İzle Watching the Detectives Türkiye'de Nerede
Ain't no love in the heart of the city, stay safe people.
Immediately after the Boston Marathon bombing in April 2013, amateur detectives took the Internet chat rooms to try to find the culprits, looking for details in photographs uploaded to the sites that could point to the guilt of potential suspects.
Şimdi "Watching the Detectives" izleyin DocAlliance Films üzerinde ve Popcorn Time nihai yayın rehberi ile favori film türünüze daha fazla dalış yapmanın yollarını keşfedin.
Watching the Detectives, Popcorn Time Yayın Listelerinde bugün Türkiye'de #11591 olarak sıralandı. Film, dünden bu yana 8 sıra yükseldi.
Popcorn Time sıralama sistemi, popülerliği hesaplamak için akış platformları, eşler arası trendler ve küresel veritabanları gibi birden fazla güvenilir kaynaktan gelen verileri birleştirir.
Algoritmamız, içeriğin farklı platformlar, bölgeler ve zaman dilimlerinde nasıl performans gösterdiğine bağlı olarak sıralamaları dinamik olarak ayarlar. Her film veya dizi, küresel konumu, bölgesel popülaritesi ve tarihsel performansının bir kombinasyonu kullanılarak puanlanır. Bu, Türkiye'de'de neyin trend olduğunu adil, doğru ve sürekli güncellenen bir yansıma sağlar.
Watching the Detectives için daha fazla akış seçeneğini keşfedin!
Watching the Detectives'ı birden fazla platform ve ülkede nasıl izleyeceğinizi keşfedin! İster evde olun ister yurt dışında seyahat edin, yasal olarak nereden izleneceğini bulmak hiç bu kadar kolay olmamıştı. ile Watching the Detectives, gibi önde gelen hizmetlerde mevcut. 15 başka ülkede erişilebilir, yerel lisanslamaya uygun, sorunsuz ve yasal bir izleme deneyimi sağlayan özel yayın seçeneklerini keşfedebilirsiniz.
Daha Fazla Bilgi
- Çalışma Süresi
- 36 dakika
- Yayınlandı
- Menşei Ülke
- Amerika Birleşik Devletleri
- Diller
- en
Watching the Detectives benzerleri
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A voiceless narrator rehashes details about his mother’s affair as he crosses the United States by train. “Mama has two phone numbers. We do not talk about immigration on her Obama phone. For that we use the other number with no data plan.” The linear train ride moving from Los Angeles to New York diverges into unruly directions of consciousness. A multiplicity of voices share thoughts, dreams and histories evoking images far away from the enclosed spaces of this trains interior. While capturing these landscapes and interiors through his lens, the moving images evidently illustrate an undocumented subjectivity, a site of precarious movement, migration and fugitivism in the US.
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Private Violence (2014 )
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Filmed over three years on China’s railways, The Iron Ministry traces the vast interiors of a country on the move: flesh and metal, clangs and squeals, light and dark, and language and gesture. Scores of rail journeys come together into one, capturing the thrills and anxieties of social and technological transformation. The Iron Ministry immerses audiences in fleeting relationships and uneasy encounters between humans and machines on what will soon be the world’s largest railway network.
The Iron Ministry (2014 )
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A man returns, after fifty years, to Chinatown to care for his dying mother. He is a librarian, a cataloguer and recorder, a gay man, a watcher, an impersonator. He passes his time collecting images - his witnesses and collaborators. Sitting in the dark, we look at them and share his cloak of invisibility, both a benefit and a curse.
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Following Bellavista and Totó, Peter Schreiner completes his informal trilogy of epic, black-and-white digital-video essay-films with the utterly monumental Fata Morgana. Shot in the Libyan desert and in an abandoned building in Lausitz, Germany, it features a man (Christian Schmidt), a woman (Giuliana Pachner, from Bellavista) - and, glimpsed now and again, a guide (Awad Elkish.) They talk, they fall silent. Winds blow. The sun shines. The camera runs. What gradually takes shape is nothing less than a painstakingly concentrated attempt to understand the human condition through the lens of cinema. A lofty ambition, and one that demands a considerable leap of faith on the part of the audience: this film is sedate, "difficult", challenging, often apparently impenetrable. But anyone who has seen Schreiner's previous films will be aware that he is by any standards a major artist, one that can be trusted to find places that other directors may not even suspect exist.
Fata Morgana (2013 )