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Филм
A family fired by a company owned by LVMH (Group owned by French billionaire, Bernard Arnault) seeks reparation from their previous employer with the help of the movie director.
Thanks Boss! (2016 )
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From her own personal experience and from talking with her lifelong friends, Melisa (24) wonders about the mandates and prohibitions that mold the cultural construction of the female gender, especially in relation to the image. With humor and candidness, the film portraits a feminine world seen from the inside, from conversations, personal photos and home movies.
The Pretty Ones (2016 )
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As the unforgiving forces of nature take their toll on humans and animals, the unexpected return of snow devastates the nomad family’s livestock. 11-year old Sukbhat is forced to leave his childhood behind. Now the hopes of the family rely on the young boy who should tame and race the wild horse. An intense relation between father, son and their wild horse shows how nature overwhelms and influences human beings. Nobody remains unscathed after being confronted with the powers of the steppe.
Zud (2016 )
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A film about Rikard, age 30. He is autistic and severely disfigured. He lives in a home for disabled people. He was separated from his mother as a three-year-old, and this continues to torment him today. To deal with life's trials, Rikard escapes into a fantasy world in which he's a 50-meter-tall giant.
The Giant (2016 )
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In 2020, the greatest minds in France gather at the President’s home in order to save the country from catastrophe.
France Is a Gas (2016 )
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Alba, 11 years old, passes her days in silence. She loves little animals. She has learned to cope with her mother's illness, helping her to use the bathroom. Alba plays silently so that her mother can rest during the day. One night Alba's mother gets worse, and has to be taken to the hospital. With no one else to take care of her, Alba is sent to live with her father, who she hasn't seen since she was three years old. Living with her father is almost unbearable. Embarrassment, her first kiss, visits to mother in the hospital, Edgar's tender efforts to get close to her, and bullying at school; these are some of the experiences that pave Alba's journey to puberty and to self-acceptance.
Alba (2016 )
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A story of globalization filtered through the fever dream of a Mexican shaman, The Modern Jungle is also an intimate portrait of Zoque culture, commodity fetish, and the predicament of documentary.
The Modern Jungle (2016 )
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In 2013, former Chadian dictator Hissein Habré’s arrest in Senegal marked the end of a long combat for the survivors of his regime. Accompanied by the Chairman of the Association of the Victims of the Hissein Habré Regime, Mahamat Saleh Haroun goes to meet those who survived this tragedy and who still bear the scars of the horror in their flesh and in their souls. Through their courage and determination, the victims accomplish an unprecedented feat in the history of Africa: that of bringing a Head of State to trial.
Hissein Habré, A Chadian Tragedy (2016 )
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Malian-French director Daouda Coulibaly's auspicious debut is a pulse-pounding political thriller. Wùlu tells the unsettling tale of a man's rise from the bottom rung of the social ladder to the heights of criminal power.
Wùlu (2016 )
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A lonely private investigator is contacted by a mysterious woman who pulls him into a mind game known as “telephone walking”. Fascinated by her voice, Aloys discovers an imaginary universe that allows him to break out of his isolation.
Aloys (2016 )
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A middle aged American woman unexpectedly discovers her true origin after her parents died. Deeply moved, in the midst of an identity crisis, she decides to travel, hoping to find her birth mother whom she hads never known. She goes to a small and remote place in the South of Italy, Montedoro.
Montedoro (2016 )
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In 1985, in Communist Romania, the thirty year-old Irene falls deeply in love with a German, Franz. When Franz leaves Romania, Irene decides to follow him to Berlin to be with him. After her arrival, Irene gradually comes to realize that Franz no longer wants to be with her.
Traveling on One Leg (2016 )
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After being in rehab for two years, Cesar now works in a small balloon factory in suburban Buenos Aires. His former father in law will force him to take care of his young estranged son, whose mother died in an accident. But Cesar has plans to give Alfonso up for adoption.
Los globos (2016 )
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By the river of oblivion, a lonely horsemen passes through a village where children play with hidden desires, adults are indulged in a celebration and violence and love are instinctive parts of life.
Léthé (2016 )
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Short documentary about older cyclists who annually tour the great Alps. We see them take some well-deserved rest on the coast of the Mediterranean. There they look back on what moves them and on highlights from the history of cycling.
Le repos des braves (2016 )
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A docu-fiction that captures the life of Bhalchandra Nemade, with the camera following him to his home, village and even on reunions with friends. Nemade plays himself while characters from his works come alive.
