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Movie
Encouraged by his daughter and with a broken voice, Jaime Luna (Uncle Yim) –indigenous philosopher, social leader and singer songwriter–, composes a new song about his tumultuous life after 15 years of silence. But this time he will do it with his family, so the memories and interpretations are contradictory and painful. Uncle Yim is an immersion in the identity of a peculiar family shaped by tradition, music and communality.
Tío Yim (2019 )
Movie
Pakistani folk artists talk about their struggle to keep a fading art form alive while reminding the world what they are about to lose.
Indus Blues (2018 )
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Two film directors and a writer are in Portugal for an expedition through various images, moments from the history of Western allegorical representation. The writer is Jean-Louis Schefer, and this tale encapsulates his life’s mission.
Danses Macabres, Skeletons, and Other Fantasies (2019 )
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Successful architect ignored by the status quo, indefatigable polemist, old-school bon vivant and holy heretic in the Castro Cuba. Many lives fit in Rodolfo Livingston's, as this portrait of who seems to have been there, has always been ready for the camera.
Livingston: The Man and the Method (2019 )
Movie
Audrius Mickevičius puts the horribly disfigured face of his murdered brother at the start of his film. It is almost a meditation about the question whether a final act like murder can be atoned for in a temporal order – and whether the passing of time allows the victim’s family to forgive. Mickevičius uses the example of two lifers (one of them gets married and wants to have children, the other pours his whole passion into an idea of craftsmanship) and a philosopher with prison experience to make that strange state of suspended life comprehensible.
Exemplary Behaviour (2019 )
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Christian, Ben and Jean-Marie are fighting for political change of power and free elections in their country, the Democratic Republic of the Congo. But the incumbent President refuses to relinquish power. How can the course of events be changed? Must they join forces with the historical opposition leader and his powerful party? Is dialogue still possible or must they resign themselves to a popular uprising and the risk of a blood bath?
Kinshasa Makambo (2018 )
Movie
At the beginning of the 1960s, when the French pioneers of cinéma vérité set out to achieve a new realism, and when direct cinema in Québec began to vie for notice, the Baltics wit-nessed the birth of a generation of documentarists who favored a more romantic view of the world around them. This meditative documentary essay – from a Latvian writer and Lithuanian director whose composed touch has long dovetailed with the stylistically diverse works of the Baltic New Wave – pushes adroitly past the limits of the common his-toriographic investigation to create a portrait of less-clearly remembered filmmakers. The result is a consummate poetic treatment of the ontology of documentary creation. Also a cinematic poem about cinema poets.
Bridges of Time (2018 )
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In a remote village called Bostofrio, a young filmmaker breaks the law of silence in order to unearth the story of his grandfather. A series of awkward and funny interviews that reveal the secrets and half truths that are the fabric of rural Portugal.
Bostofrio (2018 )
Movie
Immediately after a Palestinian man signs an online petition, he is thrown into a panic-inducing spiral of self-doubt. Over the course of a conversation with an understanding friend, he analyzes, deconstructs and interprets the meaning of his choice to publicly support the cultural boycott of Israel.
I Signed the Petition (2018 )
Movie
Artist-filmmaker Jessica Sarah Rinland presents Black Pond, a film that explores the activity within a common land in the south of England. Previously occupied by the 17th century agrarian socialists The Diggers, the land is currently inhabited by a Natural History Society whose occupations include bat and moth trapping, mycology, tree measuring and botanical walks. After two years of filming on the land, the footage was shown to the members of the Society. Their memories and responses were recorded and subsequently used as part of the film’s narration. The film does not offer a comprehensive record of the history of humans within the area. Instead, it explores more intimately, human’s relationship with and within land and nature.
Black Pond (2018 )
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What is left backstage of the heroic videos of our warriors in Ukraine? What do they have to face, one on one, in peaceful life, and where does the war stop?
No Obvious Signs (2018 )
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Following the river flowing through the centre of Sisak, the film creates a portrait of a former industrial city. The river today is a space for leisure and relaxation. However, when we examine the people that live and spend time there, the social conflicts of the transition break out onto the surface. The river reveals the remains of past that were left in the water.
On the Water (2018 )
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A motor-sports spectacle that kicks up plenty of dust. On the trail of the 2007 Dakar Rallye ‘7915 KM’ undertakes a search, along the way encountering the variety to be found in Africa’s present in Morocco, Sahrawi Republic, Mauritania, Mali and Senegal. ‘7915 KM’ demonstrates the extent of this distance, which is the result of political and economic conditions, and also the ideas and prejudices to be found in both Europe and Africa. It also makes the closeness tangible, which becomes clear in the stories of everyday life, work, hopes and worries. Keeping the sobering reality in mind, it creates an homage to humanity and slowness which questions deep-seated perceptions and the role of Europeans in numerous, presumably African, problems.
7915 Km (2008 )
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To say life in Vilnius, Lithuania, during Soviet occupation was tense would be an understatement. People were followed and photographed; restaurant dinner plates were bugged to catch potentially illicit conversations; car accidents were staged to waylay people while surveillance equipment was installed in their apartments; and many were detained, interrogated, imprisoned, or worse. Through expertly assembled KGB archival footage, earnest present-day interviews, and cleverly crafted returns-to-the-scene-of-the-crime, directors Maxì Dejoie and Virginija Vareikyté present an acutely compelling contemplation of a “non war” from both sides.
When We Talk About KGB (2015 )
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Through some of the last interviews with him before his death, Guatemalan filmmaker Anaïs Taracena bravely and artfully pieces together Barahona's incredible, heroic story, as well as his testimony in 2014 on one of the worst urban massacres to take place during the war in Guatemala: the Spanish Embassy massacre in 1980.
