DocAlliance Films Film ve Dizileri Türkiye'de Çevrimiçi İzle
DocAlliance Films, Türkiye'de birçok film ve dizi seçeneği sunar. En son çıkanlar, trend olan başlıklar veya zamansız klasikler arıyorsanız, DocAlliance Films herkes için bir şeyler sunar. Popüler türleri keşfedin ve bir sonraki favori filminizi veya dizinizi kolayca bulun.
Türkiye'de DocAlliance Films'ın en iyilerini keşfedin, burada keyfini çıkarabileceğiniz eşsiz bir çeşitlilikte filmler ve diziler bulacaksınız. Gişe rekorları kıran filmlerden eleştirmenlerce beğenilen favorilere kadar, DocAlliance Films her ruh haline ve ana uygun seçenekler sunar. Yeni bir şey keşfetmeyi seviyor musunuz? İlginizi çeken trend başlıklar, gizli hazineler veya son çıkanlar koleksiyonlarına dalın. Aksiyon, romantizm, belgeseller ve daha fazlası gibi türleri kapsayan içeriklerle, her zaman sizi bekleyen heyecan verici bir şeyler vardır.
DocAlliance Films ve Popcorn Time ile ne izleyeceğinizi daha hızlı bulun. İster bir film gecesi planlıyor olun, ister favori film veya serinizi art arda izliyor olun, her zaman en iyi eğlence seçeneklerine kolayca erişim sağlayacaksınız.
Film
I Don’t Belong Anywhere - Le Cinéma de Chantal Akerman, explores some of the Belgian filmmaker’s 40 plus films. From Brussels to Tel-Aviv, from Paris to New-York, this documentary charts the sites of her peregrinations. An experimental filmmaker, a nomad, Chantal Akerman shares her cinematic trajectory, one that has never ceased to interrogate the the meaning of her existence. Thanks in great part to the interventions of her editor, Claire Atherton, she delineates the origins of her film language and her aesthetic stance.
I Don't Belong Anywhere: The Cinema of Chantal Akerman (2015 )
Film
An intimate portrait of the pioneering artistic collective Grupo de Cali, whose work is now considered a fundamental part of Colombia’s film history.
It All Started at the End (2015 )
Film
Minotaur takes place in a home of books, of readers, of artists. It’s also a home of soft light, of eternal afternoons, of sleepiness, of dreams. The home is impermeable to the world. Mexico is on fire, but the characters of Minotaur sleep soundly.
Minotaur (2015 )
Film
During the Great Recession, joblessness exceeds 20 percent east of the Anacostia River in Washington, DC. City of Trees follows the intimate stories of Charles, Michael and James, three long-term unemployed residents struggling to gain employment through 'shovel ready' green projects. When stimulus dollars run out, short term idealism clashes with day-to-day survival in the struggle to find a sense of purpose and place in a recovering economy.
City of Trees (2015 )
Film
The Divide tells the story of 7 individuals striving for a better life in modern day US and UK - where the top 0.1% owns as much wealth as the bottom 90%. By plotting these tales together, we uncover how virtually every aspect of our lives is controlled by one factor: the size of the gap between rich and poor.The film is inspired by "The Spirit Level" by Richard Wilkinson and Kate Pickett.
The Divide (2015 )
Film
A look at the life, work and importance of Czech filmmaker Karel Zeman (1910-89), a genius of world cinema, a wizard of special effects, revealing his sources of inspiration and his revolutionary filming techniques.
Film Adventurer Karel Zeman (2015 )
Film
To say life in Vilnius, Lithuania, during Soviet occupation was tense would be an understatement. People were followed and photographed; restaurant dinner plates were bugged to catch potentially illicit conversations; car accidents were staged to waylay people while surveillance equipment was installed in their apartments; and many were detained, interrogated, imprisoned, or worse. Through expertly assembled KGB archival footage, earnest present-day interviews, and cleverly crafted returns-to-the-scene-of-the-crime, directors Maxì Dejoie and Virginija Vareikyté present an acutely compelling contemplation of a “non war” from both sides.
When We Talk About KGB (2015 )
Film
Every nuclear weapon made, every watt of electricity produced from a nuclear power plant leaves a trail of nuclear waste that will last for the next four hundred generations. We face the problem of how to warn the far distant future of the nuclear waste we have buried --but how to do it? How to imagine the far-distant threats to the sites, what kinds of monuments can be built, could stories or legends safeguard our descendants? Filmed at the only American nuclear burial ground, at a nuclear weapons complex and in Fukushima, the film grapples with the ways people are dealing with the present problem and imagining the future. Part observational essay, part graphic novel, this documentary explores the idea that over millennia, nothing stays put.
