भारत में ऑनलाइन DocAlliance Films फिल्में देखें
DocAlliance Films भारत में फिल्में का बड़ा चयन प्रदान करता है। चाहे आप नवीनतम रिलीज़, ट्रेंडिंग टाइटल्स, या सदाबहार क्लासिक्स की तलाश में हों, DocAlliance Films के पास सभी के लिए कुछ न कुछ है। लोकप्रिय शैलियों का अन्वेषण करें और आसानी से अपनी अगली पसंदीदा फिल्म खोजें।
DocAlliance Films के भारत में में सबसे बेहतरीन खोजें, जहाँ आपको फिल्में की बेजोड़ विविधता मिलेगी। ब्लॉकबस्टर हिट्स से लेकर समीक्षकों द्वारा प्रशंसित पसंदीदा तक, DocAlliance Films के पास हर मूड और पल के लिए विकल्प हैं। कुछ नया खोजने का शौक है? ट्रेंडिंग शीर्षकों, छिपे हुए रत्नों, या आपके स्वाद के अनुसार हालिया रिलीज़ के क्यूरेटेड संग्रह में गोता लगाएँ। एक्शन, रोमांस, डॉक्यूमेंट्री और अन्य शैलियों में फैली सामग्री के साथ, आपके लिए हमेशा कुछ रोमांचक इंतज़ार कर रहा है।
DocAlliance Films और Popcorn Time के साथ देखने के लिए क्या है यह तेजी से खोजें। चाहे वह मूवी नाइट की योजना बनाना हो या आपके पसंदीदा फिल्म का बिंज-वॉच करना हो, आपको हमेशा उपलब्ध सर्वश्रेष्ठ मनोरंजन विकल्पों तक आसान पहुँच होगी।
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Marseille describes an interlude in the life of young Berlin photographer Sophie. Wanting a change, Sophie does an apartment swap, so she can go photograph the city of Marseille, and most of all get away from Berlin.
Marseille (2004 )
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“Namibia Crossings” takes a trip through a country of archaic beauty and bizarre contradictions. The film creates polyphonies of soulful landscapes made up of each individual's highs and lows.
Namibia Crossings (2004 )
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Route 181 is the epic record of a road trip undertaken in the summer of 2002 by two filmmakers, one Palestinian and one Israeli, along sections of what had been designated as the border between Israel and Palestine by U.N. Resolution 181 in 1947.
Route 181: Fragments of a Journey in Palestine-Israel (2004 )
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Masculine and feminine, hard and soft, continuous and interrupted, whole and fragmented. All that is encompassed by just one day at the factory.
Factory (2004 )
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Ydessa Hendeles' exhibition entitled "The living and the Artificial" (consisting of works of art all comprising a photograph of living persons in the company of one or several teddy bears) had puzzled Agnès Varda so much that she decided to go to Toronto where the artist lives and interview her. In front of Agnes Varda's DV camera, Ydessa tells about the singularity of her artistic approach. She also expresses herself about the Holocaust, which both her parents survived.
Ydessa, the Bears and etc. (2004 )
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The Lovers is the second part of a small trilogy, dealing with the extinction of memories. In the first part, The Bathers, the two protagonists were subject to the chemical decomposition of the film material. The Lovers, on the other hand, transforms an old Super8 porn film into both a tragic love story and a horror movie, and finally into a memory, that is being destroyed in the inner world. (Viennale 04)
The Lovers (2004 )
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There are places that we don’t want to know anything about, places that we would rather pretend don’t exist at all. One such place is a dumpsite. From the humans’ point of view, it is a ghastly place, a stinking desert of trash. But it’s a desert that is teaming with life.
Dream Land (2004 )
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Bits of found film and different types of animation illustrate a classic chase scene scenario: A woman is abducted and a man comes to her rescue, but during their escape they find themselves in the enemy's secret headquarters.
Fast Film (2003 )
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An intimate look at Gypsy refugees in a Belgrade suburb who make a living by transforming Citroen´s classic 2cv and Dyana cars into Mad Max-like recycling vehicles, which they use to collect card-board, bottles and scrap metal. These modern horses are much more efficent than the cart-pushing competition, but even more important, they also mean freedom, hope and style for their crafty owners. Even the car batteries are used as power generators in order to get some light, watch TV and recharge mobiles ! Almost an alchemist´s dream come true ! But police doesn´t always find these strange vehicles funny... Pretty Dyana is a very funny documentary, but sad in a way... " If Mitic had focused only on the terrible misery these people live in, the film would have been unbearable. Instead, you never know whether you should cry after you laugh, or the other way around " Sara Hultmanm, Goteborg Film Festival
Pretty Dyana (2003 )
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The film illustrates the philosophy of “giving back” to nature, and documents the pinugo, the unique system of sustainable land cultivation developed by the Ifugao to take equal account of forest management and rice growing.This diary film also turns into a travelogue when a group of woodcarvers embark on a trip to Japan to the Takedera temple where they transform a 250-year-old tree, which had been struck by a lightning bolt, into a totem pole.
Holy Wood (2003 )
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An absurdist farce centering around a school in post-Soviet Latvia. After a rather disgusting prank (someone defecates in the school attic), the tyrannical headmistress deems that no one can leave until the culprit is caught. When the photographer's pet python escapes, havok breaks loose.
