भारत में ऑनलाइन DocAlliance Films फिल्में देखें
DocAlliance Films भारत में फिल्में का बड़ा चयन प्रदान करता है। चाहे आप नवीनतम रिलीज़, ट्रेंडिंग टाइटल्स, या सदाबहार क्लासिक्स की तलाश में हों, DocAlliance Films के पास सभी के लिए कुछ न कुछ है। लोकप्रिय शैलियों का अन्वेषण करें और आसानी से अपनी अगली पसंदीदा फिल्म खोजें।
DocAlliance Films के भारत में में सबसे बेहतरीन खोजें, जहाँ आपको फिल्में की बेजोड़ विविधता मिलेगी। ब्लॉकबस्टर हिट्स से लेकर समीक्षकों द्वारा प्रशंसित पसंदीदा तक, DocAlliance Films के पास हर मूड और पल के लिए विकल्प हैं। कुछ नया खोजने का शौक है? ट्रेंडिंग शीर्षकों, छिपे हुए रत्नों, या आपके स्वाद के अनुसार हालिया रिलीज़ के क्यूरेटेड संग्रह में गोता लगाएँ। एक्शन, रोमांस, डॉक्यूमेंट्री और अन्य शैलियों में फैली सामग्री के साथ, आपके लिए हमेशा कुछ रोमांचक इंतज़ार कर रहा है।
DocAlliance Films और Popcorn Time के साथ देखने के लिए क्या है यह तेजी से खोजें। चाहे वह मूवी नाइट की योजना बनाना हो या आपके पसंदीदा फिल्म का बिंज-वॉच करना हो, आपको हमेशा उपलब्ध सर्वश्रेष्ठ मनोरंजन विकल्पों तक आसान पहुँच होगी।
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Isolde is a support caseworker trainee working in Toronto. She’s still adjusting to the protocols and challenges of her job when she’s assigned to Eric, a man charged with theft and awaiting a court hearing.
Fail to Appear (2017 )
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An intimate portrait of the pioneering artistic collective Grupo de Cali, whose work is now considered a fundamental part of Colombia’s film history.
It All Started at the End (2015 )
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A documentary-essay which shows Costică Axinte's stunning collection of pictures depicting a Romanian small town in the thirties and forties. The narration, composed mostly from excerpts taken from the diary of a Jewish doctor from the same era, tells the rising of the antisemitism and eventually a harrowing depiction of the Romanian Holocaust.
The Dead Nation (2017 )
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Minotaur takes place in a home of books, of readers, of artists. It’s also a home of soft light, of eternal afternoons, of sleepiness, of dreams. The home is impermeable to the world. Mexico is on fire, but the characters of Minotaur sleep soundly.
Minotaur (2015 )
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Each love story in the film takes us to a different past, from a different present. The hope for a bright future is an illusion that keeps us expecting, as it unleashes the anguish of waiting for something extraordinary to happen. In this strange time, shaped by memory pieces and by what could have happened but didn’t, is where the characters of the film inhabit, awaiting the arrival of the future. The storyteller in “In the Future” is a ghost. My ghost.
In the Future (2010 )
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A different history of the Cold War: how Estonians under Soviet tyranny began to feel the breeze of freedom when a group of anonymous dreamers successfully used improbable methods to capture the Finnish television signal, a window into Western popular culture, brave but harmless warriors who helped change the fate of an entire nation.
Disco and Atomic War (2009 )
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Director Johan Grimonprez casts Alfred Hitchcock as a paranoid history professor, unwittingly caught up in a double take on the cold war period. Subverting a meticulous array of TV footage and using 'The Birds' as an essential metaphor, DOUBLE TAKE traces catastrophe culture's relentless assault on the home, from moving images' inception to the present day.
Double Take (2009 )
In die Welt (2009 )
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A courtroom in Milan is filled with people brought together by random selection. Long interviews lie ahead. Based on the interviews, some of them will be chosen for jury duty. However, The Call doesn’t focus on judicial proceedings, but rather considers people’s sense of justice through the conversations in the waiting room.
The Call (2017 )
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Techno culture and anarchism are two alternative social forms that have much in common in their radical re-evaluation of all social relations. An overlooked but obvious thought that ‘Rage’ takes to the extreme in a philosophical rave party
Rage (2017 )
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At age 15, Taelor's idyllic childhood abruptly ends after the violent & sudden death of her doting father. Now 26, free-spirited Taelor navigates drug abuse, guns, madness & inherent violence of the rich, white Houstonian ghettos in Trump's America.
Southern Belle (2017 )
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Working conditions in the worst-paid jobs in the Czech Republic were examined by journalist Saša Uhlová during six months. She spent several weeks in a hospital laundrette, poultry house, cash register or waste sorting facility. Her experience became the basis of a lived and very personal report of invisible employees working in appalling conditions. Uhlová wrote a series of reports on her project that were published on the Alarm website. Apolena Rychlíková made them into a documentary film consisting of scenes shot at Uhlová's home and video footage taken during her work. Uhlová accompanies the picture with read commentary.
The Limits of Work (2017 )
Batalives (2018 )
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Konrad (18) lives in a small mining town in southern Poland. He looks up to his favorite action movie heroes, spends hours on the gym and signs up for a body building competition. However, his life changes after he revisits his childhood passion for acting. Will he find his own way?
Call Me Tony (2017 )
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Jowan Safadi, born as Palestinian in the State of Israel, is a famous musician and a true free spirit. With his band Fish Samak he delivers songs ranging from the political and social to the emotional and philosophical and gathered a huge fan-community in the Arabic world. Jowan is unafraid to speak his mind or tackle taboo subjects, and his lyrics, at once penetrating and witty, have also courted controversy on several occasions: Previously investigated by Israeli police for "inciting terrorism", his last tour to Jordan ended with his arrest and an overnight stay in a Jordanian prison cell. But this is just the beginning: standing for co-resistance instead of co-existence and criticizing the stare society he lives in, Jowan struggles for his ideals - at any price.
