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Film
Marseille describes an interlude in the life of young Berlin photographer Sophie. Wanting a change, Sophie does an apartment swap, so she can go photograph the city of Marseille, and most of all get away from Berlin.
Marseille (2004 )
Film
Il racconto della rapina in una banca rumena nel 1959, in cui la banda che la porta a termine deve poi rimetterla in scena in un film per ordine dello stato.
The Great Communist Bank Robbery (2004 )
Film
La rinascita del documentario porta con sé la necessità di un complessivo ripensamento del glossario cinematografico. L'idea per il progetto finale di questi due studenti alla scuola cinematografica della Repubblica Ceca è sensazionale: mettere in piedi una campagna promozionale per un immenso centro commerciale, con tanto di spot in radio e in tv, cartellonistica, volantini, sito web, tutti realizzati dalle più blasonate agenzie dei vari settori. Niente di sensazionale? Beh, il fatto è che il centro commerciale, come dire, non esiste! Tutto viene preparato in grande stile per l'apertura ufficiale in un mattino autunnale, quando la gente andrà (se andrà) a frotte all'inaugurazione del "Sogno Ceco". Come chiarito nel film stesso, è incredibile che un'operazione del genere sia stata possibile, ma è successo. Basta quest'idea a rendere assolutamente imperdibile un film che, tra l'altro, diverte, illumina, sconvolge.
Il sogno ceco (2004 )
Film
Route 181 is the epic record of a road trip undertaken in the summer of 2002 by two filmmakers, one Palestinian and one Israeli, along sections of what had been designated as the border between Israel and Palestine by U.N. Resolution 181 in 1947.
Route 181: Fragments of a Journey in Palestine-Israel (2004 )
Film
Documentary about Czech filmaker Vera Chytilova.
Journey: Portrait of Věra Chytilová (2004 )
Film
Masculine and feminine, hard and soft, continuous and interrupted, whole and fragmented. All that is encompassed by just one day at the factory.
Factory (2004 )
Film
The Lovers is the second part of a small trilogy, dealing with the extinction of memories. In the first part, The Bathers, the two protagonists were subject to the chemical decomposition of the film material. The Lovers, on the other hand, transforms an old Super8 porn film into both a tragic love story and a horror movie, and finally into a memory, that is being destroyed in the inner world. (Viennale 04)
The Lovers (2004 )
Film
There are places that we don’t want to know anything about, places that we would rather pretend don’t exist at all. One such place is a dumpsite. From the humans’ point of view, it is a ghastly place, a stinking desert of trash. But it’s a desert that is teaming with life.
Dream Land (2004 )
Film
Bits of found film and different types of animation illustrate a classic chase scene scenario: A woman is abducted and a man comes to her rescue, but during their escape they find themselves in the enemy's secret headquarters.
Fast Film (2003 )
Film
The director films the street where he lives in St. Petersburg, for a whole year, documenting the changes caused by the celebration of its 300th anniversary.
Hush! (2003 )
Film
Inverno. Una fermata dell’autobus in un villaggio. Ci sono persone che aspettano il bus. Parlano. Dalle loro conversazioni, lo spettatore si immagina il loro mondo. Unito dal movimento della cinepresa, il luogo e le persone si mescolano.
Landscape (2003 )
Film
Shot in 1950 upon arriving in America, Mekas did not edit and present the footage until 2003 making this both his first and last film shot on 16mm.
Williamsburg, Brooklyn (2003 )
Film
In this lyrical elegy lamenting the death of Madeleine, her husband, a theater actor, relives his very first memories of her.
Altar (2003 )
Film
Agnès Varda’s follow-up to her acclaimed documentary THE GLEANERS AND I takes us deeper into the world of those who find purpose and beauty in the refuse of society, revisiting many of the original film’s subjects.
The Gleaners and I: Two Years Later (2002 )
Film
Filmmaker Peter Mettler embarks on a mission that takes him around the world. He is determined to record the diverse modes of transcendence that people in different cultures adopt in order to live life to the fullest. As he traverses civilization and wilderness and encounters a range of lifestyles and ideas, the filmmaker's mind-expanding trip around the world grows into a poem of images and sounds, reflecting the fragmented but alluring worlds it attempts to capture.
Gambling, Gods and LSD (2002 )
Film
A woman goes to bed, falls asleep, and begins to dream. This dream takes her to a landscape of light and shadow, evoked in a form only possible through classic cinematography. An homage to Man Ray, dedicated to the beginning of the European avant-garde film within the surrealist movement.
Dream Work (2001 )
Film
This is an elegant meditation on time, travel, and ceremony in the form of a journey. In her first foray into digital video, Trinh T. Minh-ha deconstructs the role of ritual in mediating between the past and the present.
The Fourth Dimension (2001 )
Film
Director Marc Isaacs installs himself in the lift of a typical English tower block. People start talking to him, and we discover their lives.
