAN (2022 )
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In the heart of Bairro Alto, right in the centre of Lisbon, the building of an old printing workshop is demolished to make way for luxury apartments. Seeing this as a perfect image for the death of a certain Lisbon in the wake of the financial crisis and the ensuing real estate and touristic boom, the director films an urban diary portraying the daily life of the construction site and those who work there. What starts out as a work-centred film turns out to be the story of the director’s relationship with his hometown and with the people who build it.
Death of a City (2022 )
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This unusual documentary pixilation is based on images discovered in Cuban court archives. In the past, the Communist regime’s prying security forces surveilled not only the enemies of the regime, but also the activities of nonconformists, misfits and dissidents.
Example # 35 (2022 )
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In Kyiv, the war still seems inconceivable, but the pandemic forces a mother and her daughter to spend the lockdown in their shared apartment. The mother is a piano teacher who keeps giving lessons on the phone, on her kitchen table, with the same passion and perfectionism. Her daughter has an art studio at the other end of the apartment, yet she has swapped her paintbrushes for a camera. Ptitsa: a bird, in Russian, like those who brave winter on snow-covered windowsills.
Ptitsa (2022 )
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Beneath the sheets where a young couple lies from morning to evening, there were long swelling problems. Sometimes love itself is too little, even when one’s bedroom eyes say otherwise. An intimate film devoid of tabloid clichés that examines the bed of two lovers who can no longer run away from the inevitable truth.
Blue Bed (2022 )
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The intimate story of a young couple and their weekend away in an isolated country home.
Here We Are (2022 )
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In his second feature film, Leandro Listorti establishes a parallel between two worlds he seems to know well: that of plants and that of cinema. This delicate cinematographic work, full of beautiful images—both archival and current—gives an account of the immense work of classification and preservation, and generously invites us to think about forms of representation and memory.
Herbaria (2022 )
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Vilnius is a city of notable historical heritage and unique character currently undergoing considerable changes. Some of the life fragments our camera has recorded are no more. The film, therefore, is a testimony to that which has faded into oblivion, and a glimpse into what is to come.
Once Upon a Vilnius (2022 )
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The couple Laura and Israël have a five-year-old son, Lucas. They live together but seem to have lost interest in one another's thoughts and cares. Their relationship seems headed for the rocks, and the only one who seems to still be looking for something from life is Lucas.
Abandonment (2021 )
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Davud es un joven incomprendido que vive en una búsqueda constante de su "verdadera" familia, aquellos junto a quienes cree que volverá a sentir el amor. Un día cualquiera experimenta una serie de inesperados acontecimientos con distintas personas que le llevan a protagonizar un viaje de descubrimiento personal. Incapaz de reconocer a su "otra mitad" que ahora despierta, decide aceptar que el miedo a la muerte será siempre una constante en su vida, un hecho que le permite regresar al lugar en el que siempre vivió. Allí le espera aquello que tanto ansiaba: el verdadero amor. Sin embargo, tal vez sea ya demasiado tarde para él.
In Between Dying (2021 )
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Basada en el tristemente célebre caso relacionado con el VIH de Groningen, en el que tres hombres drogaron a otros tres a quienes inocularon con su propia sangre infectada por el VIH. Feast es una película audaz y provocadora que refleja con habilidad las cuestiones de la vida, la muerte y la moralidad que confluyen en una de las historias más inquietantes de la vida holandesa contemporánea.
Feast (2021 )
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A pair of estranged offspring visit their parents in an abandoned Mexican village.
Fauna (2021 )
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Un día en la vida de tres personajes masculinos que están pasando por un bajón en lo social y en lo emocional. Harald es un chaval que anhela reconocimiento, aunque resulta invisible tanto en el colegio como en su casa. Eirik, que está en el paro, y se siente humillado cuando la oficina de empleo le deniega la prórroga del subsidio que cobraba. Y Petter, renombrado guionista, pierde debido a la cuota de género la financiación que necesitaba para un proyecto cinematográfico acerca del héroe nacional noruego Fridtjof Nansen.
Him (2021 )
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Images from helicopters. Video recordings from the American and the French military forces in Afghanistan, Iraq and Syria. The intervention is taking place right before our eyes. How far can the desire to see lead to, when it has no limits?
