भारत में ऑनलाइन DocAlliance Films फिल्में और टीवी शो देखें
DocAlliance Films भारत में फिल्में और टीवी शो का बड़ा चयन प्रदान करता है। चाहे आप नवीनतम रिलीज़, ट्रेंडिंग टाइटल्स, या सदाबहार क्लासिक्स की तलाश में हों, DocAlliance Films के पास सभी के लिए कुछ न कुछ है। लोकप्रिय शैलियों का अन्वेषण करें और आसानी से अपनी अगली पसंदीदा फिल्म या टीवी शो खोजें।
DocAlliance Films के भारत में में सबसे बेहतरीन खोजें, जहाँ आपको फिल्में और टीवी शो की बेजोड़ विविधता मिलेगी। ब्लॉकबस्टर हिट्स से लेकर समीक्षकों द्वारा प्रशंसित पसंदीदा तक, DocAlliance Films के पास हर मूड और पल के लिए विकल्प हैं। कुछ नया खोजने का शौक है? ट्रेंडिंग शीर्षकों, छिपे हुए रत्नों, या आपके स्वाद के अनुसार हालिया रिलीज़ के क्यूरेटेड संग्रह में गोता लगाएँ। एक्शन, रोमांस, डॉक्यूमेंट्री और अन्य शैलियों में फैली सामग्री के साथ, आपके लिए हमेशा कुछ रोमांचक इंतज़ार कर रहा है।
DocAlliance Films और Popcorn Time के साथ देखने के लिए क्या है यह तेजी से खोजें। चाहे वह मूवी नाइट की योजना बनाना हो या आपके पसंदीदा फिल्म या सीरीज का बिंज-वॉच करना हो, आपको हमेशा उपलब्ध सर्वश्रेष्ठ मनोरंजन विकल्पों तक आसान पहुँच होगी।
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At age 15, Taelor's idyllic childhood abruptly ends after the violent & sudden death of her doting father. Now 26, free-spirited Taelor navigates drug abuse, guns, madness & inherent violence of the rich, white Houstonian ghettos in Trump's America.
Southern Belle (2017 )
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Working conditions in the worst-paid jobs in the Czech Republic were examined by journalist Saša Uhlová during six months. She spent several weeks in a hospital laundrette, poultry house, cash register or waste sorting facility. Her experience became the basis of a lived and very personal report of invisible employees working in appalling conditions. Uhlová wrote a series of reports on her project that were published on the Alarm website. Apolena Rychlíková made them into a documentary film consisting of scenes shot at Uhlová's home and video footage taken during her work. Uhlová accompanies the picture with read commentary.
The Limits of Work (2017 )
Batalives (2018 )
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Konrad (18) lives in a small mining town in southern Poland. He looks up to his favorite action movie heroes, spends hours on the gym and signs up for a body building competition. However, his life changes after he revisits his childhood passion for acting. Will he find his own way?
Call Me Tony (2017 )
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Jowan Safadi, born as Palestinian in the State of Israel, is a famous musician and a true free spirit. With his band Fish Samak he delivers songs ranging from the political and social to the emotional and philosophical and gathered a huge fan-community in the Arabic world. Jowan is unafraid to speak his mind or tackle taboo subjects, and his lyrics, at once penetrating and witty, have also courted controversy on several occasions: Previously investigated by Israeli police for "inciting terrorism", his last tour to Jordan ended with his arrest and an overnight stay in a Jordanian prison cell. But this is just the beginning: standing for co-resistance instead of co-existence and criticizing the stare society he lives in, Jowan struggles for his ideals - at any price.
Namrud: Troublemaker (2017 )
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Once a week in Paris a group of individuals from all corners of the world meet in a small room at Centre Pompidou to participate in free French lessons. Asylum seekers, businessmen, doctors, lawyers, and students sit side-by-side and immerse themselves in polite, if stilted, conversation. However, tensions and misunderstandings occur as the nuances which each participant attempts to express become lost as they struggle to access the language. But despite their differences - and linguistic limitations - the disparate group of strangers in a foreign land find, in the small gestures and subtle looks between the words, a way towards understanding.
Atelier de conversation (2017 )
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Two women spend a weekend in the North Sea. One of them will soon return to her family in Argentina, whereas the other one will try to come a step closer to the ocean. She will cross the Atlantic Ocean on a sailing vessel. Time leaves the beaten track and the swell lulls to deep sleep. The sea takes over the narration. When the other one reappears, the wind is still in her hair while the ground beneath her feet is solid. She returns and the other one could ask: “Have you changed?”