Lift (2001 )
Film
Marc Aurel-Straße in Vienna: The last surviving Jewish textile merchant in the former textile district, the Iranian hotel proprietor and the Café Salzgries and its regulars. Between the summer of 1999 and spring 2000, Ruth Beckermann undertook a series of small journeys on and around her own doorstep and investigated her local area with the help of a film crew. This documentary film also gives an insight into the political changes when a far right Party joined the Government coalition in Austria.
Homemad(e) (2001 )
Film
Varda concentra il suo sguardo sugli spigolatori: coloro che setacciano i campi già mietuti alla ricerca di qualche patata o rapa. La sua indagine conduce dagli angoli dimenticati della campagna francese ai mercati verdi di Parigi, seguendo coloro che si ostinano a trovare un uso per ciò che la società ha scartato, per necessità o per attivismo.
La vita è un raccolto (2000 )
Film
The film features an incredibly low angel’s flight over the dunes of Nida, Trakai castle, the lakes of Aukstaitija (Highlands), the roofs of the Old Town of Vilnius and the fantastically beautiful church steeples. It’s like a mystical gliding just above the treetops, meadows covered by early morning mist, as well as the narrow streets of Vilnius.
Flight Over Lithuania or 510 Seconds of Silence (2000 )
Film
After the famous Dutch documentary filmmaker Johan van der Keuken is told that he has prostate cancer and only a few years left to live he decides to take an extended vacation while filming his journeys so the afterworld can learn about his experiences. He travels to Kathmandu where he meets buddhist monks and a healer woman who soon is trying to medicate him, to Burkina Faso and Mali onto the edge of the Sahara desert and other places. Everywhere he is collecting experiences that help make the rest of his life bearable.
The Long Holiday (2000 )
Film
THE INTERNATIONALE draws on people's stories of an emotionally charged radical song (the long-time anthem of socialism and communism) to celebrate the relationship between music and social change, and to evaluate the uncertain fate of once thriving movements of the left.
The Internationale (2000 )
Film
Tension mounts to the boiling point as Jewish “settlers” encroach upon the formerly exclusive Arab neighbourhoods of Jerusalem. On the other end of the Israeli political spectrum, the state complies with international demands to relinquish territory to the Palestinians.
Settlers (2000 )
Film
A young woman move towards a house that holds a potentially dangerous spirit that has been tormenting her. The woman tries to fight against the film itself as it starts to cause the world to collapse.
Outer Space (1999 )
Film
Unpredictably, as most of my life’s key events have been, for a period of several years of late sixties and early seventies, I had the fortune to spend some time, mostly during the summers, with Jackie Kennedy’s and her sister Lee Radziwill’s families and children. Cinema was an integral, inseparable, as a matter of fact, a key part of our friendship. The time was still very close to the untimely, tragic death of John F. Kennedy. Jackie wanted to give something to her children to do, to help to ease the transition, life without a father. One of her thoughts was that a movie camera would be fun for children. Peter Beard, who was at that time tutoring John Jr. and Caroline in art history, suggested to Jackie that I was the man to introduce the children to cinema. Jackie said yes. And that’s how it all began
This Side of Paradise: Fragments of An Unfinished Biography (1999 )
Film
The first of Peter Tscherkassky's Cinemascope trilogy of short films is a fragmented glimpse of images pulsating with chaotic rhythm as they fight white margins for room in his palette. Mirrored frames being split by white margin and trying to reassemble again like the poles of a magnet, a train approaching station and colliding with itself in white-hot blistering chaos.
The Arrival (1999 )
Film
A propulsively jittering journey through the cinematic imaginary using glitchy found footage and jacked-up cyber sounds, Get Ready hits the highway hard and takes us with it. A car crash? An escape? This turbo-charged condensation of cinematic moods and tropes makes much of its tiny run-time.
Get Ready (1999 )
Film
Megacities is a documentary about the slums of five different metropolitan cities.
Megacities (1998 )
Film
In Italy, in the mid-seventies, Adriana, Barbara, Nadia and Susanna were 20 years old when they decided to join the armed struggle and leave behind their social life and their families in order to make the revolution the center and the aim of their existence. Today they have returned after many years in prison, and they try, each one of them, to recount their own experiences. They speak about the political reasons which initially sustained them, the conflicts, the doubts, and the moments of being torn apart which market out their lives as women caught up in the vortex of war. A course of events which ended in the condemnation of the armed struggle and the pain of the lives that were destroyed – their victims’ lives and their own.
Do You Remember Revolution? (1997 )
Film
The oak tree in Seja is roughly 700 years old. Around this monumental tree, the peaceful and repetitive life goes on in the village, a group of houses in the middle of the forest. It is an almost unworldly existence in a condition of absolute simplicity where people are grateful for a hot cup of coffee and a good potato harvest.
The Oak (1997 )
Film
For one night Michael Pilz rides through New York with a remarkable taxi driver, Jeff Perkins. Sitting by his side, looking and listening, sometimes intervening, he uses his handy high-8 camera like a writing instrument, a „camera-stylo“.
Facts for Fiction (1997 )
