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Colonel Honorine Munyole is a robust forty-four-year-old widow and mother of seven young children – four of her own, three adopted. She wields her uniform, beret and black handbag like a protective shield, which her daily work desperately requires. More or less on her own, she runs a small police unit dedicated to protecting women who’ve been raped and children who’ve suffered abuse in the war-plagued regions of the Congo. At the start of Maman Colonelle, she’s transferred from Bukavu to Kisangani, arriving only to discover her future home and office in a desolate state. While she deals with such practical obstacles with suitable feistiness, the traumas and social deformities of the people around her have nightmarish dimensions: the envy surrounding those with state-recognised ‘victim’ status, hope for help from the ‘whites’, depression, helplessness.
Mama Colonel (2017 )
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The documentary about the Ukrainian Aidar battalion was filmed in a single 80-minute sequence.
Flight of a Bullet (2017 )
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In 35 years of one couple's shared life, a lot of things happen: from the moments of an absolute harmony to the dramatic falls. For the most of the time, the couple cares for common daily life issues and joys that come together with raising the children, running the household or running a business. And this is exactly the life of furniture shop owners Ivana and Vaclav Strnadovi, 2 characters that a director Helena Trestíková follows with her camera as of the year 1980 within a project The Marriage Story. Her new feature documentary about Strnad family is linked to TV films from this cycle, but most importantly it shows further shocking twists, that life brought to the couple and their children.
A Marriage Story (2017 )
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A would-be exile explores her Georgia O'Keeffe fantasies through customer support calls.
Ida Western Exile (2017 )
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The film follows Agustina as she finds the videotapes that her father Jaime recorded before the accident that took his life. The family secrets surrounding Jaime push Agustina to get involved. Her search will reveal a story marked by sexuality and political activism.
Silence Is a Falling Body (2017 )
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Up to 50 percent of the world’s manganese, a vital metal across the globe, used to be mined in Chiatura, in western Georgia. Today, it resembles an apocalyptic ghost town. Mzis qalaqi portrays a few of the remaining inhabitants. Music teacher Zurab dismantles ramshackle concrete buildings and sells the iron girders to make some money on the side. Archil still works in the mine but his real passion is the local amateur theatre group. Despite being malnourished, two young female athletes still train stoically for the next Olympic Games.
City of the Sun (2017 )
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The first feature from Alison McAlpine is a dialogue with the heavens—in this case, the heavens above the Andes and the Atacama Desert in northern Chile, where she alights on the desert- and mountain-dwelling astronomers, fishermen, miners, and cowboys who live their lives with reverence and awe for the skies.
Cielo (2017 )
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Heloisa receives a gift: a collection of super-8 films with images of enormous cataracts that once comprised the Seven Falls (Sete Quedas), a natural paradise destroyed by the construction of the world's largest hydroelectric plant, in the early 1980s. The construction of the plant, at the height of the Brazilian military regime, awakens memories of a past immersed in a political authoritarianism. The film starts from the relationship between Heloisa, the filmmaker, and her father, Alvaro, an engineer who had his moment of glory during the Brazilian military dictatorship. They question the political trajectory of Brazil.Projections and maps become the first bridges to connect with the past. However, it is the inescapable present that really strikes Alvaro and Heloisa as they position themselves on opposite sides.
Building Bridges (2017 )
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A widower, his daughter, and his new wife move into a peaceful neighborhood. At first it appears to be a perfect neighborhood but the family quickly realize that something is not right about their new home.
Within (2016 )
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Esther Johnson’s film uses local archive footage to convey the story of Sunderland's involvement in the First World War, from the men who fought in the fields to those who stayed behind to work in the region’s shipyards and munitions factories.
Asunder (2016 )
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Sean's vicious attack leaves a man unconscious and him stranded in an elevator with five others. In the confines of the lift, love has a chance of blossoming - violence has a chance of erupting - Sean has little chance of escape. With his freedom hanging in the balance can the people who fear him offer him one last chance of redemption?
Lift (2016 )
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A dive, the midday sunlight filtering down through the water. The air in her lungs has to last until she can dislodge the abalone. Dives like these have been carried out in Japan for over 2000 years by the Ama-San.
Ama-San (2016 )
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It’s not uncommon for a film to have a moving love story at its core. Yet this particular set-up is unusual. The lovers here are Ingeborg Bachmann and Paul Celan, both important representatives of post-war German-language poetry. The story of the relationship between the Austrian and the Jew from Czernowitz is told through their nearly 20-year correspondence (1948–1967). Or, more precisely, by a young woman and a young man reading from their letters in a studio in Vienna’s venerable Funkhaus.
The Dreamed Ones (2016 )
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Sylvia has turned a blind eye for too long to husband Eddie's flourishing drug business. When his dealing takes a (deadly) turn for the worse, however, her need to protect the lives and futures of her young children compel her to flee. But Eddie will stop at nothing to keep his wife inside the ‘family'.
Clean Hands (2015 )
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Life hasn't been easy on Mallory but after the birth of her son she tries desperately to kick her drug habit, and to stop living on the street. She wants to turn her back on her dark past and help those she knows best - people on the fringes of society.
