Watch DocAlliance Films Movies Online in US
DocAlliance Films offers a large selection of movies in US. Whether you're looking for the latest releases, trending titles, or timeless classics, DocAlliance Films has something for everyone. Explore popular genres and discover your next favorite film with ease.
Discover the best of DocAlliance Films in US, where you’ll find an unmatched variety of movies to enjoy. From blockbuster hits to critically acclaimed favorites, DocAlliance Films has options for every mood and moment. Love discovering something new? Dive into curated collections of trending titles, hidden gems, or recent releases tailored to your taste. With content spanning across genres like action, romance, documentaries, and more, there's always something exciting waiting for you.
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The intimate story of a young couple and their weekend away in an isolated country home.
Here We Are (2022 )
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'Why are you here? Are you mentally sick? Do you want to kill people?" the Ukrainian military commander asks the 18 year old recruit Artiom.
Boy of War (2022 )
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Follows inmates from Roumieh Prison in Lebanon who produce a play about their fellow prisoners who suffer from mental illness and are thus filed under 'Mad and Possessed' by the Penal Code and forgotten behind bars for life.
The Blue Inmates (2022 )
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Five young Ukrainians discuss life following the Maidan Revolution of 2014. Not all fought in the Russian-Ukrainian war, but it, regardless, shattered their life plans. Representing 'Generation Maidan', they face the question of how to cope with experiences of violence, how to go on. A local theatre director produces Hamlet, wherein they can use Shakespeare’s tragic character as a mirror and face their traumas onstage. For them, 'to be or not to be' is not simply text but an existential dilemma with no clear answer.
The Hamlet Syndrome (2022 )
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An audition for men aged between 16 and 99. There are no props nor make-up, just pure improvisation. All that is required is the willingness to engage openly with the topic and language of the words on the page. No small challenge, since the text in question is the scandalous novel published anonymously in 1906 “Josefine Mutzenbacher, or the Life Story of a Viennese Whore, as Told by Herself” which, as this film confirms, continues to be the subject of passionate and controversial discussions about desire, even today. What might be world-class pornographic literature for some is seen by others as an abusive depiction of child sexuality.
Mutzenbacher (2022 )
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In 2019, the Brazilian government coordinates the largest and riskiest expedition of the last decades into the Amazon rainforest to search for a group of isolated indigenous people in vulnerability and promote their first contact with non-indigenous. Bruno Pereira, who would later be murdered in the same region and turned into an international symbol in favor of the indigenous and the forest, leads the expedition.
The Invention of the Other (2022 )
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The film depicts the lives of the two sole residents of an abandoned company town while unfolding a complex labour history and revealing the vestiges of environmental degradation. Combining large format cinematography and an inquiry into the archival record, it interlaces past and present.
Anyox (2022 )
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Ida, the grandniece of Simona Kossak, travels to the Bialowieza Forest at the Polish-Belarussian border. Sorting through the photos left by Lech Wilczek, Ida uncovers the life he had with Simona, captured in the photographs, footage and memories. A moving and powerful documentary about the life of Simona Kossak, a biologist, ecologist and activist known for her efforts to preserve the remnants of natural ecosystems in Poland and for living among the animals in the Białowieża Forest for over 30 years.
Simona (2022 )
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Zosia, Kinga and Oskar start their first year at school for blind and visually impaired children.
Fledglings (2022 )
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A portrait of the disenchanted youth of the city of Tolyatti, once a symbol of Soviet progress and the automobile, now devastated by economic decline. Laura Sistero encounters an aimless young generation, who express their dreams of escape through crazy races in old patched-up Ladas. A cinematic object is propelled by spectacular skids to the rhythm of an electro-rock soundtrack.
Tolyatti Adrift (2022 )
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KIM Soonak is a survivor of sex slavery by the Japanese military. The war may have ended, but her life was still at a war. She lived in the prostitute quarters to survive, did sex business in the US military camp town, and peddled goods from the US military. She raised two kids on her own as she worked as a maid. We’ll listen to her story in her absence. The film reconstructs the life story of the deceased KIM Soonak with interviews with activists, archive videos, animation, and read-aloud testimony.
