DocAlliance Films Filmleri Türkiye'de Çevrimiçi İzle
DocAlliance Films, Türkiye'de birçok film seçeneği sunar. En son çıkanlar, trend olan başlıklar veya zamansız klasikler arıyorsanız, DocAlliance Films herkes için bir şeyler sunar. Popüler türleri keşfedin ve bir sonraki favori filminizi kolayca bulun.
Türkiye'de DocAlliance Films'ın en iyilerini keşfedin, burada keyfini çıkarabileceğiniz eşsiz bir çeşitlilikte filmler bulacaksınız. Gişe rekorları kıran filmlerden eleştirmenlerce beğenilen favorilere kadar, DocAlliance Films her ruh haline ve ana uygun seçenekler sunar. Yeni bir şey keşfetmeyi seviyor musunuz? İlginizi çeken trend başlıklar, gizli hazineler veya son çıkanlar koleksiyonlarına dalın. Aksiyon, romantizm, belgeseller ve daha fazlası gibi türleri kapsayan içeriklerle, her zaman sizi bekleyen heyecan verici bir şeyler vardır.
DocAlliance Films ve Popcorn Time ile ne izleyeceğinizi daha hızlı bulun. İster bir film gecesi planlıyor olun, ister favori filminizi art arda izliyor olun, her zaman en iyi eğlence seçeneklerine kolayca erişim sağlayacaksınız.
Film
"The Magic Voice Of A Rebel" portrays the story of the Czech singer Marta Kubisová, who without never intending it, became a symbol of freedom for all generations in the newly free Czhecoslovakia in 1989. It is Marta herself who tells us her life story and how the Soviet invasion in Czechoslvakia in 1968 changed her life. Because of her deep involvement in the Prague Spring movement, she went from being the most popular singer in the country to being banned and suffering a sudden removal from the public scene by the new authorities imposed from Moscow. She refused to escape to exile and together with other banned intelectuals and artists became a disident instead. Blacklisted and persecuted by the secret police, she also suffered the betrayal of beloved people who were collaborating with the regime.
The Magic Voice Of A Rebel (2014 )
Všichni mají pravdu? Karel Floss a ti druzí (2016 )
Film
The film tells a very personal story from two perspectives: our protagonist is both doctor and patient. As a patient, he has struggled with recurring depression for years, and as a doctor he wants to find out why. The search for the origins of his illness leads him into the realm of his own genes and casts light on the fundamental changes facing modern society as a result of the tremendous progress being made in the field of genetic sequencing. Along the way, he meets a host of people – researchers, artists, visionaries – who have developed their own very individual approach to genetic coding and are drawing attention to the social significance of genetic technology. The film does not restrict itself to a scientific view of the subject but also makes use of artistic visions and more playful approaches to genetic blueprints.
The Dark Gene (2015 )
Film
A response to Stan Brakhage’s The Act Of Seeing With Ones Own Eyes which creates a blunt statement on the human condition by depicting human autopsies. Necropsy of a Harbour Porpoise (Seeing From Our Eyes Into Theirs) examines the ever-enigmatic whale by revealing its interior, taking away its mystery and disparity, highlighting similarities between seemingly contrasting, expired organisms.
Necropsy of a Harbour Porpoise (Seeing From our Eyes into Theirs) (2015 )
Film
Moldova. One winter day, Raisa travels into the city hoping to get something that could change her life.
Raisa (2015 )
Film
Mainland tells the story of twelve-year-old Colin Macleod, who sees the world around him change fast as he realizes that the isolated island he calls home, is getting too small to chase his dreams. On the other hand there's Colin Mackenzie, an old shepherd who has returned to the island after years of wandering around. Gradually he comes to the conclusion his beloved island will never be the same.
Mainland (2015 )
Film
While investigating her late parents’ involvement with the Anglo Iranian Oil Company (BP), the filmmaker comes across the letters of a petroleum geologist in Iran in the 1930s who was later to embark on a search for the origins of civilisation. The Host sets out on its own exploration, to decipher signs from the fragmented images buried in the BP archive. This journey through the past interweaves a number of stories drawn from both personal memory and the records of an imperial history, which builds a picture of a 20th-century colonial encounter. The Host is a personal essay film about the stories we tell about ourselves and others, the facts and fictions we live by, and their consequences. Followed by a discussion with Miranda Pennell.
The Host (2015 )
Film
In Delhi to study film, "I" listens for the breath of its residents on the streets, in the markets, outside the mosques, and at the tourist sites. Dissolving into these her own thoughts and feelings in the process, she makes the city resonate for us.
