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DocAlliance Filmsは日本でで豊富な映画を提供しています。最新作や話題作、永遠の名作をお探しなら、DocAlliance Filmsには誰にでも楽しめるものがあります。人気のジャンルを探索して、お気に入りの映画を簡単に見つけてください。
日本ででDocAlliance Filmsの最高の作品を発見してください。ここでは、楽しむための他に類を見ない映画のバラエティを見つけることができます。大ヒット作から批評家に絶賛された名作まで、DocAlliance Filmsにはあらゆる気分や瞬間に応じた選択肢があります。新しいものを発見するのが好きですか？トレンドタイトル、隠れた名作、またはあなたの好みに合わせた最近のリリースのキュレーションされたコレクションに飛び込んでください。アクション、ロマンス、ドキュメンタリーなどのジャンルを網羅したコンテンツで、常にあなたを待っているエキサイティングなものがあります。
DocAlliance FilmsとPopcorn Timeを使って、何を見るかをより早く見つけましょう。映画ナイトを計画する場合でも、お気に入りの映画を一気見する場合でも、最高のエンターテイメントオプションに簡単にアクセスできます。
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You’d never know this is your home away from home. The surveillance camera outside shows a drab reception area and an unremarkable street in Mexico City; inside, the lights flash, but the tables are empty. Yet preparations are soon underway and fixed categories cease to apply: stubble is removed, make-up applied and strands of hair are teased into place; the camera is trained not on the men themselves, but what they see in the mirror.
Casa Roshell (2017 )
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Alone and far from home, The Kid makes his way through a strange city looking for the means to get through his day. Surrounded by predators he is forced to make compromises merely to survive, his life of exile grows one day longer.
A Drowning Man (2017 )
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Tension has long simmered between Turkish soldiers and Kurdish separatists in southeastern Anatolia and, in 2015, the conflict escalated into a military lockdown. Given the lack of media coverage, locals began filming the empty streets in single-take, one-hour clips which were posted to the internet and then vanished. Coinciding with this event is the falling of the Leonids, a spectacular meteor shower which emblazons the black skies with impermanent light.
Meteors (2017 )
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Isolde is a support caseworker trainee working in Toronto. She’s still adjusting to the protocols and challenges of her job when she’s assigned to Eric, a man charged with theft and awaiting a court hearing.
Fail to Appear (2017 )
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A documentary-essay which shows Costică Axinte's stunning collection of pictures depicting a Romanian small town in the thirties and forties. The narration, composed mostly from excerpts taken from the diary of a Jewish doctor from the same era, tells the rising of the antisemitism and eventually a harrowing depiction of the Romanian Holocaust.
The Dead Nation (2017 )
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Techno culture and anarchism are two alternative social forms that have much in common in their radical re-evaluation of all social relations. An overlooked but obvious thought that ‘Rage’ takes to the extreme in a philosophical rave party
Rage (2017 )
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Analog celluloid strips are disappearing. Is film dying, or just changing? Are the world's film archives on the brink of a dark age? Renowned filmmakers, museum curators, historians, and engineers help dramatize the future of film and the cinema in the age of digital moving pictures.
Cinema Futures (2016 )
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Girl Power is a documentary that presents female graffiti writers from fifteen cities – from Prague to Moscow, Cape Town, Sydney, Biel, Madrid, Berlin, Toulouse, Barcelona and all the way to New York. The graffiti community is predominantly a man's world, and men often share the view that graffiti – namely the illegal kind – is not for girls. And yet women have become increasingly more emancipated in recent years; there are female graffiti shows, magazines and websites. Girl Power captures the stories of ladies who have succeeded in the male graffiti world.
Girl Power (2016 )
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In Buenos Aires, the Molina family lives and works in the shadows of the legendary Boca Juniors stadium. Selling fake tickets to the soccer games, they constantly get in conflict with the corrupt police. As her family sinks deeper into this underworld, the mother tries in vain to keep them all from falling apart.
En La Boca (2016 )
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An intimate portrait of the city and its people. We meet the characters in the NYC subway and we follow them to the surface finding out about their lives, cravings, passions, hopes and dreams - sometimes lost and sometimes still waiting to be fulfilled. What comes out of it is an emotional tale of solitude that haunts us in 21st century western world.
21 x New York (2016 )
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Flanked by her phlegmatic sidekick, Dariko is the only outside broadcast journalist at a local Georgian television channel. With derisory resources, she races from one report to another to give an honest, if not objective, image of the current events that shape her environment.
The Dazzling Light of Sunset (2016 )
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A dive, the midday sunlight filtering down through the water. The air in her lungs has to last until she can dislodge the abalone. Dives like these have been carried out in Japan for over 2000 years by the Ama-San.
Ama-San (2016 )
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It’s not uncommon for a film to have a moving love story at its core. Yet this particular set-up is unusual. The lovers here are Ingeborg Bachmann and Paul Celan, both important representatives of post-war German-language poetry. The story of the relationship between the Austrian and the Jew from Czernowitz is told through their nearly 20-year correspondence (1948–1967). Or, more precisely, by a young woman and a young man reading from their letters in a studio in Vienna’s venerable Funkhaus.
The Dreamed Ones (2016 )
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1999: While NATO was bombing Yugoslavia, a truck containing 53 dead bodies plunged into the Danube near the border with Romania. No enquiries were carried out. Previously, in Suva Reka, Kosovo: Serbian police herd villagers together. A woman experiences terrible things, bodies disappear into remote mass graves. People as little more than mere matter.
