Watch DocAlliance Films Movies Online in United Kingdom
DocAlliance Films offers a large selection of movies in United Kingdom. Whether you're looking for the latest releases, trending titles, or timeless classics, DocAlliance Films has something for everyone. Explore popular genres and discover your next favorite film with ease.
Discover the best of DocAlliance Films in United Kingdom, where you’ll find an unmatched variety of movies to enjoy. From blockbuster hits to critically acclaimed favorites, DocAlliance Films has options for every mood and moment. Love discovering something new? Dive into curated collections of trending titles, hidden gems, or recent releases tailored to your taste. With content spanning across genres like action, romance, documentaries, and more, there's always something exciting waiting for you.
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A mentally handicapped young man decides to leave the security of his family in order to search for the purpose of his existence; whether it is freedom, sexual experience, or death.
David (2015 )
Rules of Lies (2006 )
Marta (2008 )
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A documentary film directed by French Agnès Varda as an extension of the exhibition 'L'île et elle'. The installation 'Les veuves de Noirmoutier' (or 'The Widows of Noirmoutier') had various women filmed by Varda, young and old, who spoke about their widowhood and their residence on the island of Noirmoutier. The film is a montage of these meetings, which are both simple and melancholic.
The Widows of Noirmoutier (2006 )
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This portrait of a remarkable woman and her unusual environment seems to have a very profound effect on nearly everyone who sees it. The film further strengthens the reputation of veteran documentarian Schreiner, who's quietly and steadily established himself among Europe's most respected practitioners of non-fiction cinema. But the film is by no means an example of an ‘auteur’ imposing his individual vision upon the world. Instead it's a remarkable example of intense collaboration between artist and subject, one so close that such traditional distinctions and labels seem inappropriate.
Bellavista (2006 )
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Moldova. One winter day, Raisa travels into the city hoping to get something that could change her life.
Raisa (2015 )
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Two strangers cross paths on the Sicilian island of Lampedusa: a former refugee from Africa and a woman who escaped to the island to cope with a personal crisis. Memories, dreams and the present intersect and blend in this contemplative and visually arresting masterpiece by Austrian Peter Schreiner.
Lampedusa (2015 )
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This film is the portrait of Delphine, a young Cameroonian girl who, after the death of her mother and the abandonment of her father’s parental responsibilities, was raped at the age of 13. She sinks into prostitution to support herself and her daughter. She ends up marrying a Belgian man who is three times her age, hoping to find a better life in Europe for her and her daughter. Seven years later, the European dream has faded and her situation has only gotten worse.Delphine, like others, is part of this generation of young African women crushed by our patriarchal societies and left with this Western sexual colonization as the only means of survival. Through her courage and strength, Delphine exposes these patterns of domination that continue to lock up African women.
Delphine’s Prayers (2021 )
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Danusia and her daughter Basia live far away from the modern world, in tune with the rhythm and laws of nature, among animals and the spirits of the dead. The peace and sense of security offered by their enclave come at a price - the women increasingly long for contact with other people. Bucolic is an affectionate observation of people who live in a different way. It evokes a curiosity about their world and a desire to take a closer look.
Bucolic (2021 )
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Brett Story's visionary look at New York City as it braces for an uncertain future.
The Hottest August (2019 )
Workhorse (2019 )
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A "fictional documentary" concerning the volatile topic of female excision, Bintou In Paris tells the story of a young Malinese mother faced with the critical decision of whether or not to excise her baby daughter.
Bintou in Paris (1995 )
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"This iconoclastic film, midway between fiction and documentary, explores the "over-sacred" side of Jerusalem. A political gamble for its inhabitants, a myth for its visitors, Jerusalem remains a universal object of desire that borders on fetishism. The film takes its inspiration from the Jerusalem Syndrome, a psychiatric syndrome, officially recognised in the 19th century, and from which the pilgrims and tourists that visited the Holy City suffered. A camera visits Jerusalem looking for a new approach to show the city. In parallel a young boy wanders the streets and discovers one night a prostitute with golden breasts. The boy, as does the camera, becomes a victim of a violently feminine Jerusalem." - DAfilms
Jerusalem(s), Borderline Syndrome (1995 )
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Part documentary, part mockumentary and part stranger-than-fiction lesson in guerilla tactics, Velvet Terrorists is a quirky profile of three very different men and their former attempts to take down the communist regime of Czechoslovakia – by blowing the hell out of it. Having all spent time in prison for their crimes, one-time bombers Stanislav, Frantisek and Vladimir muse on their personal histories, the fall of the regime and their journey into middle age.
Velvet Terrorists (2013 )
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Every summer, St. Nicholas Church (12th century) draws large crowds of tourists. Situated in an untouched Arcadian landscape, on a picturesque hill and next to a lone tree, it is as if the site becomes a stage where various unusual events take place. Thus, the tourists, unaware of the proximity of the camera, become performers in a daily show.
Autofocus (2013 )
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In 2012, after a 10 months drama therapy workshop, the women inmates of a Beirut prison presented their play Scheherazade in Baabda inside prison to the audience. This film follows the women during these 10 months. The women tell their stories showing how difficult it is to be a woman in Lebanon, and in general in the Arab world, which is governed by a patriarchal mentality. They convey the voices of all women who are imprisoned by oppressive mentalities which in many cases lead women to crime.
Scheherazade's Diary (2013 )
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Josefina, a radical homemaker, committed a crime of passion that led her to self-exile at a coastal town. She tries to find peace in solitude, immersed in the house routine, while coexisting with a past of lovers and Molotov cocktails. Her body suffers the metamorphosis of aging, and she must undergo cataract surgery.
