Watch DocAlliance Films Movies and TV Shows Online in United Kingdom
DocAlliance Films offers a large selection of movies and tv shows in United Kingdom. Whether you're looking for the latest releases, trending titles, or timeless classics, DocAlliance Films has something for everyone. Explore popular genres and discover your next favorite movie or TV show with ease.
Discover the best of DocAlliance Films in United Kingdom, where you’ll find an unmatched variety of movies and tv shows to enjoy. From blockbuster hits to critically acclaimed favorites, DocAlliance Films has options for every mood and moment. Love discovering something new? Dive into curated collections of trending titles, hidden gems, or recent releases tailored to your taste. With content spanning across genres like action, romance, documentaries, and more, there's always something exciting waiting for you.
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A documentary about the Rio de Janeiro police killings praticed as so-called "self-defense acts". The film follows people who deal with those deaths in their daily lives, showing how Brazil's Federal Government deals with these cases, from the police investigations to the courtrooms.
Auto de Resistência (2018 )
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Libreville, Gabon, Africa, 2016. Christ Olsen Mickala, a young boxer, trains tirelessly during the day and earns his living by night as a bouncer in nightclubs. At the same time, the combat of the presidential elections is taking place. As Christ hopes to succeed, a whole country hopes that a democratic transition finally triumphs.
Boxing Libreville (2018 )
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From 2015 to 2017, Lynne Sachs visited with Carolee Schneemann, Barbara Hammer and Gunvor Nelson, three multi-faceted artists who have embraced the moving image throughout their lives.
Carolee, Barbara and Gunvor (2018 )
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When asked to make a documentary about her friend’s mother—a Parisian astrologer named Juliane—the filmmaker sets off for Montmartre with a Bolex to craft a portrait of an infectiously exuberant personality and the pre-war apartment she’s called home for 50 years.
Maison du Bonheur (2018 )
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The story of Donald Trump's election told entirely through Russian propaganda. By turns horrifying and hilarious, the film is a satirical portrait of Russian meddling in the 2016 election that reveals an empire of fake news and the tactics of modern day information warfare.
Our New President (2018 )
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Swedish manager Bo Inge Andersson comes to the Russian city Togliatti to save the struggling automaker factory. He is asked for a revolution, but what he doesn't know is that nothing should change.
The Russian Job (2018 )
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Jelena Maksimović and Dušan Grubin explore coming of age and masculinity in the township of Zemun in their joint directorial debut.
Taurunum Boy (2018 )
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André, a teenager, lives in an industrial town in Brazil near an old aluminum factory. One day, a factory worker, Cristiano, suffers an accident. Asked to go to Cristiano’s house to pick up clothes and documents, André stumbles on a notebook, and it’s here that Araby begins — or, rather, transforms. As André reads from the journal entries, we are plunged into Cristiano’s life, into stories of his wanderings, adventures, and loves.
Araby (2018 )
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A director returns to her hometown of Chuncheon to tell her family's personal story.
The Strangers (2018 )
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Luiz Roberto Galizia died very young, but he left behind a wealth of personal archives. 30 years later, his niece Ana Galizia plunges into these archives to follow the traces of this uncle she never met.
Unconfessions (2018 )
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An Irish filmmaker grapples with the legacy of his estranged father, the late documentarian Arthur MacCaig, through MacCaig's decades-spanning archive of the conflict in Northern Ireland. Drawing on over 30 years of unique and never-seen-before footage, 'The Image You Missed' is an experimental essay film that weaves together a history of the Northern Irish 'Troubles' with the story of a son's search for his father. In the process, the film creates a candid encounter between two filmmakers born into different political moments, revealing their contrasting experiences of Irish nationalism, the role of images in social struggle, and the competing claims of personal and political responsibility.
The Image You Missed (2018 )
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The everyday life of a Belo Horizonte lower class neighborhood.
Baronesa (2018 )
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Moving to Beirut’s anarchic rhythm, this documentary follows the struggles of a Palestinian cab driver who lives in his car, a homeless Syrian kid, and a Lebanese woman and her family.
Underdown (2018 )
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The end of the Cold War did not bring about a definitive thaw in the former republics of the Soviet Union, so that today there are several frozen conflicts, unresolved for decades, in that vast territory. As in Transnistria, an unrecognized state, seceded from Moldova since 1990. Kolja is a silent witness of how borders and bureaucracy shape the lives of citizens, finally forced to lose their identity.
Extinction (2018 )
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Charlie Soukup is a Czech underground songwriter and Charter 77 signatory. He emigrated in the early 1980s, and has spent the last several decades living on his own in the Australian outback as a hermit and Buddhist. Documentary filmmaker Jiří Holba sought Soukup out on his large property in the bush, where he builds secret shelters and lives away from civilization. The film, which Holba shot entirely alone on location, presents spontaneous conversations and situations that fully capture Soukup’s distinctive charisma. The film’s series of monologues are a kind of stream of thoughts that are part mad rambling and part insightful observations on life.
Feral (2018 )
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Jana lived in social isolation. Ondřej suffered from depression. After discovering their sexual identity, they accepted themselves. They are like us, they just don't have sex. Two aromantic asexuals. Jana loves romantic stories, likes reading them and in the beginning of her career as a literary translator, romance novels were her daily bread. Ondřej hangs out with his friend Martina, who'd like to marry him. He lives with a gay couple and his cat, and sees it as an appropriate way of being himself.