Depth Two (2016 )
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In communist Romania in the 1980s the population collectively watches "Dallas", their only window into capitalism. Inspired by the US TV show, a young woman decides to emigrate to America. "Hotel Dallas" mixes documentary scenes with staged and experimental sequences.
Hotel Dallas (2016 )
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Looking for extras and locations, a filmmaker settles on Chiloé, the second largest island off the coast of Chile. He does auditions, but mainly listens patiently to the stories of young and old people. As an outsider, he cautiously searches for the soul of the community and its underlying tensions.
The Winds Know That I'm Coming Back Home (2016 )
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Living is like crossing a bridge. Is it possible that what looks like it is part of a cityscape is in fact a living being? Just like people, it is born, it lives an eventful life, it experiences its fate and its quiet forsaken aging, and then it inevitably dies. Meet Kyiv’s Rybalski Bridge and its memories.
The Bridge (2016 )
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Teresa and Ornella are sisters utterly devoted to one another despite a deeply buried secret between them.
Between Sisters (2015 )
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The Mayan doomsday prophecy looms over a dark night in Poland. A late-night radio host takes in calls from citizens expressing their concerns, predictions and speculations on what may happen when—or even if—the sun comes up. Simultaneously, a crisis centre dispatcher fields panicked calls from people experiencing real-life traumatic situations in need of immediate attention. The voices of these callers are interwoven with an intimate therapy session and a wandering taxicab to build a profile of a place where citizens want to be heard. Never showing the callers on the other end of the line, the film creates an aural overview of a darkened city. As the night progresses, the calls continue coming in, revealing the various struggles people are experiencing in dealing with conceptual fears and current woes—all in a world that soon may be over.
End of the World (2015 )
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On returning from class, a teacher is questioned by his wife, who distrusts his pedagogic project: an “Academy of the Muses” inspired by classical references, which is supposed to contribute to regenerating the world through poetry. The controversial project triggers a series of situations dominated by words and desire.
The Academy of Muses (2015 )
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Her ex-wife won’t meet her. Her daughter rejects her. Her mother still calls her “son.” As Marianna transitions from male to female, she is abandoned by her loved ones, alone in a world unwilling to accept her true self. This multi-award-winning documentary is an intensely sympathetic and powerful account of one individual’s struggle to gain acceptance—even in the midst of profound physical hardship.
Call Me Marianna (2015 )
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In an invisible territory at the margins of society, at the border between anarchy and illegality, lives a wounded community that is trying to respond to a threat: of being forgotten by political institutions and having their rights as citizens trampled. Disarmed veterans, taciturn adolescents, drug addicts trying to escape addiction through love, ex-special forces soldiers still at war with the world, floundering young women and future mothers, and old people who have not lost their desire to live. Through this hidden pocket of humanity, the door opens to the abyss of today's America.
The Other Side (2015 )
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How do Europeans deal with their recent dark history (the wars, dictatorships and occupations)? What traces are etched?
Battles (2015 )
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I Don’t Belong Anywhere - Le Cinéma de Chantal Akerman, explores some of the Belgian filmmaker’s 40 plus films. From Brussels to Tel-Aviv, from Paris to New-York, this documentary charts the sites of her peregrinations. An experimental filmmaker, a nomad, Chantal Akerman shares her cinematic trajectory, one that has never ceased to interrogate the the meaning of her existence. Thanks in great part to the interventions of her editor, Claire Atherton, she delineates the origins of her film language and her aesthetic stance.
I Don't Belong Anywhere: The Cinema of Chantal Akerman (2015 )
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Minotaur takes place in a home of books, of readers, of artists. It’s also a home of soft light, of eternal afternoons, of sleepiness, of dreams. The home is impermeable to the world. Mexico is on fire, but the characters of Minotaur sleep soundly.
Minotaur (2015 )
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The Divide tells the story of 7 individuals striving for a better life in modern day US and UK - where the top 0.1% owns as much wealth as the bottom 90%. By plotting these tales together, we uncover how virtually every aspect of our lives is controlled by one factor: the size of the gap between rich and poor.The film is inspired by "The Spirit Level" by Richard Wilkinson and Kate Pickett.
The Divide (2015 )
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A look at the life, work and importance of Czech filmmaker Karel Zeman (1910-89), a genius of world cinema, a wizard of special effects, revealing his sources of inspiration and his revolutionary filming techniques.
Film Adventurer Karel Zeman (2015 )
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Director Manuel Mozos draws an intimate portrait of João Bénard da Costa, programmer, critic, actor and, for 18 years, director of the Portuguese Film Museum, who passed away in 2009.
João Bénard da Costa: Others Will Love the Things I Have Loved (2015 )
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María Fux spends her life training dancers, particularly those with disabilities. But now, at 90, she finds her toughest student may be herself.
Dancing with Maria (2014 )
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Three brothers wish to surf waves no one has surfed before them. The answer is to go to Bjørnøya, the island next to the better known Spitsbergen. For two months they live on the island, self sufficient in food and equipment.
Bear Island (2014 )
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A poetic portrait of people working in the state-run post office, rail station and fire headquarters in the 3rd largest city of Africa, Kinshasa.
Elephant's Dream (2014 )
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An intimate, and often humorous, portrait of three generations of exile in the refugee camp of Ein el-Helweh, in southern Lebanon. Based on a wealth of personal recordings, family archives, and historical footage, the film is a sensitive, and illuminating study of belonging, friendship, and family in the lives of those for whom dispossession is the norm, and yearning their daily lives.
A World Not Ours (2014 )