Nona. If They Soak Me, I'll Burn Them (2019 )
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Esperança, 15, has just arrived in France from Angola with her mother. At Amiens station, they don’t know where to sleep and look for someone who can help them.
Esperança (2019 )
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Being mother is the most natural thing in the world. Or so it seems. Yet the demands on women with children have rarely been as overloaded and contradictory as they are in today’s Western world. Promises of happiness are often followed by disadvantages, excessive demands and feelings of guilt. The mother has become an artificially glorified ideal, which nevertheless is often legitimized by the „nature of the woman“. We live in a time when three people could claim to be the same child’s mother: egg donors give their genes to beget children, surrogate mothers deliver babies which they give away immediately after birth, and men raise children by themselves – without a woman at their side. Hence the question arises: What makes a human being a real mother?
(M)Other (2019 )
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After a spell cast by Grandma Faraway, the oldest son of a small family encounters the ghost of his late Grandma Maria still living in her old house, and they chat as they used to.
Ghosts: Long Way Home (2019 )
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The film tells about the Moscow art underground through the history of Moscow squats. What does it mean to live today and not adjust at a time when the king of Oats took away, as it seems to us, all the fairy tales?
Loft-Underground (2019 )
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Poet, musician, intellectual, and committed communist Nina Cassian wrestled for decades with the central contradiction of her life: how to reconcile her artistic ideals with the strict censorship imposed by Romania’s Communist Party — a tension that put her at odds with the totalitarian Ceaușescu regime and eventually led to her exile. Interweaving archival footage with firsthand interviews, this thought-provoking documentary illuminates the complex relationships between art, politics, and personal truths.
The Distance Between Me and Me (2019 )
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After a long period of isolation, Antonin rediscovers the world in a bird shelter where, rocked by the noise of planes, troubled souls are saved just as much as the birds.
Bird Island (2019 )
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Mania Akbari collaborates with British sculptor Douglas White to coin a tender fusion of langauge, where a meeting of cinema and sculpture investigates the processes of physical and psychological destruction and renewal. Begun a matter of weeks after first meeting, the film charts a deepening artistic and personal relationship exploring the nature of skin, family, death, water, desire and, throughout, a powerful will to form. Akbari looks into the connection between her body and the political history of Iran, investigating the relationship between her own physical traumas and the collective political memory of her birthplace. As she undergoes surgeries on a body decimated by cancer, remembrance and reconstruction provide a framework for investigating how bodies are traumatised, censored and politicized, and yet ultimately remain a site of possibility.
A Moon for My Father (2019 )
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As if directing a science-fiction film, Johana Ožvold dissects the story of electronic music. From the pioneer sound engineers working behind the Iron Curtain, through the French avant-garde composers, up to the post-modern creators of digital sonic artefacts, the first-time filmmaker summons an abstract landscape that is haunting and yet achingly beautiful. A voice appears from old television screens forgotten in the maze of some futuristic archive where past and future seem to coexist in a complex and multi-layered way.
The Sound Is Innocent (2019 )
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Lebanon today. The traces of the civil war are all too tangible as government corruption becomes unbearable. In a country where conflict and peace are caught in an endless cycle, musicians from different backgrounds pool their talents to create an underground music scene. Each evokes his or her representation of Lebanon: its shifting geographical, political, historical and social borders, its painful passage through conflict and instability. A touching portrait of a young generation trying to build an oasis in a hostile environment where the forces of destruction continue to wreak havoc.
Khamsin (2019 )
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Almost two decades ago, the Itoiz dam flooded seven villages and three natural reserves on the Pyrenean hillside in Navarra. The ecologist group Solidari@s con Itoiz registered the fight against its construction. Today, those who were there dream of the land lying beneath the water on video. Their voices and gestures come together to tell the tale of an individual and collective mourning still suffered today.
Land Underwater (2019 )
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As thousands of migrants attempt to cross the French-Italian border on foot through treacherous mountain routes, the state cracks down on the local communities that come to their aid in this revealing look at an unfolding human rights crisis.
The Valley (2019 )
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A portrait of the largest Muslim Punk community in the world, as seen through the eyes of Punk teenagers, in relation to the extreme social, environmental and political environment they live in.
A Punk Daydream (2019 )
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Immobile in a home where the sands of time fall to the rhythm of the rural Azerbaijani sounds, a mother waits for her son. When he arrives, their conversations circle around existential questions and news from afar. Unrest cloaks the world outside. Mother and son grow closer, silence melts into words, and life springs between them. The son leaves, and winter settles in to the forever-outdated house in which temporalities blurs and past and present beat to the rhythm of the same clock.
When the Persimmons Grew (2019 )
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The documentary project The Term was conceived in May 2012. When the directing trio commenced mapping the Russian sociopolitical landscape, Vladimir Putin had just settled into the Kremlin for his third term. The original experimental format of “documentary bulletins,” which were published daily online, allowed for wide-ranging content; in the feature film version, however, the filmmakers focused solely on the members of various opposition groups. Nevertheless, the work’s neutral position remains and viewers have to interpret the objectively presented situations for themselves. The main characteristics of this strongly authentic movie include close contact with the protagonists, precise editing, and an effectively controlled release of information.
The Term. Beginning of a Big Story (2014 )
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A trans girl misses her train stop one night and embarks on a surreal journey back home as her dreams start leaking into her reality.
Snakeskin (2024 )