DocAlliance Films Filmleri Türkiye'de Çevrimiçi İzle
DocAlliance Films, Türkiye'de birçok film seçeneği sunar. En son çıkanlar, trend olan başlıklar veya zamansız klasikler arıyorsanız, DocAlliance Films herkes için bir şeyler sunar. Popüler türleri keşfedin ve bir sonraki favori filminizi kolayca bulun.
Türkiye'de DocAlliance Films'ın en iyilerini keşfedin, burada keyfini çıkarabileceğiniz eşsiz bir çeşitlilikte filmler bulacaksınız. Gişe rekorları kıran filmlerden eleştirmenlerce beğenilen favorilere kadar, DocAlliance Films her ruh haline ve ana uygun seçenekler sunar. Yeni bir şey keşfetmeyi seviyor musunuz? İlginizi çeken trend başlıklar, gizli hazineler veya son çıkanlar koleksiyonlarına dalın. Aksiyon, romantizm, belgeseller ve daha fazlası gibi türleri kapsayan içeriklerle, her zaman sizi bekleyen heyecan verici bir şeyler vardır.
DocAlliance Films ve Popcorn Time ile ne izleyeceğinizi daha hızlı bulun. İster bir film gecesi planlıyor olun, ister favori filminizi art arda izliyor olun, her zaman en iyi eğlence seçeneklerine kolayca erişim sağlayacaksınız.
Film
Mountain Trip is a cinematic myriorama constructed of hundreds of Austrian postcards, which reflect a country's hackneyed trappings as no other medium can.
Mountain Trip (1999 )
Film
Megacities is a documentary about the slums of five different metropolitan cities.
Megacities (1998 )
Film
Laura, a French programmer, inherits the task of creating a game about the World War II Battle of Okinawa. Her research and interviews with Japanese experts and witnesses prompt her to reflect on life, humanity, and the lasting influence of history and memories.
Level Five (1997 )
Film
The oak tree in Seja is roughly 700 years old. Around this monumental tree, the peaceful and repetitive life goes on in the village, a group of houses in the middle of the forest. It is an almost unworldly existence in a condition of absolute simplicity where people are grateful for a hot cup of coffee and a good potato harvest.
The Oak (1997 )
Film
Bu film, kardeş Jonas ve Adolfas Mekas’in vatanları Litvanya’ya dönüş ziyaretlerini işliyor. Anlaşıldığı kadar, ülkeyi II. Dünya Savaşı’nın sonlarına doğru terk etmişler ve Amerika’ya giden yolda çeşitli sıkıntılar yaşamışlar. Bu filmin zamanına kadar da (1972), hiç geri dönmemişler.
Litvanya Seyahatinden Hatıralar (1996 )
Film
"I am far away on a distant journey through my own city", filmmaker Johan van der Keuken says at the end of his four-hour portrait of Amsterdam. The city is presented as a place where people from all corners of the world live, who all exert their cultural influence on the life in the city. With a motor courier as his central figure, the filmmaker introduces the audience to birds of different feathers. We see diverse cultural expressions, like the house scene, the entry of St. Nicholas and a Ghanese mourning ritual. The binding factor in the film is the concept of 'travelling', in other words Amsterdam as a global village. The camera travels through the film in three ways: over land, over water (canals) and through the air.
Amsterdam Global Village (1996 )
Film
A short film featuring the voices of those affected when the M11 Link Road in East London was built, accompanied by scenes and sounds of demolition.
Blight (1996 )
Film
Agnès Varda's documentary portrait of her late husband, Jacques Demy. A companion piece to her Jacquot de Nantes.
The World of Jacques Demy (1995 )
Film
Portraying the Vietnamese immigrant experience through Kieu, A Tale of Love follows the quest of a woman in love with Love. Voyeurism runs through the history of narrative and is here one of the threads that structure the film. Playing with the fiction of love in love stories, the film invites a different experience of cinema with non-naturalistic acting and layered interaction of performed reality, memory and imagination.
