Mira DocAlliance Films películas en línea en España
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Descubre lo mejor de DocAlliance Films en España, donde encontrarás una variedad inigualable de películas para disfrutar. Desde éxitos de taquilla hasta favoritos aclamados por la crítica, DocAlliance Films tiene opciones para cada estado de ánimo y momento. ¿Te encanta descubrir algo nuevo? Sumérgete en colecciones curadas de títulos en tendencia, joyas ocultas o lanzamientos recientes adaptados a tu gusto. Con contenido que abarca géneros como acción, romance, documentales y más, siempre hay algo emocionante esperándote.
Encuentra qué ver más rápido con DocAlliance Films y Popcorn Time. Ya sea que estés planeando una noche de películas o haciendo maratón de tu película favorita, siempre tendrás fácil acceso a las mejores opciones de entretenimiento disponibles.
Película
"Beyond the Ararat" is the story of a woman of Turkish origin who embarks on a journey to better understand what makes up her identity. A road movie which brings her from her childhood neighborhood in Brussels to Turkey and Armenia. A quest where each woman she encounters could be the reflection of herself. Entering the land of her ancestors, Anatolia, she questions her cultural heritage. Stopping in her grandmother's village, she discovers the "Agit"; an antique oral tradition where women sing for their dead. The songs open a potential space for mourning, where Turkish, Kurdish but also Armenian women missing from that land, can sing "together". The confrontation with the "missing" from her memory, brings her farther eastward in Anatolia to the foot of the Ararat Mountain, and beyond.
Beyond the Ararat (2013 )
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Two Romanian boys roam around an abandoned building looking for metal to sell to a scrap dealer. The camera accompanies them as they explore spaces in the empty building, they discover the floors of the building are covered with a sea of thick old files. There doesn’t seem to be much left worth taking, as the building has been stripped to the bone already
The Bed is Broken (2013 )
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In 1947, Marie Tinguely leaves her homeland to go work in a hospital for the Swiss mission in the South African bush. After her death, the films shot over 25 years as a missionary, as well as some of the letters she wrote are found in a family apartment. I decide to explore them.
Nwa-Mankamana (2013 )
My kith and kin (2013 )
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One fairy tale, one sad funeral, one ruined Christmas and one wild wedding. Stories of three men and their families that are affected by the current financial crisis.
Fine, Thanks (2013 )
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While emptying the Parisian apartment of her mother Kyoko, who has just died, Akiko discovers a pile of notebooks specifically left for her. The notebooks are her mother's personal diary, which she started writing in 1964. Laden with the strange inheritance, Akiko decides to take her mother's urn back to Japan to her maternal family, and in the process discovers that she is herself part of an intimate area of her mother's life about which she new nothing. The film travels between two generations of women, from the France of the New Wave to Japan after the atomic bomb. While looking for the right place to disperse her mother's ashes, Akiko goes back in time and tries to find her own place. Akiko, the heroine of this documentary, refers to her mother the actress and her mother the feminine icon of the 1960s. The film is carried along by this dialog beyond death, just as it is by Kyoko's past and Akiko's destiny.
Cendres (2013 )
Vězení umění (2013 )
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Honza was born in 1974 into the cheerless era of socialism in Czechoslovakia. At that time, his parents Jana and Petr lived in one room in the apartment of Jana's divorced mother and her widowed grandmother. A few years later, the family moved from Prague to Liberec where Petr found a job and a little house for the family. When Honza was born, his father began writing a family chronicle and he has continued to do so for 37 years. "Private Universe" show not only the life of one ordinary family, but also how the Czech society has changed in last four decades. Who are we, where do we come from and where do we go?
Private Universe (2012 )
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On the oldest Roman road in the capital, filmmaker Marc Isaacs weaves together numerous poignant stories of loss and the search for belonging into a tapestry of the human experience. Keelta a young Irish woman leaves home to build a new life for herself on the road where Billy, the old Irish labourer is struggling to find a meaning to his life. Peggy, a 95 year old Jewish refugee from Vienna and Brigitte, a German born former air hostess, have both suffered bad husbands, whilst Iqbal, an unassuming Indian hotel concierge, awaits the arrival of his wife from Kashmir. A film that forces you to recognise the struggles and preoccupations of its characters as our own.
The Road: A Story of Life & Death (2012 )
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Pavel Abrahám’s football documentary offers 22 different viewpoints of who is watching. At a match between Sparta and Slavia, the filmmakers used 22 cameras to film the spontaneous reactions of various visitors, fans, tourists, VIPs, intellectuals, and security guards over the course of the entire game. This experiment with the Czech Republic’s national sport shows football as a game around which the viewers create a whole range of other, highly diverse games.
