צפו בTrue Story סרטים וסדרות טלוויזיה אונליין בישראל
True Story מציע מבחר גדול של סרטים ותוכניות טלוויזיה בישראל. בין אם אתם מחפשים את הכותרים החדשים ביותר, הכותרים המובילים או הקלאסיקות הנצחיות, ל-True Story יש משהו לכל אחד. חקרו ז'אנרים פופולריים וגילוי את הסרט או תוכנית הטלוויזיה הבא שלכם בקלות.
גלה את הטוב ביותר של True Story ב-בישראל, שם תמצא מגוון שאין לו תחרות של סרטים וסדרות ליהנות מהם. מהצלחות קופתיות ועד יצירות מוערכות על ידי מבקרים, ל-True Story יש אפשרויות לכל מצב רוח ורגע. אוהב לגלות משהו חדש? צלול לאוספים אוצרו של כותרים מגמתיים, פנינים נסתרות או יציאות חדשות שתואמות לטעמך. עם תוכן הנפרס על פני ז'אנרים כמו פעולה, רומנטיקה, דוקומנטריה ועוד, תמיד יש משהו מרגש שמחכה לך.
מצא מה לראות מהר יותר עם True Story ו-Popcorn Time. בין אם זה תכנון ערב סרטים או צפייה מרתונית בסדרת הסרטים או הסדרות האהובה עליך, תמיד תהיה לך גישה קלה לאפשרויות הבידור הטובות ביותר הזמינות.
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26 people live in the Belgian city of Doel, and they have no plans of moving anywhere. Even if everyone else is busy telling them how hopeless their beloved ghost town is. Vandalised, dilapidated and an ironic destination for urban explorers, car nerds and Dutch techno ravers. Doel is squeezed between an industrial port and a nuclear power station, and since the 1960s the government has regularly tried to raze it to the ground to make space for a container park in the name of globalisation. The school, the shops and even the church have closed, and most houses have either been torn down or abandoned. But the last inhabitants are not giving up. Young as well as old agree to defend Doel to the very end.
Doel (2018 )
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We know what labour wreaks on the body, but what less visible imprint does it leave on the unconscious? The nights of twelve dreamers – sometimes recounted in front of the camera, sometimes with a voice-over that accompanies shots of office buildings or urban worksites – reveal how the capitalist system invades the modern-day psyche. Long shots of edifices with smooth surfaces and sheer edges instil a deceptive gentleness. Zombies, corpses, mummies, ghosts, skulls sliced open like an egg and emptied by spoonfuls… The images follow one after the other, no two alike, but the editing organises a gradation towards the vampirism and an insidious passage from night to day, from dreams to real working life.
Dreaming Under Capitalism (2018 )
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In a country offering almost no treatment services despite a crisis of addiction, Laila Haidari took the highly unusual decision to found her own pioneering addiction treatment center and a restaurant where all of the waiters are recovering heroin addicts. A deeply personal perspective on the global addiction epidemic, the film follows the labor of love of one woman fighting to keep her center alive in the face of physical threats, governmental opposition and the departure of the international community from Afghanistan.
Laila at the Bridge (2018 )
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The Rostom is an overnight shelter for the homeless, located on the outskirts of Bologna. It appears like a ghostly moon base in the middle of the countryside, where beams of neon light draw the profiles of insomniacs, who in the middle of the night get up and go out for a smoke or a chat. Weaving the threads of their stories is David, an Englishman who has been wandering the world for seven years and has landed at Rostom exhausted and eager to get back on his feet and tell his story
Stories of the Half-Light (2018 )
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On mysterious cassettes forgotten or left behind for 17 years, a disturbing filmic material is revealed. Accompanied by the extracts of a diary written by the protagonist standing behind the camera, the images translate into a singular and transformative intimate experience. Mladen Kovačević constructs a film using sequences retracing a Serbian expedition to Mount Everest. Images from another time, shot in the almost alien, mystical landscapes reveal enigmatic characters, perilous circumstances and the suspense of confrontation to the real limits of human capabilities. An adventure film, as rigorous as it is melancholic, based on skilful editing.
4 Years in 10 Minutes (2018 )
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Days of Madness portray an incredible odyssey of two mentally diverse and unjustly rejected people who are learning to accept it, faced with the blindness of the society and the health system that made them addicts.
Days of Madness (2018 )
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"Owner's Portrait" is a documentary fable, with an atmosphere of science fiction: on a remote island, where there are no more humans or money left, lives a community of cats that transmits a libertarian message. The antennas propagate it throughout the planet and are the dogs the first to hear it. Meanwhile, workers lose their lives working in the factory. The animals escape from their homes and the owners go looking for them. In the streets they hear the voices of past revolutions and wonder if a new world can grow at this moment.
