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Art is merely a label of no relevance according to the artist Christian Eisenberger. At the age of 40 he has created over 45,000 works. He deposited thousands of them on streets and squares, where anyone could gather them up. He defies galleries, art fairs and museums with his unrestrained production. His art runs rampant, eluding all control. In a milieu that desperately struggles for attention and recognition, Eisenberger again and again asks, "What really constitutes artistic freedom? And does it require artists at all?”
Eisenberger – Kunst muss schön sein, sagt der Frosch zur Fliege (2018 )
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Filmmaker Joële Walinga documents a moment of faith and waiting in the life of her Christian mother, a French-Canadian living in the Bible Belt who has opted to forgo cancer treatment.
God Straightens Legs (2018 )
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The film confronts two different views of the execution of General Ion Antonescu, Romania's leader during the Second World War.
The Marshal's Two Executions (2018 )
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Marcelo, a 40-year-old dandy, has a memory like no other. Monologuing between coffee and hookups, he holds court on a wide range of topics: his status, his Catholic grandmother, and his unusual sexual fantasies. At times, he takes himself for Genghis Khan or poet-philosopher Novalis.
The Blue Flower of Novalis (2018 )
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During three years of unparalleled violence in Baltimore, Charm City delivers an unexpectedly candid, observational portrait of those left on the frontlines. With grit, fury, and compassion, a group of police, citizens, and government officials grapple with the consequences of violence and try to reclaim their future.
Charm City (2018 )
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Libreville, Gabon, Africa, 2016. Christ Olsen Mickala, a young boxer, trains tirelessly during the day and earns his living by night as a bouncer in nightclubs. At the same time, the combat of the presidential elections is taking place. As Christ hopes to succeed, a whole country hopes that a democratic transition finally triumphs.
Boxing Libreville (2018 )
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From 2015 to 2017, Lynne Sachs visited with Carolee Schneemann, Barbara Hammer and Gunvor Nelson, three multi-faceted artists who have embraced the moving image throughout their lives.
Carolee, Barbara and Gunvor (2018 )
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The Imperial Valley represents one of California's most important regions of industrial agriculture. The system's run-off flows through pipes, pumps and canals leading to the Salton Sea, an artificial lake that is approaching ecological as well as economic disaster. Initially appearing as nothing more than spectacular documents of agricultural monocultures, the shots become increasingly abstract. Is this an actual or artificially simulated landscape? This ambiguity is precisely the point: The Imperial Valley is becoming the "Uncanny Valley", a place that is not yet or no longer natural and thereby appears eerie. Although manmade, it is not a place for people anymore, neither ontologically nor in reality. The post-apocalypse is not a matter of the future, we are already in the thick of it. (Claudia Slanar)
Imperial Valley (Cultivated Run-Off) (2018 )
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Jelena Maksimović and Dušan Grubin explore coming of age and masculinity in the township of Zemun in their joint directorial debut.
Taurunum Boy (2018 )
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The spectacle of the 2016 Olympic Games in Rio de Janeiro is grimly contrasted with the poverty of those living mere blocks away from where much of the televised action is broadcast.
The Other Rio (2018 )
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A director returns to her hometown of Chuncheon to tell her family's personal story.
The Strangers (2018 )
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Flora Schvartzman is a ninety year-old single woman who has wanted to die since the day she was born. Distanced from her family, she gets in touch with them to organize her own death. Iair, her great-nephew, is the first one to take an interest in her and her heirless apartment.
Flora's Life is No Picnic (2018 )
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Luiz Roberto Galizia died very young, but he left behind a wealth of personal archives. 30 years later, his niece Ana Galizia plunges into these archives to follow the traces of this uncle she never met.
Unconfessions (2018 )
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The everyday life of a Belo Horizonte lower class neighborhood.
Baronesa (2018 )
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Exploration of the internet and our current era through YouTube videos. Dominic Gagnon reconstructs the south as seen through vlogs, found footage, video games, raging storms and burning palm trees.
Going South (2018 )
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Moving to Beirut’s anarchic rhythm, this documentary follows the struggles of a Palestinian cab driver who lives in his car, a homeless Syrian kid, and a Lebanese woman and her family.
Underdown (2018 )
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The end of the Cold War did not bring about a definitive thaw in the former republics of the Soviet Union, so that today there are several frozen conflicts, unresolved for decades, in that vast territory. As in Transnistria, an unrecognized state, seceded from Moldova since 1990. Kolja is a silent witness of how borders and bureaucracy shape the lives of citizens, finally forced to lose their identity.
Extinction (2018 )
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In St. Louis County, the home of police-shooting victim Michael Brown, a practice with a long history has become systematic: the operation of modern-day debtors’ prisons. A Debtors' Prison follows two plaintiffs in an unfolding court case, Samantha Jenkins and Meredith Walker, as they describe the matrix of controls that subjected them to incarceration for being poor.
A Debtors' Prison (2018 )
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Charlie Soukup is a Czech underground songwriter and Charter 77 signatory. He emigrated in the early 1980s, and has spent the last several decades living on his own in the Australian outback as a hermit and Buddhist. Documentary filmmaker Jiří Holba sought Soukup out on his large property in the bush, where he builds secret shelters and lives away from civilization. The film, which Holba shot entirely alone on location, presents spontaneous conversations and situations that fully capture Soukup’s distinctive charisma. The film’s series of monologues are a kind of stream of thoughts that are part mad rambling and part insightful observations on life.
