צפו בTrue Story סרטים אונליין בישראל
True Story מציע מבחר גדול של סרטים בישראל. בין אם אתם מחפשים את הכותרים החדשים ביותר, הכותרים המובילים או הקלאסיקות הנצחיות, ל-True Story יש משהו לכל אחד. חקרו ז'אנרים פופולריים וגילוי את הסרט הבא שלכם בקלות.
גלה את הטוב ביותר של True Story ב-בישראל, שם תמצא מגוון שאין לו תחרות של סרטים ליהנות מהם. מהצלחות קופתיות ועד יצירות מוערכות על ידי מבקרים, ל-True Story יש אפשרויות לכל מצב רוח ורגע. אוהב לגלות משהו חדש? צלול לאוספים אוצרו של כותרים מגמתיים, פנינים נסתרות או יציאות חדשות שתואמות לטעמך. עם תוכן הנפרס על פני ז'אנרים כמו פעולה, רומנטיקה, דוקומנטריה ועוד, תמיד יש משהו מרגש שמחכה לך.
מצא מה לראות מהר יותר עם True Story ו-Popcorn Time. בין אם זה תכנון ערב סרטים או צפייה מרתונית בסדרת הסרטים האהובה עליך, תמיד תהיה לך גישה קלה לאפשרויות הבידור הטובות ביותר הזמינות.
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"Srbenka" is a film about peer violence toward children of different nationality in Croatia. It examines how the generation born after the war copes with the dark shadows of history.
Srbenka (2018 )
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Ultimate refuge for the leftovers of the american dream, the motels in the United States houses a population of drifting humans who, from crisis to crisis – economic and personal – have been dispossessed of everything. Some of them lost it all. Some of them left it all. Some still have dreams. Some of them don’t remember well, sucked by daily survival. Everyone struggles with fragments of life that remain in this precarious nest. Portrait of a disenchanted America. Diving in its abyss.
Vacancy (2018 )
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This heartwarming, invigorating debut from Anna Frances Ewert transports us to a Cistercian monastery in the Irish countryside where seven aging monks struggle to keep their devout community running. We watch as they pray, exercise, tend to cattle, tend to one another, and pray again. But more than anything, we listen as these wise, humble men reflect on their lives and their philosophies.
Lovers of the Night (2018 )
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Khonsaly finds his former Khmer Rouge executioners, in the obscure intimacy of the village in which they lived for 4 years. Between past and present, identities are revealed, the forgotten specters re-emerging and the story, facing the other, is finally told.
Angkar (2018 )
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With sustained emotional suspense, taking its time and its distance, with patience and also with intensity, Reunión looks at a long postponed reunion, set in the abrupt landscape of Reunion Island in an ironic play on words. It’s the director’s reunion with his father in an attempt to resume what seems to be an impossible dialogue, enveloped by unhealed wounds. And the days seem to be giving way to that vegetation, those rocks and that pool, in which silences and bodies talk with unusual eloquence.
Reunion (2018 )
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A nocturnal voyage into the bowels of the Earth. The camera follows the work of a machine that is digging tunnels for new underground railway lines. A short film that starts from the darkness to slowly approach the light, when the last fragment of rock falls and the workers’ eternal night comes to an end. A film that shows the inextricable bond between man and machine.
Blu (2018 )
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Libreville, Gabon, Africa, 2016. Christ Olsen Mickala, a young boxer, trains tirelessly during the day and earns his living by night as a bouncer in nightclubs. At the same time, the combat of the presidential elections is taking place. As Christ hopes to succeed, a whole country hopes that a democratic transition finally triumphs.
Boxing Libreville (2018 )
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Nicu, a homeless street kid, is adopted by the notorious 'Bruce Lee' and brought up in the subterranean tunnels of Bucharest. As he grows up, he begins to realise that this 'King of the Underworld' may not be the father that he needs. Filmed over five years by photographer Joost Vandebrug, the film is a real life Oliver Twist story about growing up, and finding a family.
Bruce Lee and the Outlaw (2018 )
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Escaping a refugee life from war-torn Syria sparks hope for a family looking to adapt to an American life.
Crossing Borders (2018 )
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Set against the backdrop of one of Russia's most industrially brutal and polluted cities, Harmony explores social and gender dynamics of Russian youth through the paradigms and preconceptions of the country’s most prominent sports: ice hockey and rhythmic gymnastics. The two respectively embody Russia’s nationalistic interpretation of hyper-masculine and feminine ideals. Here, sport and everyday life gather broader meaning — reflecting the traits and obsessions of society as a whole.