Mallory (2015 )
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August 16, 1977. All of America was stunned by the news of Elvis Presley's untimely passing. Some went so far as to believe that it couldn't be true. Somehow he had faked his death. For the executives at Sun Records that fantasy became an opportunity in the form of Orion, a mysterious masked performer with the voice of The King. First appearing in 1979, Orion recorded 11 albums and performed live to packed houses and rapturous fans around the nation. But who was the man behind the mask? In this stranger-than-fiction true story, Jeanie Finlay exposes the incredible life of an unknown singer plucked from obscurity and thrust into the spotlight with the complicity of a manipulative music industry and a public fan base unwilling to let The King go. Resonant in its themes of identity, fate, and the double-edged nature of fame, Orion is a stylish mystery story that finally gives a name and a face to a gifted artist who had been unjustly deprived of both.
Orion: The Man Who Would Be King (2015 )
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Heartfelt and heartbreaking documentary following a cast of Nottingham amateur actors staging a production of Puss in Boots.
Panto! (2014 )
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This film tries to make a silent record of the arrival of an economy of scale, its flows, and its effects upon the transformation of an island’s physical and human landscape.
Trading Cities (2014 )
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Doctors are baffled when an expectant mother wakes to find her nearly-to-term pregnancy apparently disappear overnight. Police investigate the situation as a missing child, and only her husband and brother trust her version of events.
Absence (2013 )
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Honza was born in 1974 into the cheerless era of socialism in Czechoslovakia. At that time, his parents Jana and Petr lived in one room in the apartment of Jana's divorced mother and her widowed grandmother. A few years later, the family moved from Prague to Liberec where Petr found a job and a little house for the family. When Honza was born, his father began writing a family chronicle and he has continued to do so for 37 years. "Private Universe" show not only the life of one ordinary family, but also how the Czech society has changed in last four decades. Who are we, where do we come from and where do we go?
Private Universe (2012 )
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On the oldest Roman road in the capital, filmmaker Marc Isaacs weaves together numerous poignant stories of loss and the search for belonging into a tapestry of the human experience. Keelta a young Irish woman leaves home to build a new life for herself on the road where Billy, the old Irish labourer is struggling to find a meaning to his life. Peggy, a 95 year old Jewish refugee from Vienna and Brigitte, a German born former air hostess, have both suffered bad husbands, whilst Iqbal, an unassuming Indian hotel concierge, awaits the arrival of his wife from Kashmir. A film that forces you to recognise the struggles and preoccupations of its characters as our own.
The Road: A Story of Life & Death (2012 )
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A portrait of the last surviving vinyl record shop in Teesside, North East England, at a time when independent record shops were closing in the UK at a rate of one every three days. A distinctive, funny and intimate film about men, the North and the irreplaceable role music plays in our lives. High Fidelity with a Northern Accent.
Sound It Out (2011 )
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A summer day in Italy. The camera follows the deaf-mute Giacomo and a childhood girlfriend Stefi closely – in the woods, by the river – without wanting to disrupt the mystery of their relationship, between restrained sensuality and childhood games.
Summer of Giacomo (2011 )
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“You bet on someone in the beginning of the process and then you wait and see what life does with them.” This is how Czech director Helena Trestikova explains her long-term documentaries. Following on from the European Film Academy Award winning RENE (2008), Trestikova brings us KATKA – 14 years in the life of a drug addict. KATKA is an extraordinarily raw and uncensored character portrait of a troubled young woman living on the edge of human existence, desperately searching for love and salvation. Will she find it in the rehab? Will she find it in the arms of the man she loves? Or in the first cry of her long-desired baby? Tagging along with her through the back streets and squalors of Prague, Trestikova gets deep under the skin of a person most of us would cross the road to avoid, and shows us Katka’s profoundly human face. You might be angry with Katka, or your heart may go out to her. One thing is certain – you will never forget her.
Katka (2010 )
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A look at the growing allure of Goth culture in England and the USA...on a boat.
Goth Cruise (2008 )
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Documentary in which artist Jeanie Finlay goes behind the closed bedroom doors of four British adolescents on the brink of adulthood and explores their passions, obsessions and their hopes for the future.
Teenland (2007 )
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Philip and His Seven Wives (2006) a film made for the BBC’s prestigious Storyville strand, tells the intriguing story of a former messianic rabbi who believes that he communicates directly with God. Isaacs’ captivating and intimate documentary is a portrait of this unconventional family whose lives revolve around faith and obedience to the head of the household.
Philip and His Seven Wives (2005 )
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A stark portrait of a town in decline. Brilliant juxstaposition between the scoff faced English day trippers searching for cheap booze, and the cold, snivelling asylum seekers existing on the streets. Thrown into the mix are two English ex pats, trying to make money against the odds.
Calais: The Last Border (2003 )
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White-tiled rooms, neon lighting; on the walls black and white photographs documenting the atrocities committed by the german Wehrmacht on the Eastern Front in WW2. Against this background former soldiers talk about their experiences beyond the bounds of "normal" warfare. An uncompromising film on remembrance and oblivion.
East of War (1996 )
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In this documentary road movie, Austrian filmmaker Ruth Beckermann records the diverse views and activities of Israelis and Arabs as she travels along the route from Tel Aviv to Jerusalem.
Toward Jerusalem (1991 )