I Am Yet to See Delhi (2015 )
Film
Every evening at dusk, starlings—wherever they might be nesting—will flock together to perform one of the most mysterious gestures in the natural world. Flitting to and fro, thousands fly in gyroscopic unison. Scientists still don’t know how the birds avoid colliding with one another in these elaborately choreographed murmurations. This short film makes no attempt to explain the winged ritual. No voiceover interrupts the flow. No score intrudes upon the birds’ own song. The majestic ornithological swirl speaks for itself. As the black ribbon of flight careens back and forth across the evening sky, one truth emerges: This flying isn’t an act of necessity. It’s an act of sublime artistic expression.
The Art of Flying (2015 )
Film
Brett Story's visionary look at New York City as it braces for an uncertain future.
The Hottest August (2019 )
Film
Widerstandsmomente (Moments of Resistance) carries voices, writings, and objects from the anti-Nazi resistance into the present. Politically engaged women of today respond to historical resistance and make links to current events. A line is drawn from what was before and what is today to what might be: a society based on solidarity without discrimination or exclusion.
Moments of Resistance (2019 )
Film
A small company valiantly struggles to survive under the respectful yet probing camera of Claire Simon in “At All Costs.” As the docu opens, founder and manager Jihad is off to see his banker. The lack of ready cash to pay his loyal employees, wholesale produce providers and a whole range of other creditors, including the tax-gobbling French government, is omnipresent. From a staff of 14, Jihad is down to three cooks, one delivery driver and a secretary in less than six months. The good-natured pluck of the remaining employees is at the heart of the film. Subterfuges for putting up a brave united front include scheduling food orders from a coin-operated pay phone when the office phone is cut off for nonpayment.
At All Costs (1995 )
Film
"This iconoclastic film, midway between fiction and documentary, explores the "over-sacred" side of Jerusalem. A political gamble for its inhabitants, a myth for its visitors, Jerusalem remains a universal object of desire that borders on fetishism. The film takes its inspiration from the Jerusalem Syndrome, a psychiatric syndrome, officially recognised in the 19th century, and from which the pilgrims and tourists that visited the Holy City suffered. A camera visits Jerusalem looking for a new approach to show the city. In parallel a young boy wanders the streets and discovers one night a prostitute with golden breasts. The boy, as does the camera, becomes a victim of a violently feminine Jerusalem." - DAfilms
Jerusalem(s), Borderline Syndrome (1995 )
Film
Short film about the sons of the director.
Orbit 50: Letters to My 3 Sons (1992 )
Film
Grasp the Nettle follows the exploits of a ragtag band of land rights activists in London as they struggle against corporations, government, police - and themselves - in their efforts to create alternative communities outside the framework of consumer society. When an eco-village pops up on a piece of disused land in West London , film-maker Dean Puckett (The Crisis of Civilization) gives up everything - his flat, job and normal life - to live among its eclectic inhabitants in an effort to understand what makes them tick.
Grasp the Nettle (2013 )
Film
In the sixteenth century the Padrão Real hung from the ceiling of the Map Room in the Casa da Índia. It was a secret map, guarded from the eyes of foreign spies, which was changed and reworked with the comings and goings of each expedition. Aided by scientific equipment to measure distance, the navigators dreamed up the representation of the expanses that they had covered. When at sea, they looked up to the heavens and gauged their path by the stars, hands drawing in space fictional lines that carved territories. Upon returning to shore, they took the map that had previously belonged to others as their own, erasing divisive lines and constructing new borders. The map that they followed has been lost over time, and what remains of it is a stolen copy, made from memory by one of the cartographers in order to outwit enemies.
Theatrum Orbis Terrarum (2013 )
Film
Mountain Trip is a cinematic myriorama constructed of hundreds of Austrian postcards, which reflect a country's hackneyed trappings as no other medium can.
Mountain Trip (1999 )
Film
Twelve-year-old Jonathan lives with his sister, his mother, and also some men. They all look the same and nest in closets, drawers, and the TV set…
I'm Going Out for Cigarettes (2018 )
Film
This film was shot in an area called Santikhiri, which means ‘the Hill of Peace’. After General Prem’s government came to power in the 1980s, everything—drugs, communism, corruption, human trafficking, and stateless persons—was entirely suppressed to foster order and peace.
Santikhiri Sonata (2019 )
Film
An investigation into the ecological disaster caused by a US military base on the Philippines – and its victims, their world. A humble act of solidarity, a defiant work of remembrance, a rallying cry to rise and resist, a cinematic prose poem.
Vapor Trail (Clark) (2010 )
Film
In a not-so-faraway village, people use discarded reels of 35-mm film to make loud toys such as rattlers, whistles and whirligigs. Every day several hundred toys are crafted, and for each of these hundred toys they splice, slit and rip filmstrips. As they follow this routine with uninterrupted monotony, a few narratives leak out from the shredded analogues of film and infuse the place with phantasmagoria.
That Cloud Never Left (2019 )
Film
Esperança, 15, has just arrived in France from Angola with her mother. At Amiens station, they don’t know where to sleep and look for someone who can help them.