Containment (2015 )
Film
Mariana is a young woman looking to fulfill the dream she was once committed with when she left her parents’ house to live with Alex, in Lisbon. When he leaves to New York, she cannot bear what has been left for her. Even though the return seemed unthinkable, she goes back to the North. The burden of failure and the crossing of a legendary river, lead her to an ancient tale: once you cross the river of forgetfulness, your own past will also be forgotten. Alex returns while she is searching for a new setting for herself. He no longer believes in this country. She has gotten closer to the place where everything has started for her. He will leave. She will not return.
A Girl of Her Age (2015 )
Film
Sergey Astahov is a gay man converted by Church and state propaganda into an orthodox pro-Putin activist. Composed of terrifying images from Astahov's blog, this documentary by contemporary artist Oleg Mavromatti is the most radical insight into today's Russia and its ideological clashes.
No Place for Fools (2015 )
Film
Abdul & Hamza, two Somali immigrants, are hiding in an abandoned house near Serbo-Romanian border.
Abdul & Hamza (2015 )
Film
As a World Bank team visits an Egyptian village to investigate the transformation in agricultural management system, a TV presenter prepares a couple of episodes on the life of village women and a group of students visit a museum in Cairo with artificial figures that are supposed to resemble the life of Egyptian farmer.
The Visit (2015 )
Film
In Gaza, members of a typical family are thrown into disarray after a series of bombing attacks destroyed their home, killed some of the occupants and left others seriously injured.
Shujaiyya (2015 )
Film
The film tells a very personal story from two perspectives: our protagonist is both doctor and patient. As a patient, he has struggled with recurring depression for years, and as a doctor he wants to find out why. The search for the origins of his illness leads him into the realm of his own genes and casts light on the fundamental changes facing modern society as a result of the tremendous progress being made in the field of genetic sequencing. Along the way, he meets a host of people – researchers, artists, visionaries – who have developed their own very individual approach to genetic coding and are drawing attention to the social significance of genetic technology. The film does not restrict itself to a scientific view of the subject but also makes use of artistic visions and more playful approaches to genetic blueprints.
The Dark Gene (2015 )
Film
A response to Stan Brakhage’s The Act Of Seeing With Ones Own Eyes which creates a blunt statement on the human condition by depicting human autopsies. Necropsy of a Harbour Porpoise (Seeing From Our Eyes Into Theirs) examines the ever-enigmatic whale by revealing its interior, taking away its mystery and disparity, highlighting similarities between seemingly contrasting, expired organisms.
Necropsy of a Harbour Porpoise (Seeing From our Eyes into Theirs) (2015 )
Film
Moldova. One winter day, Raisa travels into the city hoping to get something that could change her life.
Raisa (2015 )
Film
Mainland tells the story of twelve-year-old Colin Macleod, who sees the world around him change fast as he realizes that the isolated island he calls home, is getting too small to chase his dreams. On the other hand there's Colin Mackenzie, an old shepherd who has returned to the island after years of wandering around. Gradually he comes to the conclusion his beloved island will never be the same.
Mainland (2015 )
Film
While investigating her late parents’ involvement with the Anglo Iranian Oil Company (BP), the filmmaker comes across the letters of a petroleum geologist in Iran in the 1930s who was later to embark on a search for the origins of civilisation. The Host sets out on its own exploration, to decipher signs from the fragmented images buried in the BP archive. This journey through the past interweaves a number of stories drawn from both personal memory and the records of an imperial history, which builds a picture of a 20th-century colonial encounter. The Host is a personal essay film about the stories we tell about ourselves and others, the facts and fictions we live by, and their consequences. Followed by a discussion with Miranda Pennell.
The Host (2015 )
Film
In Delhi to study film, "I" listens for the breath of its residents on the streets, in the markets, outside the mosques, and at the tourist sites. Dissolving into these her own thoughts and feelings in the process, she makes the city resonate for us.