Harmony (2018 )
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A young Belarusian artist leaves her husband behind in Minsk to visit her friend, the elderly painter Andrzej Strumillo, in his idyllic manor house in Poland. It’s a fairy-tale place, surrounded by marshland and a river. There are horses, for which the two artists share a passion, as well as dogs. It has been two years since her last visit. For her, the trip offers a welcome diversion from city life; for him, it’s a break from a lonely existence marked by old age: a curved spine, painful knees. “It’s sad life’s so short,” he says.
Summa (2018 )
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"Finding Farideh" is about an Iranian girl named Farideh, who has been adopted by a Dutch couple 40 years ago, and now overcomes her fears and travels to her motherland Iran for the first time to meet three families who claim to be her real family and have a DNA test with them, and to find out about her Iranian Identity and culture...
Finding Farideh (2018 )
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An Irish filmmaker grapples with the legacy of his estranged father, the late documentarian Arthur MacCaig, through MacCaig's decades-spanning archive of the conflict in Northern Ireland. Drawing on over 30 years of unique and never-seen-before footage, 'The Image You Missed' is an experimental essay film that weaves together a history of the Northern Irish 'Troubles' with the story of a son's search for his father. In the process, the film creates a candid encounter between two filmmakers born into different political moments, revealing their contrasting experiences of Irish nationalism, the role of images in social struggle, and the competing claims of personal and political responsibility.
The Image You Missed (2018 )
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In 1986, the Uruguayan Parliament passed a law granting amnesty for all crimes and human rights violations committed by the military and police during the dictatorship (1973-85). This law of impunity prevented the clarification demanded by the relatives of those who had disappeared and been murdered by the former regime. A public initiative arose calling for a referendum in which the law be subject to the vote of the people. Unas preguntas uses U-matic footage, mostly of interviews recorded on the streets of Uruguay between 1987 and 1989, to present a time capsule of the period.
One or Two Questions (2018 )
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The everyday life of a Belo Horizonte lower class neighborhood.
Baronesa (2018 )
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The stories, music and rituals of Tinku culture in the north of Potosí in Bolivia, are the perfect excuse for director Nina Wara Carrasco to return to the idyllic place of her childhood, where she faces the uneasiness of the passage of time and uprooting. In the Whisper of the Wind explores rituals where music is a balm and a link with the mystic.
In the Whisper of the Wind (2018 )
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Filmed over a year in Ambedkar Nagar, a dense, largely working class area in South Delhi. It moves between the two very different worlds of its protagonists, Sachi and Parveen, and tries to keep up with the currents and swings of their respective loves. Sachi works at a local beauty parlor, Parveen runs the family’s small cigarette counter at a crowded intersection. They are surrounded by a cacophonous city; they are both in love with other women. The film accompanies them through their desire to find and live, according to Sachi, their ‘freedom lives’—lives that are outside society and family’s constant scrutiny and sanction. But this ‘freedom life’ also leaves them vulnerable to the precariousness of love, when it refuses such constraints.
Yeh Freedom Life (2018 )
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Documentary about people on the coast of Morocco hoping to make it to Spain.
Barzakh (2018 )
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In 1877 a Swiss aristocrat, Alfred von Rodt, became the governor of the remote Chilean island that gave birth to the legend of Robinson Crusoe. Exiled from his country and family, Von Rodt strived to build a utopian “little kingdom” until his death, but failed and lost his entire fortune. The film tells the story of this outcast through the lives of his descendants, who today seek political autonomy and a preservation of their indigenous identity.
Islander (2018 )
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Christian, Ben and Jean-Marie are fighting for political change of power and free elections in their country, the Democratic Republic of the Congo. But the incumbent President refuses to relinquish power. How can the course of events be changed? Must they join forces with the historical opposition leader and his powerful party? Is dialogue still possible or must they resign themselves to a popular uprising and the risk of a blood bath?
Kinshasa Makambo (2018 )
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26 people live in the Belgian city of Doel, and they have no plans of moving anywhere. Even if everyone else is busy telling them how hopeless their beloved ghost town is. Vandalised, dilapidated and an ironic destination for urban explorers, car nerds and Dutch techno ravers. Doel is squeezed between an industrial port and a nuclear power station, and since the 1960s the government has regularly tried to raze it to the ground to make space for a container park in the name of globalisation. The school, the shops and even the church have closed, and most houses have either been torn down or abandoned. But the last inhabitants are not giving up. Young as well as old agree to defend Doel to the very end.
