Assista DocAlliance Films Filmes Online em Portugal
DocAlliance Films oferece uma grande seleção de filmes em Portugal. Se você está em busca dos lançamentos mais recentes, títulos em alta ou clássicos atemporais, DocAlliance Films tem algo para todos. Explore gêneros populares e descubra seu próximo filme favorito com facilidade.
Descubra o melhor de DocAlliance Films em Portugal, onde você encontrará uma variedade incomparável de filmes para aproveitar. De grandes sucessos a favoritos aclamados pela crítica, DocAlliance Films tem opções para todos os momentos e emoções. Ama descobrir algo novo? Mergulhe em coleções curadas de títulos em alta, pérolas escondidas ou lançamentos recentes, adaptados ao seu gosto. Com conteúdo que abrange gêneros como ação, romance, documentários e muito mais, sempre há algo empolgante esperando por você.
Encontre o que assistir mais rapidamente com DocAlliance Films e Popcorn Time. Seja planejando uma noite de cinema ou maratonando sua filme favorita, você sempre terá fácil acesso às melhores opções de entretenimento disponíveis.
Filme
Tension has long simmered between Turkish soldiers and Kurdish separatists in southeastern Anatolia and, in 2015, the conflict escalated into a military lockdown. Given the lack of media coverage, locals began filming the empty streets in single-take, one-hour clips which were posted to the internet and then vanished. Coinciding with this event is the falling of the Leonids, a spectacular meteor shower which emblazons the black skies with impermanent light.
Meteors (2017 )
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Techno culture and anarchism are two alternative social forms that have much in common in their radical re-evaluation of all social relations. An overlooked but obvious thought that ‘Rage’ takes to the extreme in a philosophical rave party
Rage (2017 )
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The impact of mass incarceration is explored through an annual charity trip that takes children to visit their imprisoned mothers.
Mother's Day (2017 )
Filme
A double-screen work on violence and freedom. On one screen the ‘alphabet of violence’. The second screen's function is to evoke potential, possibility, aspirations and ambitions of a future where the value of the black man in society is revitalised through a lexicon of freedom; he runs towards his freedom.
When I Grow Up I Want to Be a Black Man (2017 )
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Girl Power is a documentary that presents female graffiti writers from fifteen cities – from Prague to Moscow, Cape Town, Sydney, Biel, Madrid, Berlin, Toulouse, Barcelona and all the way to New York. The graffiti community is predominantly a man's world, and men often share the view that graffiti – namely the illegal kind – is not for girls. And yet women have become increasingly more emancipated in recent years; there are female graffiti shows, magazines and websites. Girl Power captures the stories of ladies who have succeeded in the male graffiti world.
Girl Power (2016 )
Filme
In Buenos Aires, the Molina family lives and works in the shadows of the legendary Boca Juniors stadium. Selling fake tickets to the soccer games, they constantly get in conflict with the corrupt police. As her family sinks deeper into this underworld, the mother tries in vain to keep them all from falling apart.
En La Boca (2016 )
Filme
An intimate portrait of the city and its people. We meet the characters in the NYC subway and we follow them to the surface finding out about their lives, cravings, passions, hopes and dreams - sometimes lost and sometimes still waiting to be fulfilled. What comes out of it is an emotional tale of solitude that haunts us in 21st century western world.
21 x New York (2016 )
Filme
Flanked by her phlegmatic sidekick, Dariko is the only outside broadcast journalist at a local Georgian television channel. With derisory resources, she races from one report to another to give an honest, if not objective, image of the current events that shape her environment.
The Dazzling Light of Sunset (2016 )
Filme
A dive, the midday sunlight filtering down through the water. The air in her lungs has to last until she can dislodge the abalone. Dives like these have been carried out in Japan for over 2000 years by the Ama-San.
Ama-San (2016 )
Filme
Reda is 26 years old. His dreams of escaping the Palestinian refugee camp of Ain El-Helweh ended in failure after three years trapped in Greece. He returned with a heroin addiction to life in a camp being torn apart by internal strife and the encroachment of war from Syria. Against all odds, he decides to marry his childhood sweetheart; a love story, bittersweet as the camp itself.
A Man Returned (2016 )
Filme
The National Ballet of Portugal is celebrating its 40th anniversary. Since its foundation, it has aimed to present the great classics, as well as to always welcome contemporary creations. Day-to-day life is demanding for dancers, choreographers, musicians, répétiteurs, seamstresses, light technicians, sound technicians, and other elements of a large staff that make it possible for dance to travel through the rehearsal rooms and linger in the hallways before making it onto the stage. This film follows not only the company’s creations and premieres, but mainly each dancer’s silent and structural work.
In the Darkness of the Theater I Take Off My Shoes (2016 )
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Two morticians, one originally from Portugal and the other a Romani from Serbia, drive to southern Italy from Switzerland in order to deliver a body.
Calabria (2016 )
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“It all begins with two”: departure/return, earth/water, history/tourism… Starting from the ancient myth of Vietnam’s foundation – a battle between two dragons – and from the balance between earth and water that defines the country geographically, Trinh Minh-ha composes a palimpsest of words and images filmed in 1995 in Hi-8 video, then in HD in 2012. Words, superimposed, come and go like a graphic ballet that adds a layer to the archaeology visible in the landscape, a mix of ancient traditions and authoritarian attempts to eradicate them.
Forgetting Vietnam (2016 )
Filme
In communist Romania in the 1980s the population collectively watches "Dallas", their only window into capitalism. Inspired by the US TV show, a young woman decides to emigrate to America. "Hotel Dallas" mixes documentary scenes with staged and experimental sequences.
