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Movie
In a village in West Africa where dreams play a key role, the hosts of local radio interpret the oniric visions of their listeners. The language of dreams is spoken here. The limits between the real and the fantastic blur, and time is suspended.
Talking Dreams (2020 )
Movie
The stories, music and rituals of Tinku culture in the north of Potosí in Bolivia, are the perfect excuse for director Nina Wara Carrasco to return to the idyllic place of her childhood, where she faces the uneasiness of the passage of time and uprooting. In the Whisper of the Wind explores rituals where music is a balm and a link with the mystic.
In the Whisper of the Wind (2018 )
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Filmed over a year in Ambedkar Nagar, a dense, largely working class area in South Delhi. It moves between the two very different worlds of its protagonists, Sachi and Parveen, and tries to keep up with the currents and swings of their respective loves. Sachi works at a local beauty parlor, Parveen runs the family’s small cigarette counter at a crowded intersection. They are surrounded by a cacophonous city; they are both in love with other women. The film accompanies them through their desire to find and live, according to Sachi, their ‘freedom lives’—lives that are outside society and family’s constant scrutiny and sanction. But this ‘freedom life’ also leaves them vulnerable to the precariousness of love, when it refuses such constraints.
Yeh Freedom Life (2018 )
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Documentary about people on the coast of Morocco hoping to make it to Spain.
Barzakh (2018 )
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Landscapes of Resistance traces a journey through the memories of antifascist fighter Sonja (97), the first Partisan woman in Serbia, who was also one of the leaders of the Resistance movement at Auschwitz. We make her story travel through time towards the bodies of the new generation of antifascists, bespeaking that it is always possible to think and practice resistance.
Landscapes of Resistance (2021 )
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Through his dreams, José received a gift given by the gods. Now that he is at a mature age in life, José would like to rest, but he is not allowed.
Vaychiletik (2021 )
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The documentary about the Ukrainian Aidar battalion was filmed in a single 80-minute sequence.
Flight of a Bullet (2017 )
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In 35 years of one couple's shared life, a lot of things happen: from the moments of an absolute harmony to the dramatic falls. For the most of the time, the couple cares for common daily life issues and joys that come together with raising the children, running the household or running a business. And this is exactly the life of furniture shop owners Ivana and Vaclav Strnadovi, 2 characters that a director Helena Trestíková follows with her camera as of the year 1980 within a project The Marriage Story. Her new feature documentary about Strnad family is linked to TV films from this cycle, but most importantly it shows further shocking twists, that life brought to the couple and their children.
A Marriage Story (2017 )
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Four girls living in the lonely vastness of the USA share one passion: The wild world of rodeo. Although they move about in the powerful imagery of the American prairie and the myths of the Wild West, they give it new resonance and break free of it. In a world which used to belong to their fathers and brothers, they prove that "you ride like a girl" is not an insult but a compliment.
Glitter and Dust (2020 )
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A look at the growing allure of Goth culture in England and the USA...on a boat.
Goth Cruise (2008 )
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The border between Lithuania and Belarus used to be a fluid border between Soviet republics. Today it is one of Europe's forgotten outskirts, with the Schengen fence dividing communities, families and lives.
Where the World Ends (2021 )
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In 1877 a Swiss aristocrat, Alfred von Rodt, became the governor of the remote Chilean island that gave birth to the legend of Robinson Crusoe. Exiled from his country and family, Von Rodt strived to build a utopian “little kingdom” until his death, but failed and lost his entire fortune. The film tells the story of this outcast through the lives of his descendants, who today seek political autonomy and a preservation of their indigenous identity.
Islander (2018 )
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A would-be exile explores her Georgia O'Keeffe fantasies through customer support calls.
Ida Western Exile (2017 )
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Conjuring reality and wonder, "Speak so I Can See You" takes us to a seemingly different era, by exploring the world of Radio Belgrade. One of Europe's oldest radio stations and a true institution of the city, the station still broadcasts original programming and helps keep history, culture and critical thought, as well as everrelevant questions about ourselves and the world, from slipping out of memory and mind. Set at the intersection of an observational documentary and a unique sensory experience, the film conjures everyday scenes at the station and immersing interludes exploring the relationship between sound and the space it inhabits. Through a synesthetic blend of sounds, words, notes, echoes and light, we are taken into a unique cinematic soundscape that doubles as a love letter to radiophonic art and its disarming insight into what makes us remember, understand, think, discover, and feel.
Speak So I Can See You (2019 )
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Christian, Ben and Jean-Marie are fighting for political change of power and free elections in their country, the Democratic Republic of the Congo. But the incumbent President refuses to relinquish power. How can the course of events be changed? Must they join forces with the historical opposition leader and his powerful party? Is dialogue still possible or must they resign themselves to a popular uprising and the risk of a blood bath?
Kinshasa Makambo (2018 )
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26 people live in the Belgian city of Doel, and they have no plans of moving anywhere. Even if everyone else is busy telling them how hopeless their beloved ghost town is. Vandalised, dilapidated and an ironic destination for urban explorers, car nerds and Dutch techno ravers. Doel is squeezed between an industrial port and a nuclear power station, and since the 1960s the government has regularly tried to raze it to the ground to make space for a container park in the name of globalisation. The school, the shops and even the church have closed, and most houses have either been torn down or abandoned. But the last inhabitants are not giving up. Young as well as old agree to defend Doel to the very end.