A Tale of Love (1995 )
Film
A small company valiantly struggles to survive under the respectful yet probing camera of Claire Simon in “At All Costs.” As the docu opens, founder and manager Jihad is off to see his banker. The lack of ready cash to pay his loyal employees, wholesale produce providers and a whole range of other creditors, including the tax-gobbling French government, is omnipresent. From a staff of 14, Jihad is down to three cooks, one delivery driver and a secretary in less than six months. The good-natured pluck of the remaining employees is at the heart of the film. Subterfuges for putting up a brave united front include scheduling food orders from a coin-operated pay phone when the office phone is cut off for nonpayment.
At All Costs (1995 )
Film
"This iconoclastic film, midway between fiction and documentary, explores the "over-sacred" side of Jerusalem. A political gamble for its inhabitants, a myth for its visitors, Jerusalem remains a universal object of desire that borders on fetishism. The film takes its inspiration from the Jerusalem Syndrome, a psychiatric syndrome, officially recognised in the 19th century, and from which the pilgrims and tourists that visited the Holy City suffered. A camera visits Jerusalem looking for a new approach to show the city. In parallel a young boy wanders the streets and discovers one night a prostitute with golden breasts. The boy, as does the camera, becomes a victim of a violently feminine Jerusalem." - DAfilms
Jerusalem(s), Borderline Syndrome (1995 )
Film
Portrait of a troubled peasant family. The film tells the story of two times widow Anna Belova who lives together with her brother Mikhail. Blending the two personalities, Kosakovsky characterizes the true Russian soul: she is the rational worker, honest and strong - he is the drunken poet, the idealist, his philosophy fades into radical nonsense time after time.
The Belovs (1992 )
Film
Based on Samuel R. Delany’s short novel ‘Aye, and Gomorrah...’, where the sci-fi premise of radiation-resistant state-neutered space travellers allows the author to explore androgyny, sexual identity, etc. Hammel uses Delany’s story to create a spookily beautiful world where asexual bodies live in the contradiction between their unarousable loneliness and desire for intimacy and contact.
The Black Sun (1992 )
Film
In the little town of Herzsprung - whose name harks back to an ancient legend of broken hearts - almost nothing has changed since German unification, except a rise in unemployment. Johanna, a young mother and widow, becomes one of the unemployed and lives on welfare. To make matters worse, she falls in love with a dark-skinned, roving adventurer and the whole village starts talking about it.
Herzsprung (1992 )
Film
Short film about the sons of the director.
Orbit 50: Letters to My 3 Sons (1992 )
Film
Farocki’s intriguing and troubling film explores the processes of visual perception and how they affect our understanding of history and society. In a work reminiscent of the writings of Paul Virilio and Michel Foucault, Farocki examines a range of phenomena including aerial reconnaissance photos of the Auschwitz concentration camp.
Images of the World and the Inscription of War (1991 )
Film
Izkor is about the orchestration of memory. The film shows how school children of all ages in Israel are taught to pay tribute to their nation's past. It keenly observes how some memories are even physically conditioned into the future generations. "One of the most truly, most intelligent, most terrible and sharpest films about Israeli society. A film on memory and politics: this is the way that Israeli society exploits its myths to train people to have no doubts or remorse, creating the soldiers of the future wars." (Tom Segev - Haaretz)
Izkor: Slaves of Memory (1991 )
Film
An avant-garde documentary film on English guitarist, composer and improviser Fred Frith.
Step Across the Border (1990 )
Film
In this evocative work, we hear and see the interactions of a man and a woman in a pristine forest. We gain a sense of intimacy with them and nature. Suddenly we leave the worries of our scattered lives and begin to remember the primal elements of existence: earth, wind, fire, water, people, and creation. This epiphanic process demands patience and an almost meditative state, but it is so worth the effort – just as a journey a mountain meadow requires some effort in order to find its treasures. We leave the traditions of narrative for a more open approach to cinema. There are suggestions and onsets of a storyline, but almost everything remains a mystery for our encountering. This is a film that will allow you to observe and exist, without anxiety, without demands, and it allows you a rare glimpse into the life of things.
Feldberg (1990 )