There Will Be No More Night (2021 )
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This documentary film reveals how the lives of the descendants of a partisan fighter in the Second World War are still impacted by the events of that period, 75 years after the end of hostilities. In making her case, Lacková provides glimpses into her private surroundings. Over the course of her film, she also points out frightening parallels between the reign of the Nazi terror regime and the resurgence of racist currents throughout today's Europe.
How I Became a Partisan (2021 )
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In the past ten years, the Slovak citizens’ trust in justice has fallen sharply. Thanks to the access to Threema messages of Marian Kočner, a businessman under investigation in relation to the murder of the journalist Ján Kuciak and his fiancée Martina Kušnírová, a vast corruption network within state administration and the justice system has been revealed. Disintegrating the merciless machinery including corrupt judges, rich and influential businessmen, mafia, politicians, and innocent citizens alike, is all but an easy task. Reflecting on the long-term crisis of the Slovak justice system, Zuzana Piussi’s investigative documentary asks whether the justice system with its many failures can ever be corrected.
The Ordeal (2021 )
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"The Art of Dissent" celebrates the resilience and power of artistic engagement in Czechoslovakia before and after the 1968 Soviet-led invasion. The documentary's main protagonists - Václav Havel, banned singer Marta Kubisová, and the underground rock group the Plastic People of the Universe (PPU) - became the most recognizable dissidents during the 1970-80s. Havel bridged the disparate clusters of individuals and fused the literary, musical, political, and philosophical nonviolent elements into a hybrid network that eventually toppled the totalitarian regime in 1989.
The Art of Dissent (2021 )
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In her debut feature, Alexandra Pianelli captures the unique world in and around her family’s Paris newsstand, presenting a film diary that lovingly documents her time working there. Sequestered behind the cramped counter, Pianelli films the world as it passes before her with a boundless sense of curiosity and compassion. iPhone or GoPro strategically set up before her, she records idiosyncratic interactions with charming regulars who drop by for their newspapers and a chat, or the lost passers-by simply looking for directions. Le Kiosque is a tender study of humanity, as well as a bittersweet sketch of physical media’s dying days as the newsstand’s future becomes increasingly unclear.
The Kiosk (2021 )
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A computer screen, images from the four corners of the world. We cross borders in one-click while another trip’s story reach us in bits, through text messages, chats, phone conversations, and an immigration office’s questionnaire. It’s the journey of Shahin, a 20-year-old Iranian boy who, fleeing his country alone, lands in Greece, then winds his way to England where he claims asylum.
Elsewhere, Everywhere (2021 )
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Tara Emory is a pioneering erotic photographer who has been active online since the early 2000s. This documentary paints a portray of her at a time when, absorbed by her epic sci-fic trans pornography project, she has to juggle being evicted from her studio, Le Wonderland, her personal and family struggles with compulsive hoarding and her hectic lifestyle. Between the gargantuan sets in her studio, the complicated dilemmas she must face, and the robots spurting a mixture of Mentos and Sprite, this first feature by Laurence Turcotte-Fraser deftly interweaves elements of her inner and outer life to introduce us to an unconventional artist with a wide variety of different interests. The End of Wonderland gives a voice to one those oft-forgotten exhilarating personalities by sensitively exploring Tara Emory’s day-to-day life. (Programming Collective)
The End of Wonderland (2021 )
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The film takes on a walk alongside parasites, symbionts and decomposers offering ideas of both interconnectedness and collaboration. Driven by a vision of resistance, the encounters seek possibilities of renewal and question what connects us when the world seems to be falling apart. With mushrooms and their allies the film invites to imagine a myco-cultural (r)evolution. What if the fungus could help us address and radically change our relationship to this world?
The Mushroom Speaks (2021 )
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I Am The Tigress is an observational style documentary that follows the journey of protagonist Tischa “The Tigress” Thomas during the last year of her career as an African American female bodybuilder. Philipp Fussenegger and Dino Osmanović worked for over 2.5 years on creating this unique piece. They traveled with her from Harlem to Bucharest as she strived towards her goal to place number one in the world in female bodybuilding.
I Am the Tigress (2021 )
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Ordinary people suddenly find themselves face-to-face with a mysterious, silent camera operator.
A Man and a Camera (2021 )