Doel (2018 )
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We know what labour wreaks on the body, but what less visible imprint does it leave on the unconscious? The nights of twelve dreamers – sometimes recounted in front of the camera, sometimes with a voice-over that accompanies shots of office buildings or urban worksites – reveal how the capitalist system invades the modern-day psyche. Long shots of edifices with smooth surfaces and sheer edges instil a deceptive gentleness. Zombies, corpses, mummies, ghosts, skulls sliced open like an egg and emptied by spoonfuls… The images follow one after the other, no two alike, but the editing organises a gradation towards the vampirism and an insidious passage from night to day, from dreams to real working life.
Dreaming Under Capitalism (2018 )
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In a country offering almost no treatment services despite a crisis of addiction, Laila Haidari took the highly unusual decision to found her own pioneering addiction treatment center and a restaurant where all of the waiters are recovering heroin addicts. A deeply personal perspective on the global addiction epidemic, the film follows the labor of love of one woman fighting to keep her center alive in the face of physical threats, governmental opposition and the departure of the international community from Afghanistan.
Laila at the Bridge (2018 )
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Following her award-winning documentary, One Tree Three Lives, about novelist Hualing Nieh Engle, Hong Kong director Angelina Chan examines the artist Yank Wong Yan-kwai. A complex man who resists easy categorizations, Wong is a painter, art director, set designer, writer, musician, and photographer, an elusive renaissance man of bountiful creativity. More than a portrait of an artist and the creative life, the lm is also a high-octane cat-and-mouse game between lmmaker and subject: one tries to capture, the other evades
I've Got the Blues (2018 )
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The Rostom is an overnight shelter for the homeless, located on the outskirts of Bologna. It appears like a ghostly moon base in the middle of the countryside, where beams of neon light draw the profiles of insomniacs, who in the middle of the night get up and go out for a smoke or a chat. Weaving the threads of their stories is David, an Englishman who has been wandering the world for seven years and has landed at Rostom exhausted and eager to get back on his feet and tell his story
Stories of the Half-Light (2018 )
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Sean McAllister returns to his Yorkshire hometown of Hull as creative director of the opening ceremony of the City of Culture celebrations: living back with his 90 year-old parents, McAllister reflects on the changes to a city hit by cuts in public spending and divided by Brexit and where more than 1 in 3 children are living in poverty. Drawn to the fringes of town, McAllister met and started filming with Steve Arnott, a struggling warehouse worker by day and hip-hop performer by night, who harbours his own creative dream.
A Northern Soul (2018 )
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Sylvia has turned a blind eye for too long to husband Eddie's flourishing drug business. When his dealing takes a (deadly) turn for the worse, however, her need to protect the lives and futures of her young children compel her to flee. But Eddie will stop at nothing to keep his wife inside the ‘family'.
Clean Hands (2015 )
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In Northern Russia, a few dozen people still live in their traditional houses surrounded by water, stone, and sand. Cut off from vital infrastructure, almost forgotten by regional governance, these people have to cope with their everyday struggles.
Beyond the White (2021 )
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When he received the 2017 Nobel Prize in Chemistry, Jacques Dubochet saw his life turned upside down. Moving from shadow to light, he is in demand from all sides. What to do with this voice now heard by all? How to find its place and define the struggles to be led? How to become a “Nobel Citizen”, with the objective of assuming his responsibility as a researcher and a member of the human community?
Citizen Nobel (2020 )
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Life hasn't been easy on Mallory but after the birth of her son she tries desperately to kick her drug habit, and to stop living on the street. She wants to turn her back on her dark past and help those she knows best - people on the fringes of society.
Mallory (2015 )
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The night is falling and Montreal is under the snow. People line up at the lost and found office of the city’s transit company. They all have lost something, which, upon reflection, becomes the symbol of a deeper loss. Prayer for a Lost Mitten is a creative documentary by turns melancholic and festive, yet ever compassionate. A film that helps us get through the winter.
Prayer for a Lost Mitten (2020 )
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Martha Wollner, legendary casting director, roams the streets in search of an actor to play the role of a criminal. Through the random encounters that Martha undertakes with passers-by found in the New York district of Queens, the film reveals the growing intimacy between strangers with extreme finesse.
Intimate Distances (2020 )
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Every second Saturday in July, since 1871, the city of Durham has been taken over by miners, trade-unions and the general public for one of the biggest annual gatherings in Europe, the Durham Miners' Gala - known locally as "The Big Meeting".
The Big Meeting (2019 )
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A distinctive, delicate yet powerful documentary depicting Hydebank Wood Facility in the Northern Irish countryside, which currently houses 104 young male offenders. From the periphery, we observe Ryan who after four years is still coming to terms with the cause of his imprisonment. The unlikely catharsis to his inner demons? A flock of sheep living inside the prison walls.
Hydebank (2019 )
Workhorse (2019 )
Movie
About the new generation of Russian protest. Milena, Kolya and their associates are twenty years old. They grew up during the presidency of Vladimir Putin and do not know other rulers. At a time when their parents might be afraid to go to a protest rally, these young activists are ready to take risks and fight for their ideals. The year before the presidential election in 2018, the characters in the film were inspired by the calls of Alexei Navalny and took on the task of convincing Muscovites not to vote for Putin.
We Are Russia (2019 )
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A hybrid documentary about the decommissioning of a nuclear plant in Scotland. Concerned with landscape and time, myth and technology, the film explores the nature of ruins, and asks what environmental scars our generation will leave behind for the future.
Beyond the North Winds: A Post Nuclear Reverie (2019 )