Drift (2017 )
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Five years ago Kisilu, a Kenyan farmer, started to use his camera to capture the life of his family, his village and the damages of climate change. When a violent storm throws him and a Norwegian filmmaker together we see him transform from a father, to a community leader and activist on the global stage.
Thank You for the Rain (2017 )
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This film is a record of the first Yamagata International Documentary Film Festival. It reflects the various ways the festival was given shape by nascent global changes embodied by Perestroika, the Tiananmen Square massacre, and many other contemporaneous events.
A Movie Capital (1991 )
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Documentary about the meaning of bamboo.
Takedera mon amour: Diary of a Bamboo Connection (1991 )
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After twenty years away in western Europe, Voin goes back to Bulgaria, his home country. While rediscovering places where he grew up, a mental journey is taking shape through time.
Voin (2020 )
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An experimental portrait of the North American commercial fishing industry through the lens of GoPro cameras placed on a fishing vessel off the coast of New England.
Leviathan (2012 )
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Going beyond the occasional news clip from Burma, the acclaimed filmmaker, Anders Østergaard, brings us close to the video journalists who deliver the footage. Though risking torture and life in jail, courageous young citizens of Burma live the essence of journalism as they insist on keeping up the flow of news from their closed country.
Burma VJ: Reporting from a Closed Country (2008 )
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Veteran actors from the 3 Baltic countries - Estonia, Latvia and Lithuania - gather at a castle in Latvia to receive awards for their roles as Nazi villains in propagandist Soviet war films. They reminisce about the films that made them famous throughout the USSR, but also stigmatized the Baltic countries as Nazi sympathizers in the eyes of many Russians - a misconception that is nowadays exploited by the Russian media, desperate to label the Baltic countries as a fascist haven.
Nazis and Blondes (2008 )
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A realist dramedy about dedicated social workers who devote their long shifts to helping pregnant women.
God's Offices (2008 )
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Using home movies and other media, a filmmaker returns to Sintra, Portugal to search for memories of her late husband, Brazilian filmmaker Glauber Rocha.
Days in Sintra (2008 )
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The film looks again at recent events from a female point of view, through the first-hand accounts provided by the diaries of three women. Rather than focusing on the alleged objectivity of facts, the film gives space to a chorus of voices that narrate those events in first person, visually supported by archival footage of the period, drawn from the most varied sources - institutional, public, militant and private. Anita, Teresa and Valentina come from different Italian regions and different social backgrounds, but share the same feelings: they no longer feel as part of a society based on the patriarchal family, on the power of "husbands" and on the supremacy of males, which requires them to be efficient mothers, obedient wives and virtuous daughters.
We Want Roses Too (2008 )
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In the spring of 2008, car wash workers throughout Los Angeles formed the Carwash Workers Organizing Committee of the United Steelworkers (USW), a precursor to eventual plans to unionize the informal workers of a multi-million dollar industry rampant with exploitation. Most of these workers are undocumented migrants from Central America whose aspirations have led them to washing cars in the city of angels. This experimental documentary, shot on Super 8 film, journeys into a city defined by as much by cars as it is immigrant labor to offer a quiet commentary on the relationship between class, place, and work.
Car Wash (2008 )
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In 1988, an earthquake killed at least 25.000 people in the Armenian city of Gyumri, a third of them children. Jana Ševčíková explores life after and with the disaster, meets survivors and their children.
Gyumri (2008 )
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Lee Anne Schmitt explores California's landscape and past to document the history of one-time boom towns built and abandoned by the industries that necessitated their creation. Sold as a limitless land expansive with free opportunity, California was actually, from its onset, fissured by the interwoven needs of private and public interests. Schmitt's film covers various locations through time, as the major industries of the early 20th century (mining, lumber, oil) give way to the military, eventually leading to multinational corporations, and the use of small towns as satellites for growing urban metropolises.
California Company Town (2008 )
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The camera stands in a house, the lens pointing through the window, outdoors, where the occupants of the home are standing. They respond patiently to the camera operator’s directions: a small step to the left, a little bit forward, no, back just a bit, yes, that’s perfect. Dozens of people pose in this way for a full minute. There’s a man who lives alone, a large family, an older woman on a trampoline. Some are entirely at ease, others more self-conscious. Rabbits, dogs, and cats are allowed to join these portraits, too. All of them are captured within the natural frame of the windows, along with the lace or floral curtains.
