Watch DocAlliance Films Movies and TV Shows Online in United Kingdom
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Philip and His Seven Wives (2006) a film made for the BBC’s prestigious Storyville strand, tells the intriguing story of a former messianic rabbi who believes that he communicates directly with God. Isaacs’ captivating and intimate documentary is a portrait of this unconventional family whose lives revolve around faith and obedience to the head of the household.
Philip and His Seven Wives (2005 )
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Johanna, a young drug addict, falls into a deep coma after an accident. Doctors miraculously manage to save her from death's doorstep. Touched by grace, Johanna cures patients by offering her body. The head doctor is frustrated by her continued rejection of him and allies himself with the outraged hospital authorities. They wage war against her but the grateful patients join forces to protect her. This is a filmic and musical interpretation of the Passion of Joan of Arc.
Johanna (2005 )
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Lotte Schreiber undertook a journey through Greece in winter to film anonymous architectures, the frequently found concrete skeletons.
Domino (2005 )
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Shot in the Occupied Territories by Israeli director Avi Mograbi, this controversial documentary film draws parallels between the Israeli - Palestinian situation today and the enduring myths of Samson and Masada. Mograbi offers a powerful, at times chilling, lament of the continuing cycles of violence rooted in the past and threatening to engulf everyone's future. With the roots of so much real-world conflict left unexamined by today's restless media, this film reminds us just how vital filmmakers like Avi Mograbi are. Documentary today is rarely immersed in questions of this magnitude - or tackles them with the level of eloquence shown here by Mograbi. An exceptional and challenging film.
Avenge But One of My Two Eyes (2005 )
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In Russian, "Svyato" means "happy". But it is also a nickname for Svyatoslav, the son of director Kossakovsky, who for two years covered mirrors from Svyato. For the first time in his life, Svyato is going to watch himself on a mirror.
Sacredly (2005 )
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Held up in a heavily fortified Baghdad hotel, Iraq's most famous pianist Samir Peter tries to survive the "peace" of post-war Iraq as he waits for his visa that will grant him a new life in America.
The Liberace of Baghdad (2005 )
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Five highly original musicians from different countries form the Accordion Tribe. Together they aim to reinforce the original power of the long disdained instrument. The film follows the energetic soundscapes and their performers on a journey through Europe. An extraordinarily intensive documentary on the communicative, connecting power of music.
Accordion Tribe: Music Travels (2004 )
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Marseille describes an interlude in the life of young Berlin photographer Sophie. Wanting a change, Sophie does an apartment swap, so she can go photograph the city of Marseille, and most of all get away from Berlin.
Marseille (2004 )
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In 1959, in Romania, six former members of the nomenklatura and the secret police organize a hold up of the National Bank. After their arrest, the state forces them to play themselves in a film which reconstitutes the crime and the investigation. At the end of their trial, filmed live, they are sentenced to death and executed. A month later, the film Reconstitution was released and became a sensation throughout the country.
The Great Communist Bank Robbery (2004 )
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Two students from the Czech Film Academy commission a leading advertising agency to organize a huge campaign for the opening of a new supermarket named Czech Dream. The supermarket however does not exist and is not meant to. The advertising campaign includes radio and television ads, posters, flyers with photos of fake Czech Dream products, a promotional song, an internet site, and ads in newspapers and magazines. Will people believe in it and show up for the grand opening?
Czech Dream (2004 )
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Route 181 is the epic record of a road trip undertaken in the summer of 2002 by two filmmakers, one Palestinian and one Israeli, along sections of what had been designated as the border between Israel and Palestine by U.N. Resolution 181 in 1947.
Route 181: Fragments of a Journey in Palestine-Israel (2004 )
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Documentary about Czech filmaker Vera Chytilova.
Journey: Portrait of Věra Chytilová (2004 )
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Masculine and feminine, hard and soft, continuous and interrupted, whole and fragmented. All that is encompassed by just one day at the factory.
Factory (2004 )
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Ydessa Hendeles' exhibition entitled "The living and the Artificial" (consisting of works of art all comprising a photograph of living persons in the company of one or several teddy bears) had puzzled Agnès Varda so much that she decided to go to Toronto where the artist lives and interview her. In front of Agnes Varda's DV camera, Ydessa tells about the singularity of her artistic approach. She also expresses herself about the Holocaust, which both her parents survived.