Asexualove (2018 )
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In the Chinese countryside, an old woman tells the story of her deceased son, while a little girl paints her dreams on the walls of the house. A personal and attentive perspective on the territory, which articulates the memory of a disappearing generation and the hopes of the one to come.
Self-Portrait: Sphinx in 47 Km (2018 )
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A workout on the sun deck, a conga line in the dining hall, a photo shoot with the captain, or a beauty contest for all ages: fun around-the-clock is guaranteed on a cruise, while you float along with your hotel room. The sea-faring holiday fortresses have come into vogue and business is booming. In the towering ship’s wake, we are left behind with a hoard of digital memories and a cloud of exhaust fumes on the horizon.
All Inclusive (2018 )
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Literature and psychoanalysis are summoned here around a mythical figure of the intellectual, artistic and psychoanalytical history of pre-dictatorship Argentina: Oscar Masotta. Having introduced Lacan’s thought in Latin America as well as structuralism, having taken action in defense of Pop art, and having himself initiated legendary performances, Masotta is at the heart of that wonderful Fifties and Seventies effervescence. But for as distinct a character as this one, Dora Garcia neither films the biopic, nor does she merely deliver the servile reconstruction of an anthology of his « actions ». Better still, and through an impure mix of both, with other elements at the forefront, she proposes floating evocation, much like psychoanalytical listening.
Second Time Around (2018 )
Batalives (2018 )
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In 1877 a Swiss aristocrat, Alfred von Rodt, became the governor of the remote Chilean island that gave birth to the legend of Robinson Crusoe. Exiled from his country and family, Von Rodt strived to build a utopian “little kingdom” until his death, but failed and lost his entire fortune. The film tells the story of this outcast through the lives of his descendants, who today seek political autonomy and a preservation of their indigenous identity.
Islander (2018 )
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The protagonist of "Picturesque Epochs" is Mária Gánóczy (1927-), a painter and a film aficionado who comes from a family of female artists as far back as her great-grandparents. She brought up nine children with her husband József Breznay (1916-2012), a fellow painter. Gánóczy's films and paintings immortalised the checkered history of Central Europe.
Picturesque Epochs (2018 )
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"Thirty-five years ago, I witnessed the kidnapping of a man I knew. He has disappeared since. Ten years ago, I caught a glimpse of his face while walking in the street, but I wasn’t sure it was him. Parts of his face were torn off, but his features had remained unchanged since the incident. Yet something was different, as if he wasn’t the same man” (Ghassan Halwani).
Erased,___Ascent of the Invisible (2018 )
Válek (2018 )
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When you drop off a bag of dirty laundry, who's doing the washing and folding? The Washing Society brings us into New York City laundromats and the experiences of the people who work there by observing these disappearing neighborhood spaces and the continual, intimate labor that is performed there.
The Washing Society (2018 )
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Pakistani folk artists talk about their struggle to keep a fading art form alive while reminding the world what they are about to lose.
Indus Blues (2018 )
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Christian, Ben and Jean-Marie are fighting for political change of power and free elections in their country, the Democratic Republic of the Congo. But the incumbent President refuses to relinquish power. How can the course of events be changed? Must they join forces with the historical opposition leader and his powerful party? Is dialogue still possible or must they resign themselves to a popular uprising and the risk of a blood bath?
Kinshasa Makambo (2018 )
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At the beginning of the 1960s, when the French pioneers of cinéma vérité set out to achieve a new realism, and when direct cinema in Québec began to vie for notice, the Baltics wit-nessed the birth of a generation of documentarists who favored a more romantic view of the world around them. This meditative documentary essay – from a Latvian writer and Lithuanian director whose composed touch has long dovetailed with the stylistically diverse works of the Baltic New Wave – pushes adroitly past the limits of the common his-toriographic investigation to create a portrait of less-clearly remembered filmmakers. The result is a consummate poetic treatment of the ontology of documentary creation. Also a cinematic poem about cinema poets.
Bridges of Time (2018 )
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In a remote village called Bostofrio, a young filmmaker breaks the law of silence in order to unearth the story of his grandfather. A series of awkward and funny interviews that reveal the secrets and half truths that are the fabric of rural Portugal.
Bostofrio (2018 )
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Immediately after a Palestinian man signs an online petition, he is thrown into a panic-inducing spiral of self-doubt. Over the course of a conversation with an understanding friend, he analyzes, deconstructs and interprets the meaning of his choice to publicly support the cultural boycott of Israel.
I Signed the Petition (2018 )
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Artist-filmmaker Jessica Sarah Rinland presents Black Pond, a film that explores the activity within a common land in the south of England. Previously occupied by the 17th century agrarian socialists The Diggers, the land is currently inhabited by a Natural History Society whose occupations include bat and moth trapping, mycology, tree measuring and botanical walks. After two years of filming on the land, the footage was shown to the members of the Society. Their memories and responses were recorded and subsequently used as part of the film’s narration. The film does not offer a comprehensive record of the history of humans within the area. Instead, it explores more intimately, human’s relationship with and within land and nature.
Black Pond (2018 )
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What is left backstage of the heroic videos of our warriors in Ukraine? What do they have to face, one on one, in peaceful life, and where does the war stop?
No Obvious Signs (2018 )
