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From Afghanistan, little is known but a few cliches, the word Taliban, and a war that seems to have never ceased since the Soviet era and its new turn taken since 2001. A country devastated in a state of permanent conflict, a population deeply marked: how to do it justice? Equipped with her only camera, reconnecting with her beginnings on documentaries, the director embraces the beautiful ambition to reach the intimate heart of the country.
7 Veils (2017 )
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Six-year-old Ahmad doesn’t want to remember that he is Syrian. He recently lost his older brother to the war in Syria, and now lives with his family in a Lebanese refugee camp. Traumatised, overwhelmed, disengaged, he prefers to be silent. Director Soudade Kaadan’s patient observation accompanies Ahmad, as he recovers a sense of childhood lightness despite his grief. Amid endless images of violence, the film poses a question about the future, and in Kaadan’s words, “explores the impossibility to verbally express what is happening in Syria now.”
Obscure (2017 )
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A young woman move towards a house that holds a potentially dangerous spirit that has been tormenting her. The woman tries to fight against the film itself as it starts to cause the world to collapse.
Outer Space (1999 )
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The couple Laura and Israël have a five-year-old son, Lucas. They live together but seem to have lost interest in one another's thoughts and cares. Their relationship seems headed for the rocks, and the only one who seems to still be looking for something from life is Lucas.
Abandonment (2021 )
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A woman faces a variety of emotional crises as she spends the summer interacting in various ways with friends, family, and lovers.
Passing Summer (2001 )
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Documentary - Going behind the usual images of war-torn Gaza, Swiss documentarian Nicolas Wadimoff offers this look at how people survive despite constant threat of danger. Children still play, rappers still create music and families still love one another. In addition to visiting the United Nations Food Distribution Center, Wadimoff films at a derelict amusement park and profiles the DARG TeaM rappers, whose politically charged music proclaims their defiance. -
Aisheen (Still Alive in Gaza) (2010 )
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Farocki’s intriguing and troubling film explores the processes of visual perception and how they affect our understanding of history and society. In a work reminiscent of the writings of Paul Virilio and Michel Foucault, Farocki examines a range of phenomena including aerial reconnaissance photos of the Auschwitz concentration camp.
Images of the World and the Inscription of War (1991 )
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Izkor is about the orchestration of memory. The film shows how school children of all ages in Israel are taught to pay tribute to their nation's past. It keenly observes how some memories are even physically conditioned into the future generations. "One of the most truly, most intelligent, most terrible and sharpest films about Israeli society. A film on memory and politics: this is the way that Israeli society exploits its myths to train people to have no doubts or remorse, creating the soldiers of the future wars." (Tom Segev - Haaretz)
Izkor: Slaves of Memory (1991 )
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The love story of Davud, a young man in search of his ‘true’ family, who completes his life cycle in a single day. When he does find Love, it's in the place he has always lived. But perhaps it is too late.
In Between Dying (2021 )
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Girl Power is a documentary that presents female graffiti writers from fifteen cities – from Prague to Moscow, Cape Town, Sydney, Biel, Madrid, Berlin, Toulouse, Barcelona and all the way to New York. The graffiti community is predominantly a man's world, and men often share the view that graffiti – namely the illegal kind – is not for girls. And yet women have become increasingly more emancipated in recent years; there are female graffiti shows, magazines and websites. Girl Power captures the stories of ladies who have succeeded in the male graffiti world.
Girl Power (2016 )
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In Buenos Aires, the Molina family lives and works in the shadows of the legendary Boca Juniors stadium. Selling fake tickets to the soccer games, they constantly get in conflict with the corrupt police. As her family sinks deeper into this underworld, the mother tries in vain to keep them all from falling apart.
En La Boca (2016 )
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In FEAST, perpetrators, victims and their spectators become involved in a dramatic reconstruction of the Groningen HIV case. The film tells a story about power and surrender, the reversibility of truth and the desire to come home somewhere.
Feast (2021 )
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An intimate portrait of the city and its people. We meet the characters in the NYC subway and we follow them to the surface finding out about their lives, cravings, passions, hopes and dreams - sometimes lost and sometimes still waiting to be fulfilled. What comes out of it is an emotional tale of solitude that haunts us in 21st century western world.
21 x New York (2016 )
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Flanked by her phlegmatic sidekick, Dariko is the only outside broadcast journalist at a local Georgian television channel. With derisory resources, she races from one report to another to give an honest, if not objective, image of the current events that shape her environment.
The Dazzling Light of Sunset (2016 )
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The morning begins when the mail is delivered - this has been a tradition for almost an eternity. This film looks at daily things, daily movements, daily life and the daily routines of the postman, which are nevertheless meaningful to those who await and receive newspapers and letters.
The Mail (1995 )
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SIGNERS KOFFER is a kind of road movie across Europa. From the Swiss Alps to eastern Poland, from Stromboli to Iceland. Always following the scenery's magically charged contours. Immersing yourself, letting yourself be infected, then travelling on. Roman Signer determines the route that we are moving on and the film improvises along the way. Being on the road also means tracking down the right places. Signer brings them alive using his own personel instruments, brilliantly simple operations full of subtle humour. «Simple» poems being transmitted into space with INSTRUMENTS as gunpowder, fuse, rubber boots, balloons, stool, small table ... and a three wheelded Plaggio. SIGNERS KOFFER is also a journey through the state of mind. A tightrope walk between fun and melancholy. Danger also mental mental danger becomes the stimulus of the senses. Sudden crashes, abrupt chagnes of mood determine the rythm and atmosphere of this cinematic journey.