Namrud: Troublemaker (2017 )
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Once a week in Paris a group of individuals from all corners of the world meet in a small room at Centre Pompidou to participate in free French lessons. Asylum seekers, businessmen, doctors, lawyers, and students sit side-by-side and immerse themselves in polite, if stilted, conversation. However, tensions and misunderstandings occur as the nuances which each participant attempts to express become lost as they struggle to access the language. But despite their differences - and linguistic limitations - the disparate group of strangers in a foreign land find, in the small gestures and subtle looks between the words, a way towards understanding.
Atelier de conversation (2017 )
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Two women spend a weekend in the North Sea. One of them will soon return to her family in Argentina, whereas the other one will try to come a step closer to the ocean. She will cross the Atlantic Ocean on a sailing vessel. Time leaves the beaten track and the swell lulls to deep sleep. The sea takes over the narration. When the other one reappears, the wind is still in her hair while the ground beneath her feet is solid. She returns and the other one could ask: “Have you changed?”
Drift (2017 )
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Five years ago Kisilu, a Kenyan farmer, started to use his camera to capture the life of his family, his village and the damages of climate change. When a violent storm throws him and a Norwegian filmmaker together we see him transform from a father, to a community leader and activist on the global stage.
Thank You for the Rain (2017 )
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This film is a record of the first Yamagata International Documentary Film Festival. It reflects the various ways the festival was given shape by nascent global changes embodied by Perestroika, the Tiananmen Square massacre, and many other contemporaneous events.
A Movie Capital (1991 )
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Documentary about the meaning of bamboo.
Takedera mon amour: Diary of a Bamboo Connection (1991 )
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After twenty years away in western Europe, Voin goes back to Bulgaria, his home country. While rediscovering places where he grew up, a mental journey is taking shape through time.
Voin (2020 )
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An experimental portrait of the North American commercial fishing industry through the lens of GoPro cameras placed on a fishing vessel off the coast of New England.
Leviathan (2012 )
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Going beyond the occasional news clip from Burma, the acclaimed filmmaker, Anders Østergaard, brings us close to the video journalists who deliver the footage. Though risking torture and life in jail, courageous young citizens of Burma live the essence of journalism as they insist on keeping up the flow of news from their closed country.
Burma VJ: Reporting from a Closed Country (2008 )
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Veteran actors from the 3 Baltic countries - Estonia, Latvia and Lithuania - gather at a castle in Latvia to receive awards for their roles as Nazi villains in propagandist Soviet war films. They reminisce about the films that made them famous throughout the USSR, but also stigmatized the Baltic countries as Nazi sympathizers in the eyes of many Russians - a misconception that is nowadays exploited by the Russian media, desperate to label the Baltic countries as a fascist haven.
Nazis and Blondes (2008 )
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A realist dramedy about dedicated social workers who devote their long shifts to helping pregnant women.
God's Offices (2008 )
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Using home movies and other media, a filmmaker returns to Sintra, Portugal to search for memories of her late husband, Brazilian filmmaker Glauber Rocha.
Days in Sintra (2008 )
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The film looks again at recent events from a female point of view, through the first-hand accounts provided by the diaries of three women. Rather than focusing on the alleged objectivity of facts, the film gives space to a chorus of voices that narrate those events in first person, visually supported by archival footage of the period, drawn from the most varied sources - institutional, public, militant and private. Anita, Teresa and Valentina come from different Italian regions and different social backgrounds, but share the same feelings: they no longer feel as part of a society based on the patriarchal family, on the power of "husbands" and on the supremacy of males, which requires them to be efficient mothers, obedient wives and virtuous daughters.
We Want Roses Too (2008 )
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In the spring of 2008, car wash workers throughout Los Angeles formed the Carwash Workers Organizing Committee of the United Steelworkers (USW), a precursor to eventual plans to unionize the informal workers of a multi-million dollar industry rampant with exploitation. Most of these workers are undocumented migrants from Central America whose aspirations have led them to washing cars in the city of angels. This experimental documentary, shot on Super 8 film, journeys into a city defined by as much by cars as it is immigrant labor to offer a quiet commentary on the relationship between class, place, and work.
Car Wash (2008 )
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In 1988, an earthquake killed at least 25.000 people in the Armenian city of Gyumri, a third of them children. Jana Ševčíková explores life after and with the disaster, meets survivors and their children.
Gyumri (2008 )
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Lee Anne Schmitt explores California's landscape and past to document the history of one-time boom towns built and abandoned by the industries that necessitated their creation. Sold as a limitless land expansive with free opportunity, California was actually, from its onset, fissured by the interwoven needs of private and public interests. Schmitt's film covers various locations through time, as the major industries of the early 20th century (mining, lumber, oil) give way to the military, eventually leading to multinational corporations, and the use of small towns as satellites for growing urban metropolises.
California Company Town (2008 )
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The camera stands in a house, the lens pointing through the window, outdoors, where the occupants of the home are standing. They respond patiently to the camera operator’s directions: a small step to the left, a little bit forward, no, back just a bit, yes, that’s perfect. Dozens of people pose in this way for a full minute. There’s a man who lives alone, a large family, an older woman on a trampoline. Some are entirely at ease, others more self-conscious. Rabbits, dogs, and cats are allowed to join these portraits, too. All of them are captured within the natural frame of the windows, along with the lace or floral curtains.
Homes (2021 )
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The story of volunteer firefighters trying to save the world's largest dry forest in Bolivia after the practice of burning down the forest to gain cultivable land was made legal in 2019
Fires (2021 )