I Am Yet to See Delhi (2015 )
Film
Every evening at dusk, starlings—wherever they might be nesting—will flock together to perform one of the most mysterious gestures in the natural world. Flitting to and fro, thousands fly in gyroscopic unison. Scientists still don’t know how the birds avoid colliding with one another in these elaborately choreographed murmurations. This short film makes no attempt to explain the winged ritual. No voiceover interrupts the flow. No score intrudes upon the birds’ own song. The majestic ornithological swirl speaks for itself. As the black ribbon of flight careens back and forth across the evening sky, one truth emerges: This flying isn’t an act of necessity. It’s an act of sublime artistic expression.
The Art of Flying (2015 )
Film
María Fux spends her life training dancers, particularly those with disabilities. But now, at 90, she finds her toughest student may be herself.
Dancing with Maria (2014 )
Film
Three brothers wish to surf waves no one has surfed before them. The answer is to go to Bjørnøya, the island next to the better known Spitsbergen. For two months they live on the island, self sufficient in food and equipment.
Bear Island (2014 )
Film
A poetic portrait of people working in the state-run post office, rail station and fire headquarters in the 3rd largest city of Africa, Kinshasa.
Elephant's Dream (2014 )
Film
Lübnan’ın güneyindeki mülteci kampı Ayn el-Hilve’de sürgün hayatı yaşayan üç kuşağa dair insan portreleri. Aile arşivleri, kişisel kayıtlar ve tarihi değere sahip görüntülerle, hiçbir yere kök salmasına izin verilmeyen insanların hayatında aidiyet hissini araştıran bir belgesel.
Dünya Bizim Değil (2014 )
Film
One in four women experience violence in their homes. Have you ever asked, “Why doesn't she just leave?” Private Violence shatters the brutality of our logic and intimately reveals the stories of two women: Deanna Walters, who transforms from victim to survivor, and Kit Gruelle, who advocates for justice.
Private Violence (2014 )
Film
Filmed over three years on China’s railways, The Iron Ministry traces the vast interiors of a country on the move: flesh and metal, clangs and squeals, light and dark, and language and gesture. Scores of rail journeys come together into one, capturing the thrills and anxieties of social and technological transformation. The Iron Ministry immerses audiences in fleeting relationships and uneasy encounters between humans and machines on what will soon be the world’s largest railway network.
The Iron Ministry (2014 )
Film
Joaquim Pinto has been living with HIV and VHC for almost twenty years. “What now? Remind Me” is the notebook of a year of clinical studies with toxic, mind altering drugs as yet unapproved. An open and eclectic reflection on time and memory, on epidemics and globalization, on survival beyond all expectations, on dissent and absolute love. In a to-and-fro between present and past memories, the film is also a tribute to friends departed and those who remain.
What Now? Remind Me (2014 )
Film
Sundance award-winning director Julia Kwan’s documentary Everything Will Be captures the subtle nuances of a culturally diverse neighbourhood—Vancouver’s once thriving Chinatown—in the midst of transformation. The community’s oldest and newest members offer their intimate perspectives on the shifting landscape as they reflect on change, memory and legacy. Night and day, a neon sign that reads "EVERYTHING IS GOING TO BE ALRIGHT" looms over Chinatown. Everything is going to be alright, indeed, but the big question is for whom?
Everything Will Be (2014 )
Film
Brussels, La Monnaie Opera House. Three people near the end of their lives meet with choreographers, actors and musicians. They take part in a unique experience which involves music, dance and silence. Their journey becomes a tribute to the fragility of the human condition, between reality and representation, tragedy of the body and freedom of the spirit. Together they question their own relationship with death.
Before We Go (2014 )
Olga (2014 )
Film
A close-up portrait of a rebellious racecar-driving teen coping with the twists and turns of life in rural Hungary.
Drifter (2014 )
Film
The Way Out tells a story of a young Romani couple, Zaneta and David, the parents of little Janicka. Their efforts to live a decent and dignified life run up against the "Romani social trap," which is racism, the society's prejudices, exclusion from opportunities to obtain legal work, the lack of necessary qualifications, difficult communication with officials, debts and the miserable life conditions connected with the environment, lifestyle and traditional values of their ethnicity. David wants to protect his family, even at the expense of committing a crime. But Zaneta finds inner strength to defy the unfavorable situation in a different way. Will they overcome the existential problems that start to take apart their relationship? Is it worthwhile for them to continue to Honor their own values and family traditions? And will their "way out" be only another "escape" for them, or a promise to change their lives?
The Way Out (2014 )
