日本ででDocAlliance Filmsの映画とテレビ番組をオンラインで見る
DocAlliance Filmsは日本でで豊富な映画とテレビ番組を提供しています。最新作や話題作、永遠の名作をお探しなら、DocAlliance Filmsには誰にでも楽しめるものがあります。人気のジャンルを探索して、お気に入りの映画やテレビ番組を簡単に見つけてください。
日本ででDocAlliance Filmsの最高の作品を発見してください。ここでは、楽しむための他に類を見ない映画やテレビ番組のバラエティを見つけることができます。大ヒット作から批評家に絶賛された名作まで、DocAlliance Filmsにはあらゆる気分や瞬間に応じた選択肢があります。新しいものを発見するのが好きですか?トレンドタイトル、隠れた名作、またはあなたの好みに合わせた最近のリリースのキュレーションされたコレクションに飛び込んでください。アクション、ロマンス、ドキュメンタリーなどのジャンルを網羅したコンテンツで、常にあなたを待っているエキサイティングなものがあります。
DocAlliance FilmsとPopcorn Timeを使って、何を見るかをより早く見つけましょう。映画ナイトを計画する場合でも、お気に入りの映画やシリーズを一気見する場合でも、最高のエンターテイメントオプションに簡単にアクセスできます。
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Interpersonal relationships in a dysfunctional family under the microscope of the camera.
The Family (2017 )
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A journey through the times and spaces of the Hotel Jugoslavija.
Hotel Yugoslavia (2017 )
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In the Californian part of the Sonoran desert, in the close vicinity of military bases, there is a “wild” town called Slab City inhabited by the refugees from the American Dream. Of different age, they brought with them various stories, but all chose freedom, even for the price of the most basic comforts. The only place equipped with electricity is a makeshift Internet café run by Rob which serves “the best coffee in the neighbourhood”.
Desert Coffee (2017 )
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The war in Congo has caused more than six million deaths over the last twenty years. The population is suffering, but the offenders stay with impunity. Many people see this conflict as one of globalisation's crucial econimic distribution battles because the country has major deposits of many high-tech raw materials. Milo Rau, one of Europe's most acclaimed theatre directors, succeeds in gathering victims, perpetrators, observes and analysts of the conflict for a unique civil tribunal in eastern Congo. The documentary film brings these spectacular court trials to life on the big screen and creates an unvarnished portrait of the largest and bloodiest economic wars in human history.
The Congo Tribunal (2017 )
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Free-diver Goran Colak has dedicated his life to surviving devoid of oxygen. Driven by a desire to be the best in the world, Goran has achieved every feat possible in the sport of free-diving. In doing so he has expanded our understanding of human capability, floating in an arrested state somewhere between life and death. Beautifully lyrical, My Life Without Air demonstrates the power of will to transcend its body's earthly limitations.
My Life Without Air (2017 )
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Documentary about human hair, including its political significance.
Hairy (2017 )
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After five years studying in Paris, Arash has not adjusted to life there and has decided to return to Iran to live. Hoping to change his mind, his two friends Hossein and Ashkan convince him to take a last trip through France.
Before Summer Ends (2017 )
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Francis is being interrogated about a series of crimes he might be guilty of.
Innocent (2017 )
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The first feature from Alison McAlpine is a dialogue with the heavens—in this case, the heavens above the Andes and the Atacama Desert in northern Chile, where she alights on the desert- and mountain-dwelling astronomers, fishermen, miners, and cowboys who live their lives with reverence and awe for the skies.
Cielo (2017 )
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Do Not Resist is an exploration of the rapid militarization of the police in the United States. Opening on startling on-the-scene footage in Ferguson, Missouri, the film then broadens its scope to present scenes from across the country.
Do Not Resist (2017 )
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Donkeys inhabit and communicate with each other - and the filmmakers - in a Sanctuary.
Sanctuary (2017 )
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In an era of PR and spin, Dennis Skinner is a thrillingly authentic political figure: fearsome, principled, and uncompromising, he has been sticking up for the interests of the people of his constituency in Bolsover since 1970. An ex-miner, he was represented his community through the industrial action of the 1970s, the closure of the mines, and the slow drift to the ‘centre-ground’ within Labour politics. Famous for his sharp wit and unyielding style, Skinner has remained true to his roots, fighting for the disadvantaged and often getting himself into trouble in Parliament. The story of both a towering figure, and the fortunes of progressive politics in Britain over the last half-century.
Nature of the Beast (2017 )
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You’d never know this is your home away from home. The surveillance camera outside shows a drab reception area and an unremarkable street in Mexico City; inside, the lights flash, but the tables are empty. Yet preparations are soon underway and fixed categories cease to apply: stubble is removed, make-up applied and strands of hair are teased into place; the camera is trained not on the men themselves, but what they see in the mirror.
Casa Roshell (2017 )
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Alone and far from home, The Kid makes his way through a strange city looking for the means to get through his day. Surrounded by predators he is forced to make compromises merely to survive, his life of exile grows one day longer.
A Drowning Man (2017 )
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Tension has long simmered between Turkish soldiers and Kurdish separatists in southeastern Anatolia and, in 2015, the conflict escalated into a military lockdown. Given the lack of media coverage, locals began filming the empty streets in single-take, one-hour clips which were posted to the internet and then vanished. Coinciding with this event is the falling of the Leonids, a spectacular meteor shower which emblazons the black skies with impermanent light.
