איפה אפשר לצפות ב-Letters to Max ב-בישראל
A record of the epistolary encounter between French artist and filmmaker Eric Baudelaire and Maxim Gvinjia, former Foreign Minister of the breakaway Caucasian state of Abkhazia, Letters to Max is both a chronicle of a developing friendship and an ingenious, unusual essay film about the inherently speculative nature of nationhood.
צפה Letters to Max ב-MUBIצפו ב"Letters to Max" עכשיו ב-MUBI, וגלו דרכים נוספות לצלול לתוך סֶרֶט האהוב עליכם עם המדריך האולטימטיבי לצפייה של Popcorn Time.
חקור עוד אפשרויות סטרימינג עבור Letters to Max!
גלה כיצד לצפות ב-Letters to Max במגוון פלטפורמות ומדינות! בין אם אתה בבית או נוסע לחו"ל, מציאת מקום לצפייה חוקית מעולם לא הייתה קלה יותר. מ-, Letters to Max זמין בשירותים מובילים כמו . זמין ב-12 מדינות נוספות, תוכל לחקור אפשרויות סטרימינג מותאמות אישית שמתאימות לרישוי המקומי, ולהבטיח חוויית צפייה חוקית וללא טרחה.
מידע נוסף
- משך זמן
- 103 דקות
- שוחרר
- ארץ מקור
- צָרְפַת
- שפות
- en
- כתוביות
- de, en, es, fr, it, nl, pt, tr
דומים ל-Letters to Max
סֶרֶט
Les Indes Galantes (The amorous indies), is an opera-ballet created by Jean Philippe Rameau in 1735. He was inspired for one of the dance by tribal Indian dances of Louisiana performed by Metchigaema chiefs, in Paris in 1723. Clément Cogitore adapts a short part of the ballet by mobilizing a group of Krump dancers, an art form born in Los Angeles black ghetto in the 1990s. Its birth occurred in the aftermath of the beating up of Rodney King and the riots, as well as police repression it triggered. Amidst this coercive atmosphere, young dancers started to embody the violent tensions of the physical, social and political body. Both the tribal dance performed in Paris in 1723, and the rebelious Krump dancers of the 1990s shape a reenactment of Rameau’s original libretto, staging young people dancing on the verge of a volcano.
The Amorous Indies (2018 )
סֶרֶט
A family fired by a company owned by LVMH (Group owned by French billionaire, Bernard Arnault) seeks reparation from their previous employer with the help of the movie director.
Thanks Boss! (2016 )
סֶרֶט
A film on exile, revolution, landscapes and memory, Anabasis brings forth the remarkable parallel stories of Adachi and May, one a filmmaker who gave up images, the other a young woman whose identity-less existence forbade keeping images of her own life. Fittingly returning the image to their lives, director Eric Baudelaire places Adachi and May’s revelatory voiceover reminiscences against warm, fragile Super-8mm footage of their split milieus, Tokyo and Beirut. Grounding their wide-ranging reflections in a solid yet complex reality, Anabasis provides a richly rewarding look at a fascinating, now nearly forgotten era (in politics and cinema), reminding us of film’s own ability to portray—and influence—its landscape.
The Anabasis of May and Fusako Shigenobu, Masao Adachi, and 27 Years Without Images (2011 )
Think Global, Act Rural (2010 )
![[sic]](/_next/image?url=https%3A%2F%2Fimg.popcorntime.app%2Fd%2FUrx396f7LzCtRUVf4wwp.jpg&w=384&q=75 "[sic]")
סֶרֶט
Artist Eric Baudelaire constructed an ‘imaginary reality’ after a sojourn in Kyoto. In an art bookstore, a girl is responsible for ‘bokashi’: obscuring images. The entire book collection has passed through her hands. She determines what we can and cannot see.
[sic] (2010 )