Ydessa, the Bears and etc. (2004 )
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Adil Hoxur, descended from a line of Dawaz tightrope artists, performs nightly with his troupe in China’s Taklamakan desert, among the Uyghurs, a Turkic Muslim people seeking religious and political autonomy. Shot over four months, this experimental documentary takes shape as a travelogue, ethnographic visual poem, and advocacy video for the preservation of a traditional art form. - MoMA
Kings of the Sky (2004 )
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Corruption, assassination and street rioting surround the story of the award-winning film, Power Trip, which follows an American multi-national trying to solve the electricity crisis in Tbilisi, capital of the former Soviet Republic of Georgia. Power Trip provides insight into today's headlines, with a graphic, on-the-ground depiction of the challenges facing globalization in an environment of culture clash, electricity disconnections and blackouts.
Power Trip (2003 )
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A stark portrait of a town in decline. Brilliant juxstaposition between the scoff faced English day trippers searching for cheap booze, and the cold, snivelling asylum seekers existing on the streets. Thrown into the mix are two English ex pats, trying to make money against the odds.
Calais: The Last Border (2003 )
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Winter. A bus stop in a small village. People are waiting for a bus. They talk. Listening to their conversations, the viewer can imagine the world they live in. United by the movement of the camera, the place and the people blend together.
Landscape (2003 )
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An absurdist farce centering around a school in post-Soviet Latvia. After a rather disgusting prank (someone defecates in the school attic), the tyrannical headmistress deems that no one can leave until the culprit is caught. When the photographer's pet python escapes, havok breaks loose.
The Python (2003 )
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Agnès Varda’s follow-up to her acclaimed documentary THE GLEANERS AND I takes us deeper into the world of those who find purpose and beauty in the refuse of society, revisiting many of the original film’s subjects.
The Gleaners and I: Two Years Later (2002 )
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Filmmaker Peter Mettler embarks on a mission that takes him around the world. He is determined to record the diverse modes of transcendence that people in different cultures adopt in order to live life to the fullest. As he traverses civilization and wilderness and encounters a range of lifestyles and ideas, the filmmaker's mind-expanding trip around the world grows into a poem of images and sounds, reflecting the fragmented but alluring worlds it attempts to capture.
Gambling, Gods and LSD (2002 )
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Documentary by Thomas Heise.
Vaterland (2002 )
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A night flight through hysteria and police surveillance in suburban America.
In Order Not to Be Here (2002 )
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A woman goes to bed, falls asleep, and begins to dream. This dream takes her to a landscape of light and shadow, evoked in a form only possible through classic cinematography. An homage to Man Ray, dedicated to the beginning of the European avant-garde film within the surrealist movement.
Dream Work (2001 )
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A woman faces a variety of emotional crises as she spends the summer interacting in various ways with friends, family, and lovers.
Passing Summer (2001 )
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This is an elegant meditation on time, travel, and ceremony in the form of a journey. In her first foray into digital video, Trinh T. Minh-ha deconstructs the role of ritual in mediating between the past and the present.
The Fourth Dimension (2001 )
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Director Marc Isaacs installs himself in the lift of a typical English tower block. People start talking to him, and we discover their lives.
Lift (2001 )
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The film features an incredibly low angel’s flight over the dunes of Nida, Trakai castle, the lakes of Aukstaitija (Highlands), the roofs of the Old Town of Vilnius and the fantastically beautiful church steeples. It’s like a mystical gliding just above the treetops, meadows covered by early morning mist, as well as the narrow streets of Vilnius.
Flight Over Lithuania or 510 Seconds of Silence (2000 )
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Tension mounts to the boiling point as Jewish “settlers” encroach upon the formerly exclusive Arab neighbourhoods of Jerusalem. On the other end of the Israeli political spectrum, the state complies with international demands to relinquish territory to the Palestinians.
Settlers (2000 )
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A propulsively jittering journey through the cinematic imaginary using glitchy found footage and jacked-up cyber sounds, Get Ready hits the highway hard and takes us with it. A car crash? An escape? This turbo-charged condensation of cinematic moods and tropes makes much of its tiny run-time.
Get Ready (1999 )
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The late 1950s. Every night, Soviet tractors comb the coast of Latvia looking for signs of anyone who could have infiltrated the Soviet border from the sea. One morning, three Soviet patrolmen discover a woman’s shoe in the sand and footsteps leading to the quaint little village of Liepaja.
The Shoe (1998 )
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We accompany a handful of teenagers on their forays into department stores, listen to techno musik, stand on the sidelines as a big kid picks on someone half his size. But the film has nothing of the usual voyeuristic sensationalism à la reality TV; it is rather a patently constructed, analytical montage of reality that opens out into times and spaces, and provides food for thought. Ghetto is divided into six loosely interwoven chapters. Each of the six chapters has its own coloring, its own pace and actors, its own treatment of the raw material. And each has its own distinctive scenery – interspersed shots of the geographical or architectural environment in which the young protagonists live. –First Hand Films
Ghetto (1997 )