Signer's Suitcase (1995 )
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Portraying the Vietnamese immigrant experience through Kieu, A Tale of Love follows the quest of a woman in love with Love. Voyeurism runs through the history of narrative and is here one of the threads that structure the film. Playing with the fiction of love in love stories, the film invites a different experience of cinema with non-naturalistic acting and layered interaction of performed reality, memory and imagination.
A Tale of Love (1995 )
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With "sealfies" and social media, a new tech-savvy generation of Inuit is wading into the world of activism, using humour and reason to confront aggressive animal rights vitriol and defend their traditional hunting practices. Director Alethea Arnaquq-Baril joins her fellow Inuit activists as they challenge outdated perceptions of Inuit and present themselves to the world as a modern people in dire need of a sustainable economy.
Angry Inuk (2016 )
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On a mountaintop in southwest Serbia lies the womanless hamlet of Zabrdje, where the Jankovic brothers hold the fort. Veering between the utterly hilarious and deeply poignant, this beautifully-crafted film follows one brother's quest to introduce women back into the once-vibrant community. But with no roads or running water, convincing a Serbian woman is out of the question.
Village Without Women (2010 )
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The images of the condemnation and execution of dictator Nicolae Ceaușescu and his wife Elena on Christmas Day in 1989 are etched deeply in the collective unconscious of several generations of television viewers. Exactly 20 years after its occurrence, the famous show trial was re-enacted in a historically reproduced setting. The film interweaves the stage production with interviews conducted with eyewitnesses and archive material, and takes a look backstage in the Odeon Theatre in Bucharest.
The Last Days of the Ceaușescus (2010 )
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A pair of estranged offspring visit their parents in an abandoned Mexican village.
Fauna (2021 )
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João Pedro Rodrigues answers the question from the title with an autobiographical short-film.
Where Do You Stand Now, João Pedro Rodrigues? (2016 )
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More people are imprisoned in the United States at this moment than in any other time or place in history, yet the prison itself has never felt further away or more out of sight. This is a film about the prison in which we never see an actual penitentiary. The film unfolds a cinematic journey through a series of landscapes across the USA where prisons do work and affect lives, from an anti-sex-offender pocket park in Los Angeles, to a congregation of ex-incarcerated chess players shut out of the formal labor market, to an Appalachian coal town betting its future on the promise of prison jobs.
The Prison in Twelve Landscapes (2016 )
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It’s not uncommon for a film to have a moving love story at its core. Yet this particular set-up is unusual. The lovers here are Ingeborg Bachmann and Paul Celan, both important representatives of post-war German-language poetry. The story of the relationship between the Austrian and the Jew from Czernowitz is told through their nearly 20-year correspondence (1948–1967). Or, more precisely, by a young woman and a young man reading from their letters in a studio in Vienna’s venerable Funkhaus.
The Dreamed Ones (2016 )
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Relationships with the people you love most are often the most complicated. This is the problem Hania and her mother Ewa face during their sessions with a psychotherapist, filmed intimately and with the utmost respect by director Paweł Łoziński. The camera always focuses on one person at a time, revealing every emotion hidden behind the words and silences. The empathetic therapist carefully but purposefully peels away the hard layers under which mother and daughter shield themselves. Little by little, the personal tragedies that hamper their communication rise to the surface, as well as the source of the longing for love and acknowledgement that they find so hard to fulfill.
You Have No Idea How Much I Love You (2016 )
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Reda is 26 years old. His dreams of escaping the Palestinian refugee camp of Ain El-Helweh ended in failure after three years trapped in Greece. He returned with a heroin addiction to life in a camp being torn apart by internal strife and the encroachment of war from Syria. Against all odds, he decides to marry his childhood sweetheart; a love story, bittersweet as the camp itself.
A Man Returned (2016 )
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A documentary film that explores male feelings about sex and romantic relationships set against the banlieues of France.
Towards Tenderness (2016 )
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Juninho, Menor, Neguinho, Adilson and Eldo are young residents of the Bairro Nacional, outskirts of Contagem, in Minas Gerais, Brazil. Divided between work and fun, crime and hope, each will have to find ways of overcoming difficulties and taming the tiger inside their veins.
The Hidden Tiger (2016 )
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Documentary film about Czech actress Lida Baarova, who fell in love with Joseph Goebbels in the 30s.
Doomed Beauty (2016 )
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Two morticians, one originally from Portugal and the other a Romani from Serbia, drive to southern Italy from Switzerland in order to deliver a body.
Calabria (2016 )
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Tension mounts to the boiling point as Jewish “settlers” encroach upon the formerly exclusive Arab neighbourhoods of Jerusalem. On the other end of the Israeli political spectrum, the state complies with international demands to relinquish territory to the Palestinians.
Settlers (2000 )
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HIM consists of three separate stories in one film. Harald (11) is a boy who constantly falls outside the group. He is not recognized either by friends, school or parents. Emil (30) is unemployed, he is angry and looks down on everyone else. Petter (60) is a Norwegian renowned scriptwriter who wants to make a film about the national hero Fridtjof Nansen. Two men and one boy, one day in Oslo, whom all experiences a social and emotional fall. The film discusses the male role in the contemporary Norway.
HIM (2021 )