Owner's Portrait (2018 )
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Susana Schnarndorf, a professional swimmer and mother of three, discovers a degenerative disease, which forces her to decide between the sportive career and the maternal role in the face of her last great battle: surviving.
A Day for Susana (2018 )
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An experimental documentary about the architecture of Buffalo, New York, using intertitles quoting famous books about architecture, interviews with Buffalo residents and many crisply shot images of the city taken from a camera which never moves.
Learning From Buffalo (2018 )
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Talal Derki returns to his homeland where he gains the trust of a radical Islamist family, sharing their daily life for over two years. His camera focuses on Osama and his younger brother Ayman, providing an extremely rare insight into what it means to grow up in an Islamic Caliphate.
Of Fathers and Sons (2017 )
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Free-diver Goran Colak has dedicated his life to surviving devoid of oxygen. Driven by a desire to be the best in the world, Goran has achieved every feat possible in the sport of free-diving. In doing so he has expanded our understanding of human capability, floating in an arrested state somewhere between life and death. Beautifully lyrical, My Life Without Air demonstrates the power of will to transcend its body's earthly limitations.
My Life Without Air (2017 )
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Colonel Honorine Munyole is a robust forty-four-year-old widow and mother of seven young children – four of her own, three adopted. She wields her uniform, beret and black handbag like a protective shield, which her daily work desperately requires. More or less on her own, she runs a small police unit dedicated to protecting women who’ve been raped and children who’ve suffered abuse in the war-plagued regions of the Congo. At the start of Maman Colonelle, she’s transferred from Bukavu to Kisangani, arriving only to discover her future home and office in a desolate state. While she deals with such practical obstacles with suitable feistiness, the traumas and social deformities of the people around her have nightmarish dimensions: the envy surrounding those with state-recognised ‘victim’ status, hope for help from the ‘whites’, depression, helplessness.
Mama Colonel (2017 )
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The film follows Agustina as she finds the videotapes that her father Jaime recorded before the accident that took his life. The family secrets surrounding Jaime push Agustina to get involved. Her search will reveal a story marked by sexuality and political activism.
Silence Is a Falling Body (2017 )
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Heloisa receives a gift: a collection of super-8 films with images of enormous cataracts that once comprised the Seven Falls (Sete Quedas), a natural paradise destroyed by the construction of the world's largest hydroelectric plant, in the early 1980s. The construction of the plant, at the height of the Brazilian military regime, awakens memories of a past immersed in a political authoritarianism. The film starts from the relationship between Heloisa, the filmmaker, and her father, Alvaro, an engineer who had his moment of glory during the Brazilian military dictatorship. They question the political trajectory of Brazil.Projections and maps become the first bridges to connect with the past. However, it is the inescapable present that really strikes Alvaro and Heloisa as they position themselves on opposite sides.
Building Bridges (2017 )
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Set amid the global news-storm of September 2015, when the worldwide press descended on the refugees to cover their migration across Europe, Another News Story looks beyond the headlines to tell the stories of both the news teams and refugees who have undertaken this journey. As the film pans out you understand the story is an intimate display of what life is really like for both the migrants and the reporting journalists. It travels the fine line very carefully between criticism and emotional blackmail allowing the viewer to begin to understand how it is that these two juxtaposed roles coexist in such a tragic and unfathomable situations. The film follows in particular the stories of three characters. Johny and Bruno the news characters you meet at the beginning and Mahasen a Syrian woman, travelling with a family of 9, in a bid to reunite with her children. Set against the backdrop of the archive news reports which guide the narrative, we follow the story as it sweeps across the ...
Another News Story (2017 )
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A Concrete Cinema draws close to the intangible spell that is implied by the need to somehow belong to film, to give something back to it, even if we feel it is impossible. The film tells the story of Omar, a construction worker from Villa Elisa, a small town in the province of Entre Ríos, Argentina, who rejects the idea that big screens may disappear. He will do anything he can to preserve that which he has held on to since he was a child, even though he has to build it with the remnants of what was.
A Concrete Cinema (2017 )
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Ale was a thief and the police shot him in a raid after he was betrayed. A puzzle of visual and testimonial elements takes us deep into this unsolved story. Based on a particular event, Orione faces us with situations we would rather not see.
Orione (2017 )
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The documentary about the Ukrainian Aidar battalion was filmed in a single 80-minute sequence.
Flight of a Bullet (2017 )
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Every four years, the calm and peacefull Camocim de São Félix, a small town in Pernambuco (Brazil), is shaken, revealing an outpouring of joy, anger, hope and disappointment. During the municipal political campaign, the city splits into two, and everything seems to orbit around politics. In the middle of this political market, Mayara, 23, tries to make a "clean" campaign to elect his candidate and friend Cesar.