Two Nil (2012 )
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What Swiss director Stefan Schweitert did for accordion music and for yodeling (Accordion Tribe, Cinequest, 2005; Echoes of Home, Cinequest 2008) he now does for traditional Balkan music. This wonderful film is also a love story – and a door into a world of musical wonders.
Balkan Melody (2012 )
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En 1984, en la era de la perestroika, un grupo de arquitectos formaron una banda llamada Antis para una sola noche, una fiesta Nochevieja en Kaunas (Lituania). Eran tan buenos que los rumores corrieron como la pólvora. Creando shows con excéntrico vestuario y un sentido del humor que caricaturizaba la propaganda soviética, acabaron formando las "Marchas del Rock", eventos que concentraban a miles de personas.
Así jugamos a la revolución (2012 )
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A cameraman and a soundman arrive in Corvo in 2007, the smallest island in the archipelago of the Azores. Right in the middle of the Atlantic Ocean, Corvo is a large rock, 6km high and 4km long, with the crater of a volcano and a single tiny village of 440 people. Gradually, this small filming crew is accepted by the island’s population as its new inhabitants, two people to add to a civilization almost 500 years old, whose history is hardly discernible, such is the lack of records and written memories. Shot at a vertiginous pace throughout a few years, self‐produced between arrivals, departures and coming‐backs, “It’s the Earth not the Moon” develops as the logbook of a ship, and turns out as a patchwork of discoveries and experiences, which follow the contemporary life of a civilization isolated in the middle of the sea. A long atlantic film‐odissey, divided in 14 chapters, that combines anthropological records, literature, lost archives, mythological and autobiographical stories.
It's the Earth Not the Moon (2012 )
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A family who emigrated to Germany, escaping from Nicolae Ceausescu's dictatorship in Romania, recalls a world without opportunities or hope for the future, of ever-present fear and a constant struggle for survival. They look back on what made them exchange their home for the promise of freedom in an uncertain future.
Anatomy of a Departure (2012 )
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When Gabino's father returns home after a long absence, the two men awkwardly attempt to re-establish a relationship; but Gabino and his mother quickly tire of this man who has become a stranger to them and decide to kick him out, before realizing that he has already left. Gabino eventually tracks his father down and spends time with him in his rundown apartment, trying to figure out if there is any possibility for the two of them to ever truly communicate. Though Greatest Hits continues Pereda's exploration of his perennial themes of absence, masculinity and the difficulty of maintaining a family, it opens up a whole new set of aesthetic questions through a bold formal gambit: halfway through, the entire narrative reboots and starts from scratch with another actor playing one of the key characters, leading to different iterations of events already witnessed.
Greatest Hits (2012 )
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A youth comedy about the tragedy of the first love. An experiment in the area of the film language. REC, accidentally pressed in the middle of a fight. Jealosies, breakups, reunions. A few bedroom scenes, shot with a home camera. Cries and whispers of the urban outskirts. The audience of the film are both Bergman fans and YouTube viewers.
I Don't Love You (2012 )
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Working at the limits of what can easily be expressed, filmmaker Peter Mettler takes on the elusive subject of time, and once again turns his camera to filming the unfilmable. From the particle accelerator in Switzerland, where scientists seek to probe regions of time we cannot see, to lava flows in Hawaii which have overwhelmed all but one home on the south side of Big Island; from the disintegration of inner-city Detroit, to a Hindu funeral rite near the place of Buddha's enlightenment, Mettler explores our perception of time. He dares to dream the movie of the future while also immersing us in the wonder of the everyday. THE END OF TIME, at once personal, rigorous and visionary, Peter Mettler has crafted a film as compelling and magnificent as its subject.
The End of Time (2012 )
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The Blockade is a unique view from within on the most massive, longest, and politically most significant student protest in the country, since 1971, that started in April of 2009 at the Faculty of humanities and Social Sciences in Zagreb. The struggle against the commercialization of education and the blockade of teaching classes lasted for 34 days. The rebellion spread onto more than 20 faculties across the country and the students became an active and relevant political subject. The director followed everything: from the exhilarating preparation meetings and blocking of classes to the first signs of exhaustion, through personal situations and discussions late at night, from the initial support of most faculty members to the moment they turned their back to the movement and the attempt to reach the missing minister of education. This film shows that the blockade was not just physical and that it has a much broader meaning.
The Blockade (2012 )
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How would it look like, the body of Dom Afonso Henriques, first king of Portugal, tutelary figure, subject to successive mythifications throughout Portuguese history?