Hotel Dallas (2016 )
The Tree (2016 )
Filme
A Sea Change takes its audience to the IBIS maritime boarding school in Ostende (Belgium). In buildings that look out towards the sea, boys from six to sixteen sleep, eat and play. They learn how to read the sea, sail with a fishing boat and help haul in the catch. In the classrooms, the impetuous sea is captured in maps. On sea maps, there are no storms and there is no time: the sea might seem timeless, but much is changing. The coast is permeated with nostalgia, as if the sea had turned its face to the past. Sooner or later the fishing fleet will disappear, together with many endangered species of fish. The fish auction hall in Ostende is in decay, the harbour coated in rust. Nonetheless, a new colour is appearing from beneath the peeling paint.
A Sea Change (2016 )
Filme
One of the largest deer farms in Europe becomes a scene of conflict, in an atmosphere that transcends physical space. The pulse is a way to seize connections and disruptions within the Human-Animal interaction, pulling us away or drawing us closer to Nature.
Pulse (2016 )
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For the first time, a film about what's inside, behind, before, beneath and in the pockets of Italian animation legend Bruno Bozzetto.
Bozzetto non troppo (2016 )
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Living is like crossing a bridge. Is it possible that what looks like it is part of a cityscape is in fact a living being? Just like people, it is born, it lives an eventful life, it experiences its fate and its quiet forsaken aging, and then it inevitably dies. Meet Kyiv’s Rybalski Bridge and its memories.
The Bridge (2016 )
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Igor and Sveta visit Igor's hometown. Igor wants nothing more than to spend the weekend recording a fun vlog with his girlfriend when a talk with his mom uncovers more of a pressing problem in his relationship with Sveta.
Love & Partnership (2016 )
Filme
The body of a young Polish woman is found in a suitcase on a London canal adjacent to a block of flats. The filmmakers invite the residents to reflect on how the murder has affected them. Through their stories we are provoked to think about our own relationship to the strangers living in our midst.
Touched by Murder (2016 )
Filme
The film recreates gradual transition of the society from peaceful life to the state of war. Shot in March-April 2014 in Donbass, it follows the transformation of social protest into an armed revolt, supported by covert foreign invasion. The film doesn't focus on individual stories, instead showing the mechanisms of inflaming the war that lead to the social collapse.
People Who Came To Power (2016 )
Filme
An elderly widow (Joan Benac) starts to wonder what happened to a would-be lover from her past who appeared with her in a live televised drama in the 1950s. After discovering the show in CBC’s archive, her granddaughter Audrey (Deragh Campbell) attempts to try and track the man down.
Never Eat Alone (2016 )
Filme
Relegating the show and the performers to the background, Secondo Me focuses on the life of three cloakroom attendants in three different European opera houses: Vienna State Opera, La Scala in Milan and Odesa Opera House in Ukraine.
In My Opinion (2016 )
Filme
This essay film tells of the ocean as a place of yearning, of the world of giant container ships and their crews, and the women that wait for them in ports and drinking holes. The protagonists' thoughts are rendered as inner monologues in voiceover, all set to striking documentary images.
Exotica, Erotica, Etc. (2015 )
Filme
On returning from class, a teacher is questioned by his wife, who distrusts his pedagogic project: an “Academy of the Muses” inspired by classical references, which is supposed to contribute to regenerating the world through poetry. The controversial project triggers a series of situations dominated by words and desire.
The Academy of Muses (2015 )
Filme
Lithuanian photographer, the legend of Soviet Sixties' generation Vitas Luckus tragically passed away in 1987. Yet the life and times of the talented rebel still impassion and lead us to a journey questioning why, at all times, we are wary of those who are really free.
Master and Tatyana (2015 )
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Her ex-wife won’t meet her. Her daughter rejects her. Her mother still calls her “son.” As Marianna transitions from male to female, she is abandoned by her loved ones, alone in a world unwilling to accept her true self. This multi-award-winning documentary is an intensely sympathetic and powerful account of one individual’s struggle to gain acceptance—even in the midst of profound physical hardship.
Call Me Marianna (2015 )
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In an invisible territory at the margins of society, at the border between anarchy and illegality, lives a wounded community that is trying to respond to a threat: of being forgotten by political institutions and having their rights as citizens trampled. Disarmed veterans, taciturn adolescents, drug addicts trying to escape addiction through love, ex-special forces soldiers still at war with the world, floundering young women and future mothers, and old people who have not lost their desire to live. Through this hidden pocket of humanity, the door opens to the abyss of today's America.
The Other Side (2015 )
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I Don’t Belong Anywhere - Le Cinéma de Chantal Akerman, explores some of the Belgian filmmaker’s 40 plus films. From Brussels to Tel-Aviv, from Paris to New-York, this documentary charts the sites of her peregrinations. An experimental filmmaker, a nomad, Chantal Akerman shares her cinematic trajectory, one that has never ceased to interrogate the the meaning of her existence. Thanks in great part to the interventions of her editor, Claire Atherton, she delineates the origins of her film language and her aesthetic stance.
I Don't Belong Anywhere: The Cinema of Chantal Akerman (2015 )
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An intimate portrait of the pioneering artistic collective Grupo de Cali, whose work is now considered a fundamental part of Colombia’s film history.
It All Started at the End (2015 )
Filme
Minotaur takes place in a home of books, of readers, of artists. It’s also a home of soft light, of eternal afternoons, of sleepiness, of dreams. The home is impermeable to the world. Mexico is on fire, but the characters of Minotaur sleep soundly.
Minotaur (2015 )