For Example, Nemade (2016 )
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Director Yuri Ancarani crosses the Persian Gulf to accompany a falconer to an important competition, entering the surreal world of wealthy Qatari sheikhs with a passion for amateur falconry. The opulence of this Middle Eastern gas state is on full display as the men race SUVs up and down sand dunes, fly their prized falcons around on private jets, and take their pet cheetahs out for desert spins in their souped-up Ferraris.
The Challenge (2016 )
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Teresa and Ornella are sisters utterly devoted to one another despite a deeply buried secret between them.
Between Sisters (2015 )
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Eini grows up isolated from society with her father who does everything he can to make Eini believe that the world outside and the people out there are evil, and that all that has to do with sexuality and adulthood is dangerous.
Granny's Dancing on the Table (2015 )
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Her ex-wife won’t meet her. Her daughter rejects her. Her mother still calls her “son.” As Marianna transitions from male to female, she is abandoned by her loved ones, alone in a world unwilling to accept her true self. This multi-award-winning documentary is an intensely sympathetic and powerful account of one individual’s struggle to gain acceptance—even in the midst of profound physical hardship.
Call Me Marianna (2015 )
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When John returns home to his father after serving time in prison, he is looking forward to starting his life afresh. However, in the local community his crime is neither forgotten nor forgiven.
The Here After (2015 )
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A companion to the director's Le Dos Rouge/Portrait of the Artist. A famous filmmaker works on his next film, which will focus on monstrosity. He is obsessed by the idea of finding a painting that will be central to the film and will crystallize all the power and beauty of monsters.
Rouge (2015 )
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Afghanistan, 2014. As the withdrawal of troops approaches, Captain Antarès Bonassieu and his squad have been assigned a surveillance mission in a remote valley of Wakhan, on the border of Pakistan. Despite Antarès and his men’s determination, control of the secluded valley will slowly fall out of their hands. One dark night, soldiers begin to mysteriously disappear in the valley.
The Wakhan Front (2015 )
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This complex portrait of modern-day life on the Pine Ridge Indian Reservation explores the bond between a brother and his younger sister, who find themselves on separate paths to rediscovering the meaning of home.
Songs My Brothers Taught Me (2015 )
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Mona, a prisoner on work release, meets Clément, a shy actor. Desperate to impress Mona, Clément recruits his extroverted friend, Abel, to help. When Mona becomes more interested in Abel, it sets off a conflict between the two friends. Meanwhile, Mona attempts to keep her past hidden.
Two Friends (2015 )
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Minotaur takes place in a home of books, of readers, of artists. It’s also a home of soft light, of eternal afternoons, of sleepiness, of dreams. The home is impermeable to the world. Mexico is on fire, but the characters of Minotaur sleep soundly.
Minotaur (2015 )
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A busy attorney, worried that his anorexic daughter Olga, who is still grieving her recently deceased mother, might try to harm herself, sends her to see a psychiatrist who's dealing with her own loss in an unusual way.
Body (2015 )
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11-year-old Mickey House is no longer a child. But who is he? He doesn’t know. He’s friendless. He doesn’t understand his mother. He hates what’s happening to his body. Reality and imagination come together in a toxic mix. Events escalate to extremes… at home and at school. Mickey has to find the strength within him to put a stop to what’s begun. Where will his encounter with his own maturing body take him?
Baby Bump (2015 )
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At the end of the 1960s the post-war generation began to revolt against their parents. This was a generation disillusioned by anti-communist capitalism and a state apparatus in which they believed they saw fascist tendencies. This generation included journalist Ulrike Meinhof, lawyer Horst Mahler, filmmaker Holger Meins as well as students Gudrun Ensslin and Andreas Baader.
A German Youth (2015 )
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‘The Great Wall has been completed at its most southerly point.’ So begins Kafka’s short story ‘At the Building of the Great Wall of China’, and so, at Europe’s heavily militarised south-eastern frontier, begins this film. In the shadow of its own narratives of freedom, Europe has been quietly building its own great wall. Like its famous Chinese precursor, this wall has been piecemeal in construction, diverse in form and dubious in utility. Gradually cohering across the continent, this system of enclosure and exclusion is urged upon a populace seemingly willing to accept its necessity and to contribute to its building.
The Great Wall (2015 )
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When a tragedy shatters her plans for domestic bliss, a seemingly typical Southern newlywed gradually transforms into a spiritual seeker, quietly threatening the closest relationships around her.
Something, Anything (2015 )
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A man in chains, a young man who dreams of being part of something, to become a militant for an armed group who must wield a cruelty in which he may not believe in. The characters, each voluntary or involuntary part of a mechanism that overcomes them, reveal their greatness or misery in the “minimum” tasks that they perform to survive. From that sometimes morbid poetry of the everyday and the irrefutable truth of the details, we see a country whose social body is sick and injured.
Violence (2015 )