Homes (2021 )
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The story of volunteer firefighters trying to save the world's largest dry forest in Bolivia after the practice of burning down the forest to gain cultivable land was made legal in 2019
Fires (2021 )
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Nenad is a worker at a train repair factory in Prijedor, Bosnia and Herzegovina, and as many young people around him, he plans to go to work and possibly permanently live in Slovenia. Between nostalgia for the homeland and dreams of a better life, the film explores the dilemmas that arise when you decide to leave your country.
Nenad (2020 )
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The protagonist of "Picturesque Epochs" is Mária Gánóczy (1927-), a painter and a film aficionado who comes from a family of female artists as far back as her great-grandparents. She brought up nine children with her husband József Breznay (1916-2012), a fellow painter. Gánóczy's films and paintings immortalised the checkered history of Central Europe.
Picturesque Epochs (2018 )
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An intimate look at Gypsy refugees in a Belgrade suburb who make a living by transforming Citroen´s classic 2cv and Dyana cars into Mad Max-like recycling vehicles, which they use to collect card-board, bottles and scrap metal. These modern horses are much more efficent than the cart-pushing competition, but even more important, they also mean freedom, hope and style for their crafty owners. Even the car batteries are used as power generators in order to get some light, watch TV and recharge mobiles ! Almost an alchemist´s dream come true ! But police doesn´t always find these strange vehicles funny... Pretty Dyana is a very funny documentary, but sad in a way... " If Mitic had focused only on the terrible misery these people live in, the film would have been unbearable. Instead, you never know whether you should cry after you laugh, or the other way around " Sara Hultmanm, Goteborg Film Festival
Pretty Dyana (2003 )
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The film illustrates the philosophy of “giving back” to nature, and documents the pinugo, the unique system of sustainable land cultivation developed by the Ifugao to take equal account of forest management and rice growing.This diary film also turns into a travelogue when a group of woodcarvers embark on a trip to Japan to the Takedera temple where they transform a 250-year-old tree, which had been struck by a lightning bolt, into a totem pole.
Holy Wood (2003 )
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Using the reflections and analysis of many renowned intellectuals, this documentary draws a portrait of neoliberal ideology and examines the various mechanisms used to impose its dictates throughout the world.
Encirclement - Neo-Liberalism Ensnares Democracy (2008 )
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An absurdist farce centering around a school in post-Soviet Latvia. After a rather disgusting prank (someone defecates in the school attic), the tyrannical headmistress deems that no one can leave until the culprit is caught. When the photographer's pet python escapes, havok breaks loose.
The Python (2003 )
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An immersive and enthralling journey through the Sonoran Desert on the U.S.-Mexico border, El Mar La Mar weaves together harrowing oral histories from the area with hand-processed 16mm images of flora, fauna and items left behind by travelers. Subjects speak of intense, mythic experiences in the desert: A man tells of a fifteen-foot-tall monster said to haunt the region, while a border patrolman spins a similarly bizarre tale of man versus beast. A sonically rich soundtrack adds to the eerie atmosphere as the call of birds and other nocturnal noises invisibly populate the austere landscape. Emerging from the ethos of Harvard's Sensory Ethnography Lab, J.P. Sniadecki's attentive documentary approach mixes perfectly with Joshua Bonnetta's meditations on the materiality of film. Together, they've created an experience of the border region like nothing you've seen, heard or felt before.
El Mar La Mar (2017 )
I Am Gagarin (2017 )
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A documentary fairy-tale about the struggle for identity in the Hunza Valley set in a village located in the Northern-Pakistan somewhere between the past and the future. A magnificent turquoise lake in between rough, steep cliff surrounds the small village. But the lake hasn’t been always there. One day, an enormous landslide blocked a river. In a few months, this river turned into a huge lake, which is now up to 30km long. Thousands of homes and fields were flooded. Entire villages disappeared forever. Thousands of people got dislocated and had to look for different places where to live. What is left are the stories of those that once used to live there which are passed on from generation to generation.
The Absence of Apricots (2019 )
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Pakistani folk artists talk about their struggle to keep a fading art form alive while reminding the world what they are about to lose.
Indus Blues (2018 )