भारत में ऑनलाइन DocAlliance Films फिल्में और टीवी शो देखें
DocAlliance Films भारत में फिल्में और टीवी शो का बड़ा चयन प्रदान करता है। चाहे आप नवीनतम रिलीज़, ट्रेंडिंग टाइटल्स, या सदाबहार क्लासिक्स की तलाश में हों, DocAlliance Films के पास सभी के लिए कुछ न कुछ है। लोकप्रिय शैलियों का अन्वेषण करें और आसानी से अपनी अगली पसंदीदा फिल्म या टीवी शो खोजें।
DocAlliance Films के भारत में में सबसे बेहतरीन खोजें, जहाँ आपको फिल्में और टीवी शो की बेजोड़ विविधता मिलेगी। ब्लॉकबस्टर हिट्स से लेकर समीक्षकों द्वारा प्रशंसित पसंदीदा तक, DocAlliance Films के पास हर मूड और पल के लिए विकल्प हैं। कुछ नया खोजने का शौक है? ट्रेंडिंग शीर्षकों, छिपे हुए रत्नों, या आपके स्वाद के अनुसार हालिया रिलीज़ के क्यूरेटेड संग्रह में गोता लगाएँ। एक्शन, रोमांस, डॉक्यूमेंट्री और अन्य शैलियों में फैली सामग्री के साथ, आपके लिए हमेशा कुछ रोमांचक इंतज़ार कर रहा है।
DocAlliance Films और Popcorn Time के साथ देखने के लिए क्या है यह तेजी से खोजें। चाहे वह मूवी नाइट की योजना बनाना हो या आपके पसंदीदा फिल्म या सीरीज का बिंज-वॉच करना हो, आपको हमेशा उपलब्ध सर्वश्रेष्ठ मनोरंजन विकल्पों तक आसान पहुँच होगी।
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Two strangers cross paths on the Sicilian island of Lampedusa: a former refugee from Africa and a woman who escaped to the island to cope with a personal crisis. Memories, dreams and the present intersect and blend in this contemplative and visually arresting masterpiece by Austrian Peter Schreiner.
Lampedusa (2015 )
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Danusia and her daughter Basia live far away from the modern world, in tune with the rhythm and laws of nature, among animals and the spirits of the dead. The peace and sense of security offered by their enclave come at a price - the women increasingly long for contact with other people. Bucolic is an affectionate observation of people who live in a different way. It evokes a curiosity about their world and a desire to take a closer look.
Bucolic (2021 )
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Brett Story's visionary look at New York City as it braces for an uncertain future.
The Hottest August (2019 )
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Widerstandsmomente (Moments of Resistance) carries voices, writings, and objects from the anti-Nazi resistance into the present. Politically engaged women of today respond to historical resistance and make links to current events. A line is drawn from what was before and what is today to what might be: a society based on solidarity without discrimination or exclusion.
Moments of Resistance (2019 )
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Bombay Beach is one of the poorest communities in southern California located on the shores of the Salton Sea, a man-made sea stranded in the middle of the Colorado desert that was once a beautiful vacation destination for the privileged and is now a pool of dead fish. Film director Alma Har'el tells the story of three protagonists. Together these portraits form a triptych of manhood in its various ages and guises...
Bombay Beach (2011 )
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Conversations with 92 year old Kamlabai Gokhale, a pioneering actress of the Marathi stage and the first lady of Indian film. The documentary gives an impression of the history and growth of Indian film and theatre as it was experienced by a woman who struggled against the social structures of her times.
Kamlabai (1992 )
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Short film about the sons of the director.
Orbit 50: Letters to My 3 Sons (1992 )
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Grasp the Nettle follows the exploits of a ragtag band of land rights activists in London as they struggle against corporations, government, police - and themselves - in their efforts to create alternative communities outside the framework of consumer society. When an eco-village pops up on a piece of disused land in West London , film-maker Dean Puckett (The Crisis of Civilization) gives up everything - his flat, job and normal life - to live among its eclectic inhabitants in an effort to understand what makes them tick.
Grasp the Nettle (2013 )
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The film is a Slovak version of The Thin Blue Line, recounting the unsolved disappearance and murder of a young woman that happened thirty years ago. It was a case that was paraded in the communist media at the end of which seven individuals were found guilty of this heinous crime. They are the same individuals who at present proclaim their innocence.
