צפו בTrue Story סרטים אונליין בישראל
True Story מציע מבחר גדול של סרטים בישראל. בין אם אתם מחפשים את הכותרים החדשים ביותר, הכותרים המובילים או הקלאסיקות הנצחיות, ל-True Story יש משהו לכל אחד. חקרו ז'אנרים פופולריים וגילוי את הסרט הבא שלכם בקלות.
גלה את הטוב ביותר של True Story ב-בישראל, שם תמצא מגוון שאין לו תחרות של סרטים ליהנות מהם. מהצלחות קופתיות ועד יצירות מוערכות על ידי מבקרים, ל-True Story יש אפשרויות לכל מצב רוח ורגע. אוהב לגלות משהו חדש? צלול לאוספים אוצרו של כותרים מגמתיים, פנינים נסתרות או יציאות חדשות שתואמות לטעמך. עם תוכן הנפרס על פני ז'אנרים כמו פעולה, רומנטיקה, דוקומנטריה ועוד, תמיד יש משהו מרגש שמחכה לך.
מצא מה לראות מהר יותר עם True Story ו-Popcorn Time. בין אם זה תכנון ערב סרטים או צפייה מרתונית בסדרת הסרטים האהובה עליך, תמיד תהיה לך גישה קלה לאפשרויות הבידור הטובות ביותר הזמינות.
A Tale of Two Syrias (2012 )
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Introduced with a quote that invents its own creator, someone is dancing in a figure skating costume to a piece of music that conceals its source.
Jackson/Marker 4am (2012 )
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The daily workins of Austria's Danube Hospital.
Donauspital (2012 )
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A portrait of the last surviving vinyl record shop in Teesside, North East England, at a time when independent record shops were closing in the UK at a rate of one every three days. A distinctive, funny and intimate film about men, the North and the irreplaceable role music plays in our lives. High Fidelity with a Northern Accent.
Sound It Out (2011 )
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A summer day in Italy. The camera follows the deaf-mute Giacomo and a childhood girlfriend Stefi closely – in the woods, by the river – without wanting to disrupt the mystery of their relationship, between restrained sensuality and childhood games.
Summer of Giacomo (2011 )
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Some things can be seen more clearly at night.. . A film poem about a continent at night, a culture on which the sun’s going down, though it’s hyper alert at the same time, an “Abendland” that, often somewhat self-obsessively, sees itself as the crown of human civilization, while its service economy is undergoing rapid growth in a thoroughly pragmatic way. Nikolaus Geyrhalter takes a look at a paradise with a quite diverse understanding of protection. Night work juxtaposed with oblivious evening digression, birth and death, questions that await answers in the semi-darkness, a Babel of languages, the routine of the daily news, and political negotiation: All this has been captured in images with a wealth of details that make us look at things in a new way. The longer you consider a word, the more distant is its return gaze: ABENDLAND.
Abendland (2011 )
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Initially, there's that moment of happiness: an African-American celebrating in Harlem cheers "We're free!" as if Barack Obama's victory meant the ultimate end of slavery. AMERICAN PASSAGES is an associative journey through the United States: a disillusioned Iraq veteran, gay adoptive fathers, black judges, white party animals and a pimp at a casino table in Las Vegas. The extreme contrasts of black and white, rich and poor, winners and losers are often as surprising as the meaning of the constitutional right to the pursuit of happiness in these times of crisis. An epic panorama of America.
American Passages (2011 )
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They arrive, they smoke, they wait - armed robbers seeking redemption, life-long thieves, addicts and anxious fathers of wayward children. Hard exteriors hide soft centres, old lives exist in young bodies - ordinary people awaiting judgement on an unlovely stretch of pavement outside a London magistrates' court. Whilst waiting for their cases to be heard they reveal their lives, and the complexities of the human soul are laid bare. Tense and intimate conversations with the filmmaker illuminate stories that the magistrates hear daily. Director Marc Isaacs spent three months outside Highbury Magistrates Court and, in doing so, demonstrates how the eye of the camera has the ability to delve much deeper into character and motivation than the eye of the law. Consequently, the more we get to know the characters in this film, the harder it is to make easy judgements. Whilst the court must judge, the filmmaker need not.
Outside the Court (2011 )
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This portrait of Allentsteig, a military training area and nature reserve, presents various aspects of life. Without comment but with a keen eye for humorous details.
Allentsteig (2010 )
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In Men of the City, Isaacs takes a more stylised approach to the lives of workers in the City of London during the recent financial meltdown, balancing sensitive portraits of diverse individuals striving to retain their dignity and humanity in the midst of the crisis. Strong human characters are at the heart of all of Isaacs' work, and with these films he continues to create a unique vision of modern Britain.
Men of the City (2009 )
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A look at the growing allure of Goth culture in England and the USA...on a boat.
Goth Cruise (2008 )
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Documentary in which artist Jeanie Finlay goes behind the closed bedroom doors of four British adolescents on the brink of adulthood and explores their passions, obsessions and their hopes for the future.
Teenland (2007 )
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The Bridge is a controversial documentary that shows people jumping to their death from the Golden Gate Bridge in San Francisco - the world's most popular suicide destination. Interviews with the victims' loved ones describe their lives and mental health.
The Bridge (2006 )
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Four 12-year-olds—Sharon, Tom, Moishy, and Sophie—prepare for their bar or bat mitzvot.
Zorro’s Bar Mitzvah (2006 )
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Philip and His Seven Wives (2006) a film made for the BBC’s prestigious Storyville strand, tells the intriguing story of a former messianic rabbi who believes that he communicates directly with God. Isaacs’ captivating and intimate documentary is a portrait of this unconventional family whose lives revolve around faith and obedience to the head of the household.
Philip and His Seven Wives (2005 )
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A stark portrait of a town in decline. Brilliant juxstaposition between the scoff faced English day trippers searching for cheap booze, and the cold, snivelling asylum seekers existing on the streets. Thrown into the mix are two English ex pats, trying to make money against the odds.
Calais: The Last Border (2003 )
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Love Takes charts the places that love takes us and leaves us as we fall in and out of love over a lifetime. The film combines documentary footage with digital design to explore what we talk about when we talk about love.
Love Takes (2003 )
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Marc Aurel-Straße in Vienna: The last surviving Jewish textile merchant in the former textile district, the Iranian hotel proprietor and the Café Salzgries and its regulars. Between the summer of 1999 and spring 2000, Ruth Beckermann undertook a series of small journeys on and around her own doorstep and investigated her local area with the help of a film crew. This documentary film also gives an insight into the political changes when a far right Party joined the Government coalition in Austria.
Homemad(e) (2001 )
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Images of Egypt: prolonged tracking shots through the streets of Cairo, cafes, bazars, hotels and gardens, footage of the desert and the sea. Ruth Beckermann is on the trail of Empress Elisabeth of Austria ("Sissi"), who travelled the world restlessly and was in Egypt incognito one hundred years earlier. Since Elisabeth refused to be photographed after the age of 31, she inspires projections and fantasies.
A Fleeting Passage to the Orient (1999 )
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White-tiled rooms, neon lighting; on the walls black and white photographs documenting the atrocities committed by the german Wehrmacht on the Eastern Front in WW2. Against this background former soldiers talk about their experiences beyond the bounds of "normal" warfare. An uncompromising film on remembrance and oblivion.
East of War (1996 )
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In this documentary road movie, Austrian filmmaker Ruth Beckermann records the diverse views and activities of Israelis and Arabs as she travels along the route from Tel Aviv to Jerusalem.
Toward Jerusalem (1991 )