Comfort (2022 )
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“A burned-out group of Brno intellectuals decides to go to Kolochava in Ukraine to perform ‘A Ballad for a Bandit’ there.” With these words, the author's collective presents their film, in which they use primarily documentary imagery to compose a lyrical grotesque about an epochal trip, which might be their goal. But it doesn't have to be. The main tool of expression here is the film’s edit, which places various shots, statements, and meanings next to each other, often in a sort of productive conflict. Just like in a poem, the “poetic function” of art and its ability to serve as the primary tool for expressing beauty is manifested in full force before our very eyes.
Bandits of the Ballad (2022 )
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In Croatia in 2005, a machine tools factory was occupied by its workers. Since then, they have operated collectively, becoming the only successful example of a worker occupation in post-socialist Europe. Today, as they seek a new model of collective ownership, the microcosmic world of the factory clashes with the forces of the globalized market economy, having an increasingly brutal impact on wages and the organization of the factory, causing rising disaffection among the workers. Filmmaker Srđan Kovačević returns regularly over a five year period to make a film that charts the evolution of this communal enterprise. Factory to the Workers tells the inside story of the workers who challenged the dominant economic narrative with their actions. After a decade, the same question remains: can a factory in the hands of workers survive at the periphery of capitalism, or do we need a bigger dream?
Factory to the Workers (2022 )
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45,000 patients died in French psychiatric hospitals between 1939 and 1945. A single site escaped this carnage: the asylum in Saint-Alban, an isolated village in Lozère. What happened there for it to be an exception? Retracing several decades in the history of this important site of psychiatry, using precious archival films and the accounts of those who worked there, Martine Deyres answers this question and, in doing so, shows how the political courage and poetic audacity that were practised there contributed to changing medicine and society’s perception on madness. Intersecting in the crucible of this movement called “institutional psychotherapy” were members of the Resistance, artists, doctors and philosophers—including Paul Eluard, Tristan Tzara and Georges Canguilhem.
Our Lucky Hours (2022 )
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90-year-old architect Florian Yuriev is facing the destruction of his magnum opus: an avant-garde concert hall set to be repurposed as a shopping mall. Florian confronts the powerful real estate developer behind this investment project, and uses his visionary ideas to capture an unlikely victory. This is an architectural documentary with infusions of science fiction and horror film.
Infinity According to Florian (2022 )
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A self-portrait in winter. The director is taking a short rest among the key locations of his life. He reminisces about places forgotten, years gone by, and friends gone away.
The Bear's Lair (2022 )
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Adina Camhy investigates the phenomenon of a crater as a metaphor, as well as a concrete physical shape, resulting in a meditation on ‘dynamic memorials’ around the Ramon Crater in the Negev desert and its counterpart with the same name on the Moon.
Crater (2022 )
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Three radically different protagonists, with polar opposite political views, try to define their identities against the background of contemporary Poland. They are at turning points of their lives. The woman has an abortion. One man is getting more politically radical and joins a right-wing party. The other man breaks his ties with the Church and chooses apostasy. Even though they could not be more different in terms of their worldviews, they have one thing in common – each of them is trying to embrace their own uniqueness and understand who they are.
Identity (2022 )
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A detailed collection of the voices, struggles, and events at People’s Park in Berkeley, California. The footage, recorded between February and October of 2022, highlights a transitional period of the park and its historically marginalized community. The observed human experiences illustrate a grounded portrait of a larger tendency in the West.
People's Park (2022 )
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They are bonded by their pain, longing, and their current residence – a semi-open prison for women. While staging Anton Chekhov’s play, Three Sisters, together with professional actors, imprisoned women reveal their harrowing life-stories, dreams and the longing for a decent life outside the prison walls.
