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Deliberately structured and less beholden to its narrative, the film is told in three parts, with each part pertaining to each of the three visits of the time-travelling visitor from when the country was fighting for independence from Spain.
Elegy to the Visitor from the Revolution (2011 )
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Léa lives in Le Havre, where she attends college whilst taking care of her elderly grandmother. To make ends meet, she works as a waitress in a night club. Her admittance to the Institute of Political Studies in Paris offers her new opportunities, but at a high price. Léa finds work as a striptease artist, so that each evening she can put into practice the theory of economic liberalism which she learns by day...
Lea (2011 )
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Junior is a 13-year-old tomboy with pimples. After being diagnosed with stomach flu, Junior's body undergoes a bizarre metamorphosis.
Junior (2011 )
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Laetitia and Sophie go to Quimper, town where Laetitia used to live, to pass the weekend. Sophie is having problems with her husband, while Laetitia tells her about one of her youth's boyfriends, the "masked sailor" she used to love while she lived in Quimper.
The Shady Sailor (2011 )
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The nine-year-old Nikolas has been missing for days. The criminal psychologist Claudia Meinert notices contradictions in her conversation with the parents of the missing child. In particular Nikolas' mother appears to be hiding something. When a video of the missing Nikolas surfaces, showing him tied up in a cellar, the trail leads to his school. The 13-year-old Leon and Mathilda strike the psychologist as conspicuous and provocative. Shortly afterwards, Meinert encounters the children with Nikolas' parents at the local swimming pool and her suspicions are confirmed: the parents are entangled in an insidious father-mother-child game with the possible suspects Leon and Mathilda. Now it is up to the psychologist to resolve the dark mystery of Nikolas' disappearance and save the child.
Bastard (2011 )
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An artist struggles to finish his work. A storyline about a cult plays in his head. Fundamentalism will destroy the world. The artist destroys his muse in the process. He redeems her in the end.
Century of Birthing (2011 )
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One day in the life of Anders, a young recovering drug addict, who takes a brief leave from his treatment center to interview for a job and catch up with old friends in Oslo.
Oslo, August 31st (2011 )
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Suspended in time, a widower drifts endlessly between nights and days that melt into one continuous longing for a love that will never die but can no longer be. When the blinding sun coming through the window suddenly forces him back into life with Mitzi and Teresita—but without Teresa—he asks what good it is if she’s reincarnated into a flower or a butterfly if what the girls need is a mother. Can God be so cruel so as to deprive a young girl of her mother’s touch? And so reality turns into dream—or is it the other way around? And she is back again. Could Teresa still be alive? From the streets of Mexico City comes this heart-warming story of a young man struggling to raise his two daughters while working the night shift as a taxi driver.
Fly (2011 )
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A motley crew of young boys in Colombia lives only for one passion: soccer. But when their precious new ball rolls into a minefield, their dreams are suddenly on hold. Even as the village becomes the center of a tug-of-war between right-wing paramilitary groups and leftist guerrillas, the idea of a rescue attempt is too tempting to resist.
The Colors of the Mountain (2011 )
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Tracking an old man (with a truly Bela Tarr-like persistence) through the streets and bars, and porn cinemas, and taco-joints, of Mexico City on what might be the pensioner's last day on Earth, Critic/curator-turned-film-director Lipkes has crafted an undeniably challenging but beautifully realised vision of modern loneliness.
Malaventura (2011 )
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The story is simply set around a couple fighting at the breakfast table. All is well, nothing out of the ordinary. Steph announces to his life partner Flippy, the mascot bear for Flipp’s cereals, that he wishes to go to Japan to fulfill his childhood’s dream: study at a Ninja school.
Respect (2011 )
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Freely inspired by the work Catatau, by Paulo Leminski, the plot begins with the historical hypothesis imagined by the poet from Curitiba: “What if René Descartes had come to Brazil with Maurício de Nassau?” The film materializes this hypothesis and joins the father of modern philosophy in his journey through the tropics. Under the effect of hallucinatory herbs, he investigates questions revolving around geometry and optics in the face of an absolutely strange world. Known for his famous sentence “I think, therefore I am”, Descartes faces his doubt towards phenomena reason doesn’t explain. René, Renatus, Re born.
Ex-It (2011 )
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An Anthropological Television Myth is a gloriously jagged collage of fragments culled from an independent Sicilian TV station's output in the mid-90s – the period just before the 'Berlusconi era'. But whereas the Milanese media mogul's spells as president were notable for the cynical degradation of his nation's television output, with its bawdy game-shows earning much overseas derision, the small broadcaster showcased here evidently foregrounded and documented local grass-roots political shenanigans. With no commentary or captions, the film plunges us into a lively day-before-yesterday epoch when the authorities' battles with the Mafia produced an atmosphere akin to Civil War on the streets. Virtuouso editing knits together a dizzyingly wide range of sights and sounds that consistently fascinate and impress.
