איפה אפשר לצפות ב-The Anabasis of May and Fusako Shigenobu, Masao Adachi, and 27 Years Without Images ב-בישראל
A film on exile, revolution, landscapes and memory, Anabasis brings forth the remarkable parallel stories of Adachi and May, one a filmmaker who gave up images, the other a young woman whose identity-less existence forbade keeping images of her own life. Fittingly returning the image to their lives, director Eric Baudelaire places Adachi and May’s revelatory voiceover reminiscences against warm, fragile Super-8mm footage of their split milieus, Tokyo and Beirut. Grounding their wide-ranging reflections in a solid yet complex reality, Anabasis provides a richly rewarding look at a fascinating, now nearly forgotten era (in politics and cinema), reminding us of film’s own ability to portray—and influence—its landscape.
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גלה כיצד לצפות ב-The Anabasis of May and Fusako Shigenobu, Masao Adachi, and 27 Years Without Images במגוון פלטפורמות ומדינות! בין אם אתה בבית או נוסע לחו"ל, מציאת מקום לצפייה חוקית מעולם לא הייתה קלה יותר. מ-, The Anabasis of May and Fusako Shigenobu, Masao Adachi, and 27 Years Without Images זמין בשירותים מובילים כמו . זמין ב-12 מדינות נוספות, תוכל לחקור אפשרויות סטרימינג מותאמות אישית שמתאימות לרישוי המקומי, ולהבטיח חוויית צפייה חוקית וללא טרחה.
מידע נוסף
- משך זמן
- 66 דקות
- שוחרר
- ארץ מקור
- צָרְפַת
- שפות
- en, ja
- כתוביות
- en, es, fr, ja
דומים ל-The Anabasis of May and Fusako Shigenobu, Masao Adachi, and 27 Years Without Images
סֶרֶט
A record of the epistolary encounter between French artist and filmmaker Eric Baudelaire and Maxim Gvinjia, former Foreign Minister of the breakaway Caucasian state of Abkhazia, Letters to Max is both a chronicle of a developing friendship and an ingenious, unusual essay film about the inherently speculative nature of nationhood.
Letters to Max (2014 )
Think Global, Act Rural (2010 )
סֶרֶט
Artist Eric Baudelaire constructed an ‘imaginary reality’ after a sojourn in Kyoto. In an art bookstore, a girl is responsible for ‘bokashi’: obscuring images. The entire book collection has passed through her hands. She determines what we can and cannot see.
[sic] (2010 )
סֶרֶט
In a recycling factory in the north of France the machines dance, the workers join in song, and the truckdrivers almost do a ballet. The film shows the process of recycling by impressive machines and by hand. We hear the noise that accompagnies this process. Slowly the factory noise be- comes a rhythm and a truckdriver starts to sing a song for his love. He wants to build an island with the materials at hand, where they can be together to ‘sort things out ‘. In this crossover between documentary and musical it is the filmmakers aim to merge image and sound in such a way that the one cannot exist without the other. Inspired by the recordings of Alan Lomax and the films of Jacques Tati, the result is a sculptural and informative documentary and at the same time a musical film with a sticky song .
Plastic and Glass (2009 )