Doel (2018 )
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We know what labour wreaks on the body, but what less visible imprint does it leave on the unconscious? The nights of twelve dreamers – sometimes recounted in front of the camera, sometimes with a voice-over that accompanies shots of office buildings or urban worksites – reveal how the capitalist system invades the modern-day psyche. Long shots of edifices with smooth surfaces and sheer edges instil a deceptive gentleness. Zombies, corpses, mummies, ghosts, skulls sliced open like an egg and emptied by spoonfuls… The images follow one after the other, no two alike, but the editing organises a gradation towards the vampirism and an insidious passage from night to day, from dreams to real working life.
Dreaming Under Capitalism (2018 )
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In a country offering almost no treatment services despite a crisis of addiction, Laila Haidari took the highly unusual decision to found her own pioneering addiction treatment center and a restaurant where all of the waiters are recovering heroin addicts. A deeply personal perspective on the global addiction epidemic, the film follows the labor of love of one woman fighting to keep her center alive in the face of physical threats, governmental opposition and the departure of the international community from Afghanistan.
Laila at the Bridge (2018 )
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The Rostom is an overnight shelter for the homeless, located on the outskirts of Bologna. It appears like a ghostly moon base in the middle of the countryside, where beams of neon light draw the profiles of insomniacs, who in the middle of the night get up and go out for a smoke or a chat. Weaving the threads of their stories is David, an Englishman who has been wandering the world for seven years and has landed at Rostom exhausted and eager to get back on his feet and tell his story
Stories of the Half-Light (2018 )
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On mysterious cassettes forgotten or left behind for 17 years, a disturbing filmic material is revealed. Accompanied by the extracts of a diary written by the protagonist standing behind the camera, the images translate into a singular and transformative intimate experience. Mladen Kovačević constructs a film using sequences retracing a Serbian expedition to Mount Everest. Images from another time, shot in the almost alien, mystical landscapes reveal enigmatic characters, perilous circumstances and the suspense of confrontation to the real limits of human capabilities. An adventure film, as rigorous as it is melancholic, based on skilful editing.
4 Years in 10 Minutes (2018 )
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Days of Madness portray an incredible odyssey of two mentally diverse and unjustly rejected people who are learning to accept it, faced with the blindness of the society and the health system that made them addicts.
Days of Madness (2018 )
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"Owner's Portrait" is a documentary fable, with an atmosphere of science fiction: on a remote island, where there are no more humans or money left, lives a community of cats that transmits a libertarian message. The antennas propagate it throughout the planet and are the dogs the first to hear it. Meanwhile, workers lose their lives working in the factory. The animals escape from their homes and the owners go looking for them. In the streets they hear the voices of past revolutions and wonder if a new world can grow at this moment.
Owner's Portrait (2018 )
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Susana Schnarndorf, a professional swimmer and mother of three, discovers a degenerative disease, which forces her to decide between the sportive career and the maternal role in the face of her last great battle: surviving.
A Day for Susana (2018 )
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An experimental documentary about the architecture of Buffalo, New York, using intertitles quoting famous books about architecture, interviews with Buffalo residents and many crisply shot images of the city taken from a camera which never moves.
Learning From Buffalo (2018 )
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Talal Derki returns to his homeland where he gains the trust of a radical Islamist family, sharing their daily life for over two years. His camera focuses on Osama and his younger brother Ayman, providing an extremely rare insight into what it means to grow up in an Islamic Caliphate.
Of Fathers and Sons (2017 )
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Free-diver Goran Colak has dedicated his life to surviving devoid of oxygen. Driven by a desire to be the best in the world, Goran has achieved every feat possible in the sport of free-diving. In doing so he has expanded our understanding of human capability, floating in an arrested state somewhere between life and death. Beautifully lyrical, My Life Without Air demonstrates the power of will to transcend its body's earthly limitations.
My Life Without Air (2017 )
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Colonel Honorine Munyole is a robust forty-four-year-old widow and mother of seven young children – four of her own, three adopted. She wields her uniform, beret and black handbag like a protective shield, which her daily work desperately requires. More or less on her own, she runs a small police unit dedicated to protecting women who’ve been raped and children who’ve suffered abuse in the war-plagued regions of the Congo. At the start of Maman Colonelle, she’s transferred from Bukavu to Kisangani, arriving only to discover her future home and office in a desolate state. While she deals with such practical obstacles with suitable feistiness, the traumas and social deformities of the people around her have nightmarish dimensions: the envy surrounding those with state-recognised ‘victim’ status, hope for help from the ‘whites’, depression, helplessness.
Mama Colonel (2017 )