The Silence of the Mole (2021 )
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When two friends collect money for the so-called "suffering in America" in the streets of Accra, is it for fun, political provocation, or a prophecy? Two Swiss filmmakers will answer these questions with the help of seven musicians from Ghana-M3NSA, Wanlov The Kubolor, Adomaa, Worlasi, Akan, Mutombo Da Poet, and Poetra Asantewa-who have written new songs and produced video clips especially for the documentary film Contradict.
Contradict (2020 )
Movie
Numerous films deal with the American Civil War, which raged between the northern Union States and the southern Confederate States from 1861 to 1865. One general who rose to become a war icon and the 18th pres-ident of the United States was Ulysses S. Grant. Director Jim Finn uses board games to reconstruct the battles and documents a divided nation full of rebellious factions.
The Annotated Field Guide of Ulysses S. Grant (2020 )
Movie
The film is about the life of a "cheerful milkman", a Native American living and working in Siberia.
American Dream (2016 )
Movie
Life hasn't been easy on Mallory but after the birth of her son she tries desperately to kick her drug habit, and to stop living on the street. She wants to turn her back on her dark past and help those she knows best - people on the fringes of society.
Mallory (2015 )
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A CrossFit trainer becomes the father of a baby girl, Snow White. Snow White’s mother dies, and her father marries a young woman obsessed with CrossFit and herself. She works out all the time in order to be the best. And she really is the best – she can do 50 burpees. In the meantime, little Snow White plays and grows up in the CrossFit gym. Time passes, and one day it turns out – while the Stepmother can do 50 burpees, Snow White can already do 53 burpees...
In the Mirror (2020 )
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For ten years I pretended I wanted to get my grandfather to share his memories of the Algerian War. Today, I'm not sure I want to hear what he has to say, or whether I want to make this film at all.
Souvenir, Souvenir (2020 )
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Sitting at his computer, an Argentine director reflects on the metaphysical postulates of British natural historian Philip Henry Gosse, while he experiments with images and sounds saved in his personal database.
Homage to the Work of Philip Henry Gosse (2020 )
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From 1984 to 2019, Lynne Sachs shot film of her father, a bon vivant and pioneering businessman. This documentary is her attempt to understand the web that connects a child to her parent and a sister to her siblings. As the startling facts mount, Sachs as a daughter discovers more about her father than she had ever hoped to reveal.
Film About a Father Who (2020 )
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13-year-old Khodor is a child whose family tries to issue him an ID document that proves his existence and gives him the right to education, health-care and movement outside of the Palestinian refugee camp of Shatila in Beirut, Lebanon. Through the process, many of the family's old secrets are revealed.
Son of the Streets (2020 )
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Movie
World War II and the plant caused my mother's family to move to Ma-riupol. The war with Russia and the environmental consequences of the plant's operation play a key role in its future life.
Territory of Empty Windows (2020 )
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A young woman attempts to extract meaning from an intense loss as she encounters signs in her daily life and through the art of Hilma af Klint and Wassily Kandinsky. Point and Line to Plane portrays the phenomenon of magical thinking endured during an individual’s journey to process, heal and document a period of mourning.
Point and Line to Plane (2020 )
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After 17 years working as a street prostitute in New York City, undocumented immigrant, Iván Monalisa reunites with former college classmate Nicole, the director of this film. Through their creative bond, Monalisa re-flourishes as a transgender performer and writer, in the search for identity and legalization.
The Journey of Monalisa (2019 )
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In fall 2018, the Orchestre Symphonique de Montréal created the chamber opera Chaakapesh, a lighthearted story of the hero who founded the Innu people sung in three languages (Innu, Cree and Inuktitut) by Florent Vollant, Ernest Webb and Akinisie Sivuarapik. The orchestra then went on the road to perform the unique work in Quebec’s Far North, stopping in Kuujjuaq, Salluit, Kuujjuarapik, Oujé-Bougoumou, Mashteuiatsh and Maliotenam. Far more than just a concert film, Chaakapesh puts the audience front row centre as artists and communities come together in a remarkable cultural space. Poignant testimonials, important discussions and Maestro Nagano as we’ve never seen him before.
Chaakapesh (2020 )
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In Rio de Janeiro, over many days, the director Maria Ramos witnesses and films the judgment of several teenagers accused of stealing, trafficking and murdering. Underage youths are protected by the Brazilian laws and their faces can not be exposed; therefore, they are replaced by teenagers from poor communities.
Behave (2007 )
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A grandmother dies and leaves behind hours of secret film and audio recordings as well as an envelope with the words “Must read after my death,” which reveal a dark history for her family to discover.
Must Read After My Death (2007 )
Movie
The ferry crosses the river, transporting people from one shore to the other, from one country to another. It runs year round, never stopping. The footage was filmed on the Latvian-Belarussian border in the early 1990s - a time when the Soviet Union began to crumble and Latvia regained its independence.
The Ferry (1994 )
Movie
In 1947, two years after the end of the Second World War, Film Journal No. 1 was released in Sarajevo. Fifty years later, after the collapse of the Communist bloc, this newsreel was lost in the confusion of the fighting in Yugoslavia. In Journal No. 1 Hito Steyerl attempts to find out how the footage got lost and what was on this document from the Sutjeska studio. In the simultaneous projection of Journal No. 1 the ‘unattainability of an historical zero hour of the national identity’ takes concrete form: The lost newsreel reports on a literacy campaign as well as Muslim women confidently removing their headscarves. We listen however to eyewitnesses trying to recapture the lost content and we see the artist Arman Kulasic making a number of drawings that resemble the story-boards for the lost film. What appears to be moments of great change remain limited by subjective and uncertain memory. The film was premiered at documenta 12.
Journal No. 1 - An Artist's Impression (2007 )