Esperança (2019 )
Film
January 2016. The love story that brought me to this village in Alsace where I live ended six months ago. At 45, I am now alone, without a car, a job or any real prospects, surrounded by luxuriant nature, the proximity of which is not enough to calm the deep distress into which I am plunged. I am lost and I watch four to five films a day. I decide to record this stagnation, not by picking up a camera but by editing shots from the stream of films I watch.
Just Don't Think I'll Scream (2019 )
Film
Filmmaker Carol Nguyen interviews her own family to craft an emotionally complex and meticulously composed portrait of intergenerational trauma, grief, and secrets in this cathartic documentary about things left unsaid.
No Crying at the Dinner Table (2019 )
Film
In shades of gray, the calm, static shots show young female visitors to a public hospital in Argentina. This is the place where teenage girls have to make a decision about the new life growing inside them. A few of them have, at a very young age indeed, already had children. For others, the idea of a future as a mother is new and terrifying. In many cases, though, having an abortion isn’t a decision to be taken for granted. Some of the girls have learned from childhood that getting pregnant is your own fault, and you have to accept the consequences. What they know about abortion comes from horror stories of clandestine practices in backstreet clinics. The hospital gynecologists and other staff, who can be heard but not seen, ask the girls about their well-being, their relationship, their family ties, and how they see the future—with or without a child. In these intimate and non-judgmental conversations, the girls respond with powerful candor in their most vulnerable moments.
Mother-Child (2019 )
Film
After a long period of isolation, Antonin rediscovers the world in a bird shelter where, rocked by the noise of planes, troubled souls are saved just as much as the birds.
Bird Island (2019 )
Film
The film’s story is based on the fate of the Floriculture Pavilion of the former Exhibition of Achievements of the People’s Economy, and its elderly employee Valentyna Voronina, who maintains this space, investing her own life into it, until suddenly changes come to her. After forty-five years of work, she is asked to retire. But Voronina does not agree with that, because she thinks that all the plants will die without her. Meanwhile, a group of mysterious radioesthesists find a channel of positive energy right in front of the entrance to the pavilion.
The Winter Garden’s Tale (2018 )
Film
Mania Akbari collaborates with British sculptor Douglas White to coin a tender fusion of langauge, where a meeting of cinema and sculpture investigates the processes of physical and psychological destruction and renewal. Begun a matter of weeks after first meeting, the film charts a deepening artistic and personal relationship exploring the nature of skin, family, death, water, desire and, throughout, a powerful will to form. Akbari looks into the connection between her body and the political history of Iran, investigating the relationship between her own physical traumas and the collective political memory of her birthplace. As she undergoes surgeries on a body decimated by cancer, remembrance and reconstruction provide a framework for investigating how bodies are traumatised, censored and politicized, and yet ultimately remain a site of possibility.
A Moon for My Father (2019 )
Film
As if directing a science-fiction film, Johana Ožvold dissects the story of electronic music. From the pioneer sound engineers working behind the Iron Curtain, through the French avant-garde composers, up to the post-modern creators of digital sonic artefacts, the first-time filmmaker summons an abstract landscape that is haunting and yet achingly beautiful. A voice appears from old television screens forgotten in the maze of some futuristic archive where past and future seem to coexist in a complex and multi-layered way.
The Sound Is Innocent (2019 )
Film
Within the ancient precambrian rock of northern Canada lies one of the largest reserves of Uranium on the planet. A power that has produced the greatest destructive energy known to man, it also manifests itself in the natural glory of the region. A Gothic travelogue that calls for dialogue with the ghosts of the region; mining towns swallowed up in the pandemonium of trade, extraction and abandonment. While unknown forces that inhabit these lands speaks in somber memories.
Before the Deluge (2019 )
Film
Fifteen years of bloody civil war have left deep marks on Lebanon’s politics and society. More than 25 years after the war’s end, the capital, Beirut, is still fraught with tension. Filmmaker Marlene Edoyan follows two women, members of the same generation who apparently have nothing in common. Hayat and Wafaa, one Muslim and the other Christian, live in a place where Hezbollah and the Phalange are well-established political parties, and where nearby conflicts only stir up bad memories. Is reconciliation possible in a city carved up by invisible borders? In masterful direct cinema style, the filmmaker observes ideologies through the often-ignored prism of women’s perspectives.
The Sea Between Us (2019 )
Film
Immobile in a home where the sands of time fall to the rhythm of the rural Azerbaijani sounds, a mother waits for her son. When he arrives, their conversations circle around existential questions and news from afar. Unrest cloaks the world outside. Mother and son grow closer, silence melts into words, and life springs between them. The son leaves, and winter settles in to the forever-outdated house in which temporalities blurs and past and present beat to the rhythm of the same clock.
When the Persimmons Grew (2019 )