Camocim (2017 )
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Filmed in beautiful black and white, this slow cinema piece spends four seasons with a family in Turtle Rock, a remote village in China named after a local rock formation that resembles a giant turtle. For nearly a century now, the village has been home to just seven families who have only four surnames. They once moved to this mountainous region fleeing war, and have eked out a simple life there ever since. Filmmaker Xiao Xiao’s grandmother was one of the first people to be born in Turtle Rock, and it's also the place where he grew up. This allows Xiao to get very close to the residents, whom he observes lovingly as they chop spices or firewood, carry huge trunks of bamboo on their shoulders or unhurriedly fashion an iron pipe from an old tube—here, everything is recycled. The rustling trees and cackling chickens create a natural soundtrack to this rhythmic, beautifully framed documentary, which doesn't shy away from the harsher aspects of this life, far from the madding crowd.
Turtle Rock (2017 )
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A 70-year-old man and a 25-year-old woman share a candid and twisted relationship with a deadline. Trapped in one room, Antonio and Catarina are negotiating the terms of their relationship.
Antonio and Catarina (2017 )
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The ambassador used to come here often, say the young men rooting around with sticks in the undergrowth where the German cemetery used to be. But the treasures hurriedly hidden there by the colonial rulers before they fled are long since gone. And that’s how the road to Yaoundé eventually became overgrown, the area and its inhabitants were left to fend for themselves.
Tinselwood (2017 )
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As the air at a football match in the Brazilian city of Salgueiro sizzles from the summer sun, so too does an intense heat blast over the radio waves – the powerful alliterations and metaphors of the remarkable Fire Mouth, a seasoned commentator who truly brings the game alive.
Fire Mouth (2017 )
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Until the restoration of independence of Estonia in 1991, a collective farm operated in the village of Pähkla in Saaremaa, which employed almost all the villagers. Lembri Uudu also worked there as a tractor driver. After the collapse of the collective farm, most of the villagers lost their jobs and Uudu died. Sometimes, however, it happens that a person's real life force comes out only after his death.
Lembri Uudu (2017 )
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The modern history of racism and slavery in America, retold in a gifted film about a radical white activist's attempted revolution and death sentence in 1859.
Purge This Land (2017 )
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There is certainly some pressure to procreate in Western societies, but in some countries, it’s not even a question of choice. Married but childless, director Aicha Macky’s circumstance is judged unacceptable in her native Niger. Doctors haven’t been able to determine why she can’t conceive, but in her conservative Muslim society, women are always getting blamed for infertility, while men are rarely diagnosed. Speaking to her departed mother who died in childbirth, she expresses her deep sadness: “By giving life, you lost yours, whereas I’m dying a slow death by not being able to give life.” Drawing from her personal experience, Macky bravely addresses the taboo of childlessness and the stigma Nigerien women like her must endure. Through delicate, exquisitely shot portraits, and sensitive observation of other women’s secret suffering, she finds a way to affirm herself as a fulfilled individual among mothers.
The Fruitless Tree (2017 )
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When a Scottish indie pop artist decides to re-write his country's oldest songs, the only thing standing in his way is an ageing folk singer and centuries of history.
Where You're Meant to Be (2016 )
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Sean's vicious attack leaves a man unconscious and him stranded in an elevator with five others. In the confines of the lift, love has a chance of blossoming - violence has a chance of erupting - Sean has little chance of escape. With his freedom hanging in the balance can the people who fear him offer him one last chance of redemption?
Lift (2016 )
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A dive, the midday sunlight filtering down through the water. The air in her lungs has to last until she can dislodge the abalone. Dives like these have been carried out in Japan for over 2000 years by the Ama-San.
Ama-San (2016 )
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It’s not uncommon for a film to have a moving love story at its core. Yet this particular set-up is unusual. The lovers here are Ingeborg Bachmann and Paul Celan, both important representatives of post-war German-language poetry. The story of the relationship between the Austrian and the Jew from Czernowitz is told through their nearly 20-year correspondence (1948–1967). Or, more precisely, by a young woman and a young man reading from their letters in a studio in Vienna’s venerable Funkhaus.
The Dreamed Ones (2016 )
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HOMO SAPIENS is visionary documentarian Nikolaus Geyrhalter's exploration of the finiteness and fragility of human existence, the end of the industrial age, and what it means to be a human being. What will remain of our lives after we're gone? Empty spaces, ruins, cities, increasingly overgrown with vegetation, crumbling asphalt: the areas we currently inhabit, now abandoned and decaying, gradually reclaimed by nature. Comprised of a succession of eerily depopulated, dystopian landscapes from across the world, HOMO SAPIENS offers an at once mesmerizing and chilling vision of what a posthuman future might look like.
Homo Sapiens (2016 )
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She is spending her life defying gravity on the vertical road that literary has no beginning or end, where she has nothing to hope for, where only injury or death can happen to her. She has only her memories.
Wall of Death, and All That (2016 )