Feral (2018 )
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As a child, Harley Prosper was chosen and trained to be the Shaman of a Cree community in Canada. Growing up, Harley rejects this responsibility and flees to Vancouver, defying the spirit that chose him. Confined in a hospice for the terminally ill, the film follows the life of a man willing to desecrate his sacred mission.
The Still Life of Harley Prosper (2018 )
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Influenced by the sound of the city, different artists improvise ephemeral pieces that dance between music and what is typically considered to be “noise.” Different sonorous and visual textures converge in this documentary about the creation of experimental music in Buenos Aires.
Noise is the Houses (2018 )
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Jana lived in social isolation. Ondřej suffered from depression. After discovering their sexual identity, they accepted themselves. They are like us, they just don't have sex. Two aromantic asexuals. Jana loves romantic stories, likes reading them and in the beginning of her career as a literary translator, romance novels were her daily bread. Ondřej hangs out with his friend Martina, who'd like to marry him. He lives with a gay couple and his cat, and sees it as an appropriate way of being himself.
Asexualove (2018 )
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With this new film, Felipe Monroy, a Colombian director living in Geneva, continues his work on the memory of his country. Back in Bogota after many years of absence, he starts revisiting his family’s past, tinged with a violence that echoes that of an entire nation. So, as the peace process then ongoing between FARC and government is perhaps about to turn the page after more than 50 years of war, the director starts his own effort at reconciliation, of which the film is both the instrument and the result. What can be done with poorly healed wounds? And what place can film take in this perilous exercise in forgiveness? It is simultaneously as son, brother, Colombian and filmmaker that Felipe Monroy tackles these questions and there lies the beauty of the film. It manages to look at the ghosts of the past straight in the eyes, adopting the contradictory sentiments that it provokes in its author and that it invites us to share.
Los Fantasmas del Caribe (2018 )
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In Skopje, capital of Macedonia, the government wants to fabricate national history - with a monumental building plan worth over 80 million Euros. In "Bigger Than Life", we ask: Does it sell? Do we believe the city to be the origin of Europe and its cradle of ancient high civilization as they try to stage it? Who has the power to construct history? A music film in four acts.
Bigger Than Life (2018 )
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Behind the mighty eighteenth-century wall of the oldest enclosed convent in Poland - Benedictine convent in Staniatki, near Krakow - the life of twelve nuns in their 70s goes on. Despite their age and the world of rapid change, they try to comply with the rule set over ten centuries ago ‘ORA et LABORA’ each day. Our protagonists – nuns Anuncjata and Benedykta (40 years in convent) – introduce us to the world behind the wall telling us about their lives and decisions in a specific way. They show us the world of convent in true colours, without stereotypes, often touching and amusing at the same time. This is the film about silence said aloud.
The Sisters (2018 )
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Medical students begin their rotations at a facility, quickly discovering the enormous responsibility they will bear as practicing physicians.
The Briefing (2018 )
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In the Chinese countryside, an old woman tells the story of her deceased son, while a little girl paints her dreams on the walls of the house. A personal and attentive perspective on the territory, which articulates the memory of a disappearing generation and the hopes of the one to come.
Self-Portrait: Sphinx in 47 Km (2018 )
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A carefully composed observation of two newsrooms which, in March 2017, were avidly chasing after information about the Czech president’s decision whether or not to run for re-election. Two teams of reporters, one extraordinary event, and two takes on one "objective" piece of news.
Breaking News (2018 )
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The doors of the abandoned Raverdy coffee and chicory factory remain closed, just like everything around it. The director – herself a descendant of the Raverdy family (and expecting her first child) – goes in search of the stories behind this sealed-off part of the city. She moves in with her 91-year-old grandmother, who lives over the road. Piece by piece, she is able to reconstruct events leading up to the factory’s closure, using old photos, advertising brochures, myths, language games, conversations with her grandmother and former female factory workers. These memories unfold through different storylines. The factory’s surroundings are explored through a poetic film style, and the history of the nunnery next to the factory is also revealed. This sensitive film is a reflection on the invisible and the forgotten, revolving around women and the changing body.
Behind the Shutters (2018 )
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Literature and psychoanalysis are summoned here around a mythical figure of the intellectual, artistic and psychoanalytical history of pre-dictatorship Argentina: Oscar Masotta. Having introduced Lacan’s thought in Latin America as well as structuralism, having taken action in defense of Pop art, and having himself initiated legendary performances, Masotta is at the heart of that wonderful Fifties and Seventies effervescence. But for as distinct a character as this one, Dora Garcia neither films the biopic, nor does she merely deliver the servile reconstruction of an anthology of his « actions ». Better still, and through an impure mix of both, with other elements at the forefront, she proposes floating evocation, much like psychoanalytical listening.
Second Time Around (2018 )
Batalives (2018 )
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The protagonist of "Picturesque Epochs" is Mária Gánóczy (1927-), a painter and a film aficionado who comes from a family of female artists as far back as her great-grandparents. She brought up nine children with her husband József Breznay (1916-2012), a fellow painter. Gánóczy's films and paintings immortalised the checkered history of Central Europe.
Picturesque Epochs (2018 )