Meteors (2017 )
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Isolde is a support caseworker trainee working in Toronto. She’s still adjusting to the protocols and challenges of her job when she’s assigned to Eric, a man charged with theft and awaiting a court hearing.
Fail to Appear (2017 )
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A documentary-essay which shows Costică Axinte's stunning collection of pictures depicting a Romanian small town in the thirties and forties. The narration, composed mostly from excerpts taken from the diary of a Jewish doctor from the same era, tells the rising of the antisemitism and eventually a harrowing depiction of the Romanian Holocaust.
The Dead Nation (2017 )
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Techno culture and anarchism are two alternative social forms that have much in common in their radical re-evaluation of all social relations. An overlooked but obvious thought that ‘Rage’ takes to the extreme in a philosophical rave party
Rage (2017 )
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Analog celluloid strips are disappearing. Is film dying, or just changing? Are the world's film archives on the brink of a dark age? Renowned filmmakers, museum curators, historians, and engineers help dramatize the future of film and the cinema in the age of digital moving pictures.
Cinema Futures (2016 )
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Girl Power is a documentary that presents female graffiti writers from fifteen cities – from Prague to Moscow, Cape Town, Sydney, Biel, Madrid, Berlin, Toulouse, Barcelona and all the way to New York. The graffiti community is predominantly a man's world, and men often share the view that graffiti – namely the illegal kind – is not for girls. And yet women have become increasingly more emancipated in recent years; there are female graffiti shows, magazines and websites. Girl Power captures the stories of ladies who have succeeded in the male graffiti world.
Girl Power (2016 )
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In Buenos Aires, the Molina family lives and works in the shadows of the legendary Boca Juniors stadium. Selling fake tickets to the soccer games, they constantly get in conflict with the corrupt police. As her family sinks deeper into this underworld, the mother tries in vain to keep them all from falling apart.
En La Boca (2016 )
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An intimate portrait of the city and its people. We meet the characters in the NYC subway and we follow them to the surface finding out about their lives, cravings, passions, hopes and dreams - sometimes lost and sometimes still waiting to be fulfilled. What comes out of it is an emotional tale of solitude that haunts us in 21st century western world.
21 x New York (2016 )
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Flanked by her phlegmatic sidekick, Dariko is the only outside broadcast journalist at a local Georgian television channel. With derisory resources, she races from one report to another to give an honest, if not objective, image of the current events that shape her environment.
The Dazzling Light of Sunset (2016 )
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A dive, the midday sunlight filtering down through the water. The air in her lungs has to last until she can dislodge the abalone. Dives like these have been carried out in Japan for over 2000 years by the Ama-San.
Ama-San (2016 )
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It’s not uncommon for a film to have a moving love story at its core. Yet this particular set-up is unusual. The lovers here are Ingeborg Bachmann and Paul Celan, both important representatives of post-war German-language poetry. The story of the relationship between the Austrian and the Jew from Czernowitz is told through their nearly 20-year correspondence (1948–1967). Or, more precisely, by a young woman and a young man reading from their letters in a studio in Vienna’s venerable Funkhaus.
The Dreamed Ones (2016 )
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1999: While NATO was bombing Yugoslavia, a truck containing 53 dead bodies plunged into the Danube near the border with Romania. No enquiries were carried out. Previously, in Suva Reka, Kosovo: Serbian police herd villagers together. A woman experiences terrible things, bodies disappear into remote mass graves. People as little more than mere matter.
Depth Two (2016 )
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In communist Romania in the 1980s the population collectively watches "Dallas", their only window into capitalism. Inspired by the US TV show, a young woman decides to emigrate to America. "Hotel Dallas" mixes documentary scenes with staged and experimental sequences.
Hotel Dallas (2016 )
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Looking for extras and locations, a filmmaker settles on Chiloé, the second largest island off the coast of Chile. He does auditions, but mainly listens patiently to the stories of young and old people. As an outsider, he cautiously searches for the soul of the community and its underlying tensions.
The Winds Know That I'm Coming Back Home (2016 )
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Living is like crossing a bridge. Is it possible that what looks like it is part of a cityscape is in fact a living being? Just like people, it is born, it lives an eventful life, it experiences its fate and its quiet forsaken aging, and then it inevitably dies. Meet Kyiv’s Rybalski Bridge and its memories.
The Bridge (2016 )
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Teresa and Ornella are sisters utterly devoted to one another despite a deeply buried secret between them.
Between Sisters (2015 )
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The Mayan doomsday prophecy looms over a dark night in Poland. A late-night radio host takes in calls from citizens expressing their concerns, predictions and speculations on what may happen when—or even if—the sun comes up. Simultaneously, a crisis centre dispatcher fields panicked calls from people experiencing real-life traumatic situations in need of immediate attention. The voices of these callers are interwoven with an intimate therapy session and a wandering taxicab to build a profile of a place where citizens want to be heard. Never showing the callers on the other end of the line, the film creates an aural overview of a darkened city. As the night progresses, the calls continue coming in, revealing the various struggles people are experiencing in dealing with conceptual fears and current woes—all in a world that soon may be over.
End of the World (2015 )
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On returning from class, a teacher is questioned by his wife, who distrusts his pedagogic project: an “Academy of the Muses” inspired by classical references, which is supposed to contribute to regenerating the world through poetry. The controversial project triggers a series of situations dominated by words and desire.
The Academy of Muses (2015 )