The Python (2003 )
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Agnès Varda’s follow-up to her acclaimed documentary THE GLEANERS AND I takes us deeper into the world of those who find purpose and beauty in the refuse of society, revisiting many of the original film’s subjects.
The Gleaners and I: Two Years Later (2002 )
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Filmmaker Peter Mettler embarks on a mission that takes him around the world. He is determined to record the diverse modes of transcendence that people in different cultures adopt in order to live life to the fullest. As he traverses civilization and wilderness and encounters a range of lifestyles and ideas, the filmmaker's mind-expanding trip around the world grows into a poem of images and sounds, reflecting the fragmented but alluring worlds it attempts to capture.
Gambling, Gods and LSD (2002 )
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Documentary by Thomas Heise.
Vaterland (2002 )
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The award-winning Old Believers (2001), made over a period of five years, documents the life of a strongly religious community in the Danube Delta where time seems to stand still.
The Old Believers (2002 )
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A woman faces a variety of emotional crises as she spends the summer interacting in various ways with friends, family, and lovers.
Passing Summer (2001 )
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This is an elegant meditation on time, travel, and ceremony in the form of a journey. In her first foray into digital video, Trinh T. Minh-ha deconstructs the role of ritual in mediating between the past and the present.
The Fourth Dimension (2001 )
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Director Marc Isaacs installs himself in the lift of a typical English tower block. People start talking to him, and we discover their lives.
Lift (2001 )
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Tension mounts to the boiling point as Jewish “settlers” encroach upon the formerly exclusive Arab neighbourhoods of Jerusalem. On the other end of the Israeli political spectrum, the state complies with international demands to relinquish territory to the Palestinians.
Settlers (2000 )
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Varda focuses her eye on gleaners: those who scour already-reaped fields for the odd potato or turnip. Her investigation leads from forgotten corners of the French countryside to off-hours at the green markets of Paris, following those who insist on finding a use for that which society has cast off, whether out of necessity or activism.
The Gleaners and I (2000 )
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The film features an incredibly low angel’s flight over the dunes of Nida, Trakai castle, the lakes of Aukstaitija (Highlands), the roofs of the Old Town of Vilnius and the fantastically beautiful church steeples. It’s like a mystical gliding just above the treetops, meadows covered by early morning mist, as well as the narrow streets of Vilnius.
Flight Over Lithuania or 510 Seconds of Silence (2000 )
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A young woman move towards a house that holds a potentially dangerous spirit that has been tormenting her. The woman tries to fight against the film itself as it starts to cause the world to collapse.
Outer Space (1999 )
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Megacities is a documentary about the slums of five different metropolitan cities.
Megacities (1998 )
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The oak tree in Seja is roughly 700 years old. Around this monumental tree, the peaceful and repetitive life goes on in the village, a group of houses in the middle of the forest. It is an almost unworldly existence in a condition of absolute simplicity where people are grateful for a hot cup of coffee and a good potato harvest.
The Oak (1997 )
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An acclaimed hijacking documentary that eerily foreshadowed 9/11. We meet the romantic skyjackers who fought their revolutions and won airtime on the passenger planes of the 1960s and '70s. By the 1990s, such characters were apparently no more, replaced on our TV screens by stories of anonymous bombs in suitcases. Director Johan Grimonprez investigates the politics behind this change, at the same time unwrapping our own complicity in the urge for ultimate disaster.
Dial H-I-S-T-O-R-Y (1997 )
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Absorb these images, “breathing slowly, quietly, and very calmly. Sinking softly, silently…” Drift into a relaxing reverie.
American International Pictures (1997 )
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A 1971–72 documentary film by Jonas Mekas. It revolves around Mekas' trip back to Semeniškiai, the village of his birth.
Reminiscences of a Journey to Lithuania (1996 )
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White-tiled rooms, neon lighting; on the walls black and white photographs documenting the atrocities committed by the german Wehrmacht on the Eastern Front in WW2. Against this background former soldiers talk about their experiences beyond the bounds of "normal" warfare. An uncompromising film on remembrance and oblivion.
East of War (1996 )
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A short film featuring the voices of those affected when the M11 Link Road in East London was built, accompanied by scenes and sounds of demolition.
Blight (1996 )
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Agnès Varda's documentary portrait of her late husband, Jacques Demy. A companion piece to her Jacquot de Nantes.
The World of Jacques Demy (1995 )
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The morning begins when the mail is delivered - this has been a tradition for almost an eternity. This film looks at daily things, daily movements, daily life and the daily routines of the postman, which are nevertheless meaningful to those who await and receive newspapers and letters.
The Mail (1995 )
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SIGNERS KOFFER is a kind of road movie across Europa. From the Swiss Alps to eastern Poland, from Stromboli to Iceland. Always following the scenery's magically charged contours. Immersing yourself, letting yourself be infected, then travelling on. Roman Signer determines the route that we are moving on and the film improvises along the way. Being on the road also means tracking down the right places. Signer brings them alive using his own personel instruments, brilliantly simple operations full of subtle humour. «Simple» poems being transmitted into space with INSTRUMENTS as gunpowder, fuse, rubber boots, balloons, stool, small table ... and a three wheelded Plaggio. SIGNERS KOFFER is also a journey through the state of mind. A tightrope walk between fun and melancholy. Danger also mental mental danger becomes the stimulus of the senses. Sudden crashes, abrupt chagnes of mood determine the rythm and atmosphere of this cinematic journey.
Signer's Suitcase (1995 )
