Watch DocAlliance Films Movies Online in United Kingdom
DocAlliance Films offers a large selection of movies in United Kingdom. Whether you're looking for the latest releases, trending titles, or timeless classics, DocAlliance Films has something for everyone. Explore popular genres and discover your next favorite film with ease.
Discover the best of DocAlliance Films in United Kingdom, where you’ll find an unmatched variety of movies to enjoy. From blockbuster hits to critically acclaimed favorites, DocAlliance Films has options for every mood and moment. Love discovering something new? Dive into curated collections of trending titles, hidden gems, or recent releases tailored to your taste. With content spanning across genres like action, romance, documentaries, and more, there's always something exciting waiting for you.
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A look at the life, work and importance of Czech filmmaker Karel Zeman (1910-89), a genius of world cinema, a wizard of special effects, revealing his sources of inspiration and his revolutionary filming techniques.
Film Adventurer Karel Zeman (2015 )
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As a World Bank team visits an Egyptian village to investigate the transformation in agricultural management system, a TV presenter prepares a couple of episodes on the life of village women and a group of students visit a museum in Cairo with artificial figures that are supposed to resemble the life of Egyptian farmer.
The Visit (2015 )
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In Gaza, members of a typical family are thrown into disarray after a series of bombing attacks destroyed their home, killed some of the occupants and left others seriously injured.
Shujaiyya (2015 )
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Carlos Reichenbach talks to Eugenio Puppo about some of his shorts films "Esta Rua Tão Augusta", "Sangue Corsário" e "M da Minha Mão" and specially the film "Lilian M: Relatório Confidencial". Explaining production details and revealing internal informations the film is a reconstitution about Reichenbach's works whitin turmoil moments of the country and his own career.
Carlos Reichenbach: Relatório Confidencial (2015 )
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Mainland tells the story of twelve-year-old Colin Macleod, who sees the world around him change fast as he realizes that the isolated island he calls home, is getting too small to chase his dreams. On the other hand there's Colin Mackenzie, an old shepherd who has returned to the island after years of wandering around. Gradually he comes to the conclusion his beloved island will never be the same.
Mainland (2015 )
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While investigating her late parents’ involvement with the Anglo Iranian Oil Company (BP), the filmmaker comes across the letters of a petroleum geologist in Iran in the 1930s who was later to embark on a search for the origins of civilisation. The Host sets out on its own exploration, to decipher signs from the fragmented images buried in the BP archive. This journey through the past interweaves a number of stories drawn from both personal memory and the records of an imperial history, which builds a picture of a 20th-century colonial encounter. The Host is a personal essay film about the stories we tell about ourselves and others, the facts and fictions we live by, and their consequences. Followed by a discussion with Miranda Pennell.
The Host (2015 )
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Imagine waking up tomorrow and all music has disappeared. Just like that. What will remain when it is all gone: CDs, iPods, instruments?
Imagine Waking Up Tomorrow and All Music Has Disappeared (2015 )
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Imagine waking up tomorrow and all music has disappeared. Just like that. What will remain when it is all gone: CDs, iPods, instruments?
Imagine Waking Up Tomorrow and All Music Has Disappeared (2015 )
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The Swedish artist Måns Månsson has placed a fictional character in a real environment to explore the fascinating new relationship that has arisen between Africa and China, where democracy is one commodity among many others. No dialogue was written in advance, and the minimal story about the worthless t-shirts is just a pretext to conduct a cinematic experiment set in the Chinese city, where tens of thousands of African migrants are in the process of establishing themselves and creating a new life, in a historical parallel to the exchange that has always taken place between East and West. But this time, the West is not invited to the party. However, the reference to the lost souls in the American photographer William Eggleston's film of the same name suggests a tragicomic and existential absurdity independent of time and place.
Stranded in Canton (2014 )
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María Fux spends her life training dancers, particularly those with disabilities. But now, at 90, she finds her toughest student may be herself.
Dancing with Maria (2014 )
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Three brothers wish to surf waves no one has surfed before them. The answer is to go to Bjørnøya, the island next to the better known Spitsbergen. For two months they live on the island, self sufficient in food and equipment.
Bear Island (2014 )
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A poetic portrait of people working in the state-run post office, rail station and fire headquarters in the 3rd largest city of Africa, Kinshasa.
Elephant's Dream (2014 )
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An intimate, and often humorous, portrait of three generations of exile in the refugee camp of Ein el-Helweh, in southern Lebanon. Based on a wealth of personal recordings, family archives, and historical footage, the film is a sensitive, and illuminating study of belonging, friendship, and family in the lives of those for whom dispossession is the norm, and yearning their daily lives.
A World Not Ours (2014 )
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Joaquim Pinto has been living with HIV and VHC for almost twenty years. “What now? Remind Me” is the notebook of a year of clinical studies with toxic, mind altering drugs as yet unapproved. An open and eclectic reflection on time and memory, on epidemics and globalization, on survival beyond all expectations, on dissent and absolute love. In a to-and-fro between present and past memories, the film is also a tribute to friends departed and those who remain.
What Now? Remind Me (2014 )
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Brussels, La Monnaie Opera House. Three people near the end of their lives meet with choreographers, actors and musicians. They take part in a unique experience which involves music, dance and silence. Their journey becomes a tribute to the fragility of the human condition, between reality and representation, tragedy of the body and freedom of the spirit. Together they question their own relationship with death.
Before We Go (2014 )
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What are the limits of personal sacrifice? The film tells the story of a match factory worker who takes up a remarkable challenge. We observe several crucial months in her life as she attempts to turn her dreams into reality. It’s the story of an extraordinary transformation, and about a love that gives her life meaning.