Normalization (2013 )
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Part documentary, part mockumentary and part stranger-than-fiction lesson in guerilla tactics, Velvet Terrorists is a quirky profile of three very different men and their former attempts to take down the communist regime of Czechoslovakia – by blowing the hell out of it. Having all spent time in prison for their crimes, one-time bombers Stanislav, Frantisek and Vladimir muse on their personal histories, the fall of the regime and their journey into middle age.
Velvet Terrorists (2013 )
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Liahona is an experimental documentary examining the culture, history, and lived experience of the Church of Jesus Christ of Latter-Day Saints, often referred to as the Mormon faith. The film creates a portrait of Mormonism through documentation of LDS cultural dominance in Utah, the suppressed history of folk magic in the early church, landmark Mormon life experiences, and my personal history and connection to the church. Found media with the voices of outsiders and insiders illuminate a religion that intrigues many, but is seen as mysterious or inaccessible. Liahona shifts through perspectives on the faith – from reverence to questioning, presenting the complexities of the vast institution of Mormonism contrasted with the tenuity of individual faith.
Liahona (2013 )
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"Beyond the Ararat" is the story of a woman of Turkish origin who embarks on a journey to better understand what makes up her identity. A road movie which brings her from her childhood neighborhood in Brussels to Turkey and Armenia. A quest where each woman she encounters could be the reflection of herself. Entering the land of her ancestors, Anatolia, she questions her cultural heritage. Stopping in her grandmother's village, she discovers the "Agit"; an antique oral tradition where women sing for their dead. The songs open a potential space for mourning, where Turkish, Kurdish but also Armenian women missing from that land, can sing "together". The confrontation with the "missing" from her memory, brings her farther eastward in Anatolia to the foot of the Ararat Mountain, and beyond.
Beyond the Ararat (2013 )
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In 1982, the Argentine military dictatorship invaded the Malvinas Islands, located 500 kilometers off the country’s coast. The dictatorial government left no stone unturned in using propaganda to convince the people of their mission. Consisting almost entirely of excerpts from the TV program 60 minutes, 1982 summarizes the media campaign that took place over the 74 days of war, when Argentine troops tried to take their island back from the British. We watch TV anchormen ask viewers to donate money for weapons, inspire them to sing the national anthem at home, and welcome government leaders as heroes as they “spontaneously” show up at the studio to celebrate the importance of the mission for the motherland.
1982 (2019 )
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Every summer, Marek and Janina work as charcoal burners in Bieszczady. Far from civilization, surrounded by the mountain range, they live in unison with nature and its rhythm. We accompany them from dusk to dawn, observing the slow passing of time. This is a story about people, who have chosen a simpler life.
Charcoal Burners (2010 )
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An investigation into the ecological disaster caused by a US military base on the Philippines – and its victims, their world. A humble act of solidarity, a defiant work of remembrance, a rallying cry to rise and resist, a cinematic prose poem.
Vapor Trail (Clark) (2010 )
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In a not-so-faraway village, people use discarded reels of 35-mm film to make loud toys such as rattlers, whistles and whirligigs. Every day several hundred toys are crafted, and for each of these hundred toys they splice, slit and rip filmstrips. As they follow this routine with uninterrupted monotony, a few narratives leak out from the shredded analogues of film and infuse the place with phantasmagoria.
That Cloud Never Left (2019 )
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Esperança, 15, has just arrived in France from Angola with her mother. At Amiens station, they don’t know where to sleep and look for someone who can help them.
Esperança (2019 )
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January 2016. The love story that brought me to this village in Alsace where I live ended six months ago. At 45, I am now alone, without a car, a job or any real prospects, surrounded by luxuriant nature, the proximity of which is not enough to calm the deep distress into which I am plunged. I am lost and I watch four to five films a day. I decide to record this stagnation, not by picking up a camera but by editing shots from the stream of films I watch.
Just Don't Think I'll Scream (2019 )
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Filmmaker Carol Nguyen interviews her own family to craft an emotionally complex and meticulously composed portrait of intergenerational trauma, grief, and secrets in this cathartic documentary about things left unsaid.