The King's Body (2012 )
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Taking inspiration from the collaborative 1967 militant anthology film Far from Vietnam, five of the boldest and most prominent American militant filmmakers unite to create this searing (and seething) omnibus work, employing a variety of approaches to reveal the hidden costs of the United States' (and Canada's) most expensive and longest-running war. (TIFF)
Far from Afghanistan (2012 )
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The house of the director has a door out to the sidewalk. This gate separates the inside from the outside. The interior contains the filmmaker's personal story and his world of objects, thoughts and imaginations. Outer space contains the city of Santiago de Chile. The stories of the world inside the house are interrupted when the doorbell rings unknown and thus come into the film.
The Other Day (2012 )
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With Reconversão (Reconversion), Thom Andersen opens another fascinating chapter of his ongoing investigation of architectural landscapes, their filmic representation, and their relation to history, by focusing on 17 buildings and projects by the often-controversial Portuguese architect Eduardo Souto de Moura—winner of the 2011 Pritzker Prize. Echoing Dziga Vertov’s concepts and Eadweard Muybridge’s techniques (shooting only one or two frames per second), Andersen masterfully brings forward what makes Souto de Moura an original: the incorporation of the passing of time into architectural designs, positing them within a history fraught with class struggle and societal changes, in a continuum with ruins—from which they may originate, and to which they will return—and with nature—which they frame, and by which they are framed.
Reconversion (2012 )
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A Comunidade is a short documentary focused on CCL, the oldest camping park in Portugal.
The Community (2012 )
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Year after year, Portuguese students, from North and South alike, subject themselves to initiation rites when they start university. Hazings, organized by older students, include several challenges and ceremonies, which take place throughout the whole of the first year, day and night, and sometimes interfere with classes. Based upon ancient traditions and following a rigid hierarchy, hazings have thrived once again in the last decade. Despite protests, they gather more and more supporters, thrilled with its explicit sexual language, power games and levels of humiliation.
Praxis (2012 )
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A ferry makes its way through the ice floating in the wintery Baltic Sea. Yet the ice has long since broken inside the ship thanks to the evening's entertainment: with their presentation, the artists breathe a moment of magic into a world which already seems rather unreal. The film evokes a journey into the unknown, full of nostalgia and hope.
Icebreakers (2012 )
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An audio-visual essay, which reflects upon & compares metro systems around the world. It is an exploration of a world inside the world as well as feelings, fascination, obsession, fear and themes - of survival, control & silence.
Trains of Thoughts (2012 )
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The Weather War is a documentary/art film about man’s attempts to control the weather and harness it for his own purposes. In a blend of land art performance and road movie, artist duo Bigert & Bergström travel to the US tornado belt with their special machine-sculpture, the Tornado Diverter. The goal: To stop a tornado. Along the way, we see historical examples of how the science of meteorology developed in symbiosis with military goals and how these visions evolved into modern ideas of geo-engineering. Controversial ideas with socio-political consequences, spotlighting the big question of who is really entitled to modified weather.
The Weather War (2012 )
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Road trip through the periphery of the EU shows present-day Europe through the eyes of a much-travelled six-year-old, wise beyond his years. A fresh look at this old continent: shooting from the hip and free from sentimentality, young Terra questions the usefulness and purpose of borders.
Mother Europe (2012 )
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Director Marc Schmidt films his longtime friend Matthijs, an autistic person desperately trying to create order in the chaos around him. When the housing corporation tries to evict him from, suicide seems the only way out for Matthijs...
Matthew's Laws (2012 )
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Libor Podmol arrives in the U.S. He buys a Suzuki two-stroke bike in the legendary shop Chaparral in Los Angeles. Tomorrow Will Be Better charts Libor's journey from unknown hopeful to Freestyle MX World Champion. The film features interview footage from legendary riders, Rob Adelberg, Peter Kuchar, Lucas Mirtl, Mike Metzger, and Jim McNeil. This is the story of one man's dream, and the community around him that helped him rise to the top.
Tomorrow Will Be Better (2012 )
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This German documentary looks inside a nearly idle restaurant in a dowdy building in the country of Georgia, its listless workers waiting for business to pick up. The mournful atmosphere serves as a metaphor for the uncertain future of Georgia.
Bakhmaro (2012 )
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Greece is chosen to be the first EU economic experiment. A country cannot go bankrupt like a business could, a state’s possessions cannot be confiscated and resold. The documentary covers the events that took place around Sintagma Square (Constitution Square) in Athens (Greece) on 28-29 June 2011, during the Austerity Measures Vote by the Greek Parliament. The film goes through the events of the extensive protests by the people opposing the Greek sell-out. It documents the social zeitgeist in Greece, and acts in solidarity with the protestors who are combatting police brutality in its various forms.
155 Sold (2012 )