Werka (2014 )
Olga (2014 )
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A close-up portrait of a rebellious racecar-driving teen coping with the twists and turns of life in rural Hungary.
Drifter (2014 )
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Icaros explores the spiritual universe of the Shipibo indigenous people who live by the Ucayali river, one of the main tributaries of the Peruvian Amazon. Young Mokan Rono sets outs on a journey to discover the ancestral knowledge of ayahuasca, mentored by a wise shaman and by his mother, a master healer.
Icaros (2014 )
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Two twins separated at birth grow up to be artists in an eccentric Icelandic film, that just like a science fiction film asks the question: 'What if ...?'
Time and Time and Again (2014 )
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“In the land of the blind, I am the one-eyed king.”, says Wilfried. This country is in prison Merksplas and the blind, they are the internees. The only thing they have in common is their date of release: 31/12/9999. This film tells the story of some mentally ill criminals not being held responsible for their actions but still locked down. Without treatment and without an end date. ‘9999’ descends into the limbo of Belgium and looks some internees who are pining away in a prison, straight in the eye. The film disappears under lock and key, where time loses all common sense, and tells us of an unreal injustice. We end up in a narrow world where imagination is obliged to transcend reality and we wander through landscapes of senses of men on the edge of society.
9999 (2014 )
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The Way Out tells a story of a young Romani couple, Zaneta and David, the parents of little Janicka. Their efforts to live a decent and dignified life run up against the "Romani social trap," which is racism, the society's prejudices, exclusion from opportunities to obtain legal work, the lack of necessary qualifications, difficult communication with officials, debts and the miserable life conditions connected with the environment, lifestyle and traditional values of their ethnicity. David wants to protect his family, even at the expense of committing a crime. But Zaneta finds inner strength to defy the unfavorable situation in a different way. Will they overcome the existential problems that start to take apart their relationship? Is it worthwhile for them to continue to Honor their own values and family traditions? And will their "way out" be only another "escape" for them, or a promise to change their lives?
The Way Out (2014 )
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Double Happiness takes the Chinese copy of Hallstatt, a small idyllic town in Austria, as a starting point to explore China's fast urbanization. Chinese cities are built where histories and memories can be easily forgotten and thus rewritten. The film intersects the real and the fake through visual imaginary and commentary, interviews and songs.
Double Happiness (2014 )
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For 88 years a small town has pantomimed the story of Christ in a 'unique' construction of Jerusalem built into an Oklahoma Buffalo reserve. It's real-life Christopher Guest meets Fellini in a comedic, poignant, cinematic 'hybrid' doumentary chronicling a 300-strong amateur cast, a 6-hour production, and Zack, the venerable paperboy-cum- Jesus actor who's massive secret threatens to de-rail the entire show.
Jesus Town, USA (2014 )
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PROPAGANDA is a follow up to the 2013 presidential campaign, in the midst of major social unrest in recent years. A single-car caravan crossing the desert, a protest flag covers the entire Alameda a candidate copuchea surveys on a dressing room. PROPAGANDA proposes a visual journey through the most extraordinary places of election, inviting reflection on the complex relationship between politicians and citizens, through the eyes of several filmmakers in the country.
Propaganda (2014 )
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In her documentary on Hungarian-Slovak relations, Vladislava Plancíková focuses on the word "felvidék", which refers to the now non-existent northern part of Austro-Hungary. In a personal collage consisting of the stories of members of her Slovak-Hungarian family and of visual references to historical events, she follows the eventful and today often taboo history of the post-war fate of Hungarians on Slovak soil. The abstract topic grabs our interest not only through the witnesses' testimony, but also by using thre novel technique of animating real objects, including a number of contemporary and modern photographs.
Felvidek – Caught in Between (2014 )
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Focus On Infinity is a cinematic journey to the places, people and machines that are involved in exploring the origin of our cosmos and of our existence. It is a very personal and intuitive investigation into the roots and boundaries of our imagination dominated by sensual perception. Not unlike an adventure, the film dares to voyage into the unknown, to the structures of our intellectual capacity and drive to explore. It focuses on the restlessness that characterizes the natural sciences, which drives research with increasing technological advancement and financial resources, and underpins the never-ending human ambition to fully understand our world.
Focus on Infinity (2014 )
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The contents of a black briefcase lead us into a superficially well-ordered life in West Germany in 1970, in a city that can be seen as representative of the entire country. In this briefcase: the meticulous documentation of an affair between the small business owner Hans and his secretary Monika.
Scenario (2014 )
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The documentary project The Term was conceived in May 2012. When the directing trio commenced mapping the Russian sociopolitical landscape, Vladimir Putin had just settled into the Kremlin for his third term. The original experimental format of “documentary bulletins,” which were published daily online, allowed for wide-ranging content; in the feature film version, however, the filmmakers focused solely on the members of various opposition groups. Nevertheless, the work’s neutral position remains and viewers have to interpret the objectively presented situations for themselves. The main characteristics of this strongly authentic movie include close contact with the protagonists, precise editing, and an effectively controlled release of information.
The Term. Beginning of a Big Story (2014 )
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This film tries to make a silent record of the arrival of an economy of scale, its flows, and its effects upon the transformation of an island’s physical and human landscape.
Trading Cities (2014 )
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During language classes the director is not only taught basic Persian by her teacher, he also opens the gates to Iranian history and culture. Gradually, the lessons morph into a poetic, visual collage that questions the term freedom and the meaning of revolution.
I for Iran (2014 )
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Single Stream explores a recycling facility in the Boston area, where hundreds of tons of refuse are sorted daily. Blurring the line between observation and abstraction, Single Stream plunges the viewer into the steady flow of the plant and the waste it treats, examining the material consequences of our society's culture of excess.
Single Stream (2014 )