No Crying at the Dinner Table (2019 )
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Being mother is the most natural thing in the world. Or so it seems. Yet the demands on women with children have rarely been as overloaded and contradictory as they are in today’s Western world. Promises of happiness are often followed by disadvantages, excessive demands and feelings of guilt. The mother has become an artificially glorified ideal, which nevertheless is often legitimized by the „nature of the woman“. We live in a time when three people could claim to be the same child’s mother: egg donors give their genes to beget children, surrogate mothers deliver babies which they give away immediately after birth, and men raise children by themselves – without a woman at their side. Hence the question arises: What makes a human being a real mother?
(M)Other (2019 )
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In shades of gray, the calm, static shots show young female visitors to a public hospital in Argentina. This is the place where teenage girls have to make a decision about the new life growing inside them. A few of them have, at a very young age indeed, already had children. For others, the idea of a future as a mother is new and terrifying. In many cases, though, having an abortion isn’t a decision to be taken for granted. Some of the girls have learned from childhood that getting pregnant is your own fault, and you have to accept the consequences. What they know about abortion comes from horror stories of clandestine practices in backstreet clinics. The hospital gynecologists and other staff, who can be heard but not seen, ask the girls about their well-being, their relationship, their family ties, and how they see the future—with or without a child. In these intimate and non-judgmental conversations, the girls respond with powerful candor in their most vulnerable moments.
Mother-Child (2019 )
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After a long period of isolation, Antonin rediscovers the world in a bird shelter where, rocked by the noise of planes, troubled souls are saved just as much as the birds.
Bird Island (2019 )
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The film’s story is based on the fate of the Floriculture Pavilion of the former Exhibition of Achievements of the People’s Economy, and its elderly employee Valentyna Voronina, who maintains this space, investing her own life into it, until suddenly changes come to her. After forty-five years of work, she is asked to retire. But Voronina does not agree with that, because she thinks that all the plants will die without her. Meanwhile, a group of mysterious radioesthesists find a channel of positive energy right in front of the entrance to the pavilion.
The Winter Garden’s Tale (2018 )
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As if directing a science-fiction film, Johana Ožvold dissects the story of electronic music. From the pioneer sound engineers working behind the Iron Curtain, through the French avant-garde composers, up to the post-modern creators of digital sonic artefacts, the first-time filmmaker summons an abstract landscape that is haunting and yet achingly beautiful. A voice appears from old television screens forgotten in the maze of some futuristic archive where past and future seem to coexist in a complex and multi-layered way.
The Sound Is Innocent (2019 )
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In a small house in the countryside of Ceará, lives Raposa, a woman with a peculiar manner who attracts the attention of Lelé, a handyman who works next door. Their relationship changes when strange sounds come from Raposa's house.
Raposa (2024 )
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A portrait of the largest Muslim Punk community in the world, as seen through the eyes of Punk teenagers, in relation to the extreme social, environmental and political environment they live in.
A Punk Daydream (2019 )
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When I got to Rignano, the Ghetto residents told me: "You mustn't keep any trace of our lives here in these precarious houses. This despair is not yours to display." The misery in the Ghetto is the first thing that struck me, the first thing I wanted to show.
Our Territory (2019 )
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Immobile in a home where the sands of time fall to the rhythm of the rural Azerbaijani sounds, a mother waits for her son. When he arrives, their conversations circle around existential questions and news from afar. Unrest cloaks the world outside. Mother and son grow closer, silence melts into words, and life springs between them. The son leaves, and winter settles in to the forever-outdated house in which temporalities blurs and past and present beat to the rhythm of the same clock.
When the Persimmons Grew (2019 )
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Poetic monologues and the music of wandering bards accompany the pilgrims and nomads of modern-day India. This experimental work challenges us to visualize a journey of the soul, with walking as a meditative act.
At Home, Walking (2019 )
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The Ave Valley is, for more than a century, a territory seized by an imposing industry. Amongst ruins and operating factories, we descend the river on a journey alongside the banks of the present, unveiling the marks of the past.
Industrial Revolution (2014 )
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A trans girl misses her train stop one night and embarks on a surreal journey back home as her dreams start leaking into her reality.
Snakeskin (2024 )
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A young Bulgarian girl digs into her grandfather's turbulent life in an attempt to unravel the past and find answers and explanations for the catastrophic fall of communism.
The Beast Is Still Alive (2016 )