An Anthropological Television Myth (2011 )
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A stereograph of an ocean wave breaking is suspended in time as it reshapes in time and in depth. 3-D for both two eyed and single-eyed viewers.
The Green Wave (2011 )
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The second film of Rachel Lang's Ana trilogy
White Turnips Make It Hard to Sleep (2011 )
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Early on in this engaging historical drama, a marquis (played by the singularly droll Jacques Nolot) offers a peddler a carriage ride on a remote country road. After sizing up his benefactor, the peddler fights motion sickness to deliver his sales pitch: “I have here a few objects of wonder, pious images, pamphlets against men of the cloth, newspapers from Amsterdam and London, holy cards, quills, writing paper…”
Smugglers' Songs (2011 )
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In a Paris in full economic slump, Jojo and Eugène have one after the other loving failures. And if all this was connected ? Our two infiltrated agents thus begin a investigation on young girls. We discover that the young girls are not always young and sometimes not even a girl.
Les secrets de l'invisible (2011 )
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An actress and her filmmaker boyfriend experience turbulence in their relationship when she accepts a role in a werewolf film.
Silver Bullets (2011 )
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The unscrupulousness of members of the Colombian army destroys the love between twenty-year-old Roland and Lady in El Paraíso, an impoverished neighborhood of Bogotá.
Silence in Paradise (2011 )
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Tension mounts between a director and his lead actress on the set of a sexually explicit low-budget film. As the actress and her co-star develop real feelings for each other, the director's jealousy erupts and he begins sabotaging his own production.
Art History (2011 )
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Nine-year old Eunhee anxiously prepares for her recorder exam as she struggles to find a place within her own family.
The Recorder Exam (2011 )
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A family living in a Punjab village deals with social and labor inequities until a fight breaks out during a lunar eclipse.
Anhey Ghorhey Da Daan (2011 )
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Carrying on Luc Moullets unfinished screenplay about the theft of la pénélope, a camera created by Aaton and capable of recording equally well in 35 mm and digitally, LA ROUGE ET LA NOIRE is a film in kaleidoscope form. The portrait of Aatons founder, Jean-Pierre Beauviala creator, inter alia, of the time-code and the light cameras used by the New Wave (in particular the bush camera specially designed for Jean Rouch) is centered around the basic plot introduced by two women thieves who talk as voice-overs, and whose identities will only be revealed at the end.
La rouge et la noire (2011 )
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The film centers on the metaphysical dialog between a young student and the God of Death.
Katho Upanishad (2011 )
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The Mutability of All Things and the Possibility of Changing Some explores our human adaptability in light of catastrophe by way of seminal literature passages implying a transitory social body.
The Mutability of All Things and the Possibility of Changing Some (2011 )
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In Tuscany to promote his latest book, a middle-aged English writer meets a French woman who leads him to the village of Lucignano.
Certified Copy (2010 )
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The true story of Saartje Baartman, a black South African worker who moves to London with her master in the early 19th century. Although she dreams of being an artist, once in Europe she is exploited as a sideshow attraction due to her large buttocks and genitalia.
Black Venus (2010 )
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Before leaving for Rome with his mother, five year old Natan is taken by his father, Jorge, on an epic journey to the pristine Chinchorro reef off the coast of Mexico. As they fish, swim, and sail the turquoise waters of the open sea, Natan discovers the beauty of his Mayan heritage and learns to live in harmony with life above and below the surface, as the bond between father and son grows stronger before their inevitable farewell.
To the Sea (2010 )
Think Global, Act Rural (2010 )
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Follow a small group of elderly “Peeping Toms” through the shadows and margins of an unfamiliar world. Crudely documented by the participants themselves, we follow the debased and shocking actions of a group of true sociopaths the likes of which have never been seen before. Inhabiting a world of broken dreams and beyond the limits of morality, they crash against a torn and frayed America.
Trash Humpers (2010 )
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Artist Eric Baudelaire constructed an ‘imaginary reality’ after a sojourn in Kyoto. In an art bookstore, a girl is responsible for ‘bokashi’: obscuring images. The entire book collection has passed through her hands. She determines what we can and cannot see.
[sic] (2010 )
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A film centering on the life and work of Ron Galella that examines the nature and effect of paparazzi.
Smash His Camera (2010 )
![[sic]](https://img.popcorntime.app/d/Urx396f7LzCtRUVf4wwp.jpg "[sic]")