Sisters in Longing (2022 )
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The Aral “Sea” powerfully reveals the deadly impact of human activities—in this case, the intensive cultivation of cotton in the USSR—on an ecosystem. Daniel Asadi Faezi (The Absence of Apricots, VdR 2018) and Mila Zhluktenko (Find Fix Finish, VdR 2017) film the shore’s last inhabitants, who have lost their way of life to the desertification of their environment. A beautiful and poignant work about our probable future.
Aralkum (2022 )
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Almost 250 years ago, an Indigenous noblewoman named Tomasa Ttito Condemayta gathered together over a thousand women to fight against the Spanish colonial rulers. In present-day Peru, female followers of all ages bring gifts to her resting place where they dance and celebrate together to draw strength and courage or request protection and good grades. A mockumentary in tribute of this special heroine.
Heroines (2022 )
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Minimal stories in a Belarusian village apparently indifferent to the popular uprisings in Minsk. The young director, who has left the country, defines them as 'choreographies of everyday life' in a film about 'rules that limit personal freedoms and at the same time ensure that the social organism works...'
Khan's Flesh (2022 )
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Artur Wierzbicki’s camera takes a closer look at people who, for various reasons, ended up near Sigismund’s Column – the most popular meeting place in the Old Town
Boulevard (2022 )
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Lena is the midwife, I am the patient. She renews my IUD and I stage our appointment. The camera becomes a mirror as a care relationship is woven.
The Cervix Pass (2022 )
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Through rhythmic re-composition of fragmented images, semi-surreal situations are explored in a documentary style of observation of a man's obsession with a powerful animal, the black horned bull, and the Spanish process of taxidermy through which he attempts to embody its beauty and strength, turning into a Minotaur. The subdued basement space in which the man meticulously studies the motionless flesh of the animal is preceded by a sunlit, empty arena in Spain, the stage in which the bull is presented in its full glory before facing man.
Taurophilia (2022 )
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Three Armenias are sketched out here, brilliantly and with delicacy, through four protagonists aspiring to fulfil their dream. There is the lift operator in a hospital who wants to travel into space, the farmer in search of a perfect wife, and the young queer couple who simply want to live out their love story… while awaiting the demonstrations and hopes of the revolution.
5 Dreamers and a Horse (2022 )
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Brazil, 2018. Driven by the impact of coming across a 16mm film whose uncanny images seemed familiar but came from far away, and were made long ago, I decided to investigate the origins of this footage. At first, it seemed just an innocent home movie, but after careful research, the film has proven to be a revealing document from South Africa’s apartheid past. Among sinister discoveries and unavoidable gaps, I now reveal the results of my endeavour, based on contemporary online search tools.
Private Footage (2022 )
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Is it possible to use sound to travel through time and experience the fate of other people? This story of a sound engineer studying recordings of war conflicts from the past transports viewers smack dab in the middle of a ravenous rampage where the horrors of the past come to the fore. The film also presents a philosophical reflection on the role that sound plays in our world. The film was developed on the program of the AAMOD Premio Zavattini.
The Sound of Time (2022 )
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In a Swiss mountain village, hikers head out, a fountain splashes reassuringly and a churchwarden prepares a mass. Debut director Valentina Shasivari evokes the calm of this serene landscape with tightly framed shots in contrast-rich black-and-white.
Mountain Flesh (2022 )
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Just before falling asleep, Mariana has a particular impulse: she will change the names of everything in the world. As if in a trance, the woman gives precise instructions to reinvent words and the order of things. Peaches will be called brushes; death will now be a mask.
Mariana and the Order of Things (2022 )
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For mysterious reasons, two watchmen are made to guard access to the river in an area of Lausanne where retirees and immigrant families live. Through the different people they encounter, a territory takes shape and a friendship is born. Tizian Büchi creates a fable—part documentary, part fiction and tinged with magical realism—to subtly question our surveillance society.
Like an Island (2022 )
