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An immersive and enthralling journey through the Sonoran Desert on the U.S.-Mexico border, El Mar La Mar weaves together harrowing oral histories from the area with hand-processed 16mm images of flora, fauna and items left behind by travelers. Subjects speak of intense, mythic experiences in the desert: A man tells of a fifteen-foot-tall monster said to haunt the region, while a border patrolman spins a similarly bizarre tale of man versus beast. A sonically rich soundtrack adds to the eerie atmosphere as the call of birds and other nocturnal noises invisibly populate the austere landscape. Emerging from the ethos of Harvard's Sensory Ethnography Lab, J.P. Sniadecki's attentive documentary approach mixes perfectly with Joshua Bonnetta's meditations on the materiality of film. Together, they've created an experience of the border region like nothing you've seen, heard or felt before.
El Mar La Mar (2017 )
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A sixteen year old with Asperger's creates telenovelas at home with his 97-year old grandmother.
The Creator of Universes (2017 )
I Am Gagarin (2017 )
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A documentary about a 78-year-old Indian woman in New York who is the world's most passionate theatergoer. Nicki Cochrane has been seeing a play every day for more than 25 years, acquiring free tickets using a variety of ingenious means.
One Ticket Please (2017 )
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Old women prepare for an event. They are told how to walk, they wear numbers and try to succeed in the selection process. These women are Holocaust survivors. And the event is a beauty pageant.
Miss Holocaust (2017 )
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Living among the percebeiros of the Coast of Death (Galicia), this documentary shows a unique relationship between man and his surroundings, man and the sea. At the end of Europe, years after the Prestige oil spill disaster, these fishermen face an uncertain future.
Seafighters (2017 )
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In the familiar surroundings of their everyday lives, they talk about things that matter to them, about experiences that move them, about first love and loss, hopes and fears. 13 adolescents from a school in Donbass which was destroyed during the war in Ukraine, and subsequently rebuilt, share themselves in front of the camera. 13 lives inhabiting an intermediary space, both emotionally and socially.
School Number 3 (2017 )
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At the Gaomeigu Observatory in China, the Naxi people scan the sky, convinced they are the descendants of immortal beings living there, abandoned on earth to watch them. Between astronomy and legends, Marko Grba Singh seems to compose a mysterious and polysemous tableau. From folk tales heroes such as William Tell, Prince Marko or Sanduo for the Naxi, passing by a miraculous catch, Gods besotted with each other, or the absence of walls built around a city because of the ambiguity of Chinese characters, 'Stars of Gaomeigu' dresses the bodies and contemporary images of mythological tales.
Stars of Gaomeigu (2017 )
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Erna and Dževad are the owners of a pub in the vicinity of a steel mill, a complex that used to be one of the largest of its kind in Eastern Europe. Taking place one week before the pub’s official closedown, the film follows a series of conversations between visitors and frequent guests, who discuss the ways of reaching Germany – a new utopia of former socialist workers.
The Steel Mill Cafe (2017 )
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Dos Islas is a poetic story about old age, family and the bond between a granddaughter and a grandmother. The woman, who just turned 102, tells stories about her past and childhood. In a literary and visual way she describes the most minute details. The film dazzles the viewer with love and optimism, the time passes slowly between the two islands, which might be real people, real places or the products of the main character’s imagination.
The Island (2017 )
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On 25th December 2011 the Georgian Patriarch Ilia II described his 34 year-long leadership as head of the Georgian Orthodox Church as a ‘sunny night’. Beginning in 1989, and going up to the present, the film essay Sunny Night tells of political and social events since Georgian Independence. A variety of formats and sources, disparate images and voices report on protests, recommencements, uproars and wars, and religious identity that centres around the dominant religion of the nation. In the midst of the ongoing shifts and the various state of affairs, the patriarch stands out as the only constant figure. Meanwhile the sermonised religion begins to take on radical forms, going as far as priests forming front row human-chains, leading protests of several thousand orthodox believers chasing a handful of LGBT activist throughout the streets of Tbilisi in May 2013.
Sunny Night (2017 )
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Karlon, born in Pedreira dos Húngaros (a slum in the outskirts of Lisbon) and a pioneer of Cape Verdean creole rap, runs away from the housing project to which he had been relocated.
High Cities of Bone (2017 )
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Justyna is a nine year old girl who is training professionally rhytmic gymnasts. Her life is filled with trainings and competitions, where she often has to exceed their own limits and weaknesses. Every day she needs to be stronger and more determined if she wants to beat her colleagues in all competition races. Despite all the enormous efforts she not always manages to stand on the podium. When she loses her hopes for wining she decides to start training five-year gymnasts by herself.
One Two Zero (2017 )
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Tradition and modernity, contrasting ways of life: the master of archival footage has assembled an impressive collection. His serene narration takes us inside the private lives of migrant families in different eras, from the beginnings of film to the present day. This new film from one of the great avant-garde directors is also a powerful tribute to a neglected genre.
How We Live - Messages to the Family (2017 )
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A 70-year-old man and a 25-year-old woman share a candid and twisted relationship with a deadline. Trapped in one room, Antonio and Catarina are negotiating the terms of their relationship.
Antonio and Catarina (2017 )
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Aspiring directors Lev Zaretski (a sadist) and Ruslan Romanov (an anime MC) will show you how to properly write a screenplay; cast actors; do a film shoot; and answer questions from annoying film festival attendees.
Cinemagic (2017 )
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Documentary film Heavy Heart arose as a part of ethnomusicological research Silalo panori / Cold water (2014 – 2017) of ancient Roma songs. These songs are usually connected with memories and experiences of their interprets. Documentary in a mosaic-like way traces the way of the original Roma music transport to the next generation or also how it ceases to exist under the influence of social changes.
Heavy Heart (2017 )
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A film about the ghosts of those letters that never reached their destination.A neighborhood detained in time that nevertheless will change irremediably and that keeps the memory of thousands of secret stories, hidden in its streets, houses and corners. Mothers who seek reconciliation with their daughters, confessions of unrequited love, loneliness and many searches for an answer that will never come.
All the Letters that I Never Sent (2017 )
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This is an observational documentary focused on one of the biggest unfinished bridge projects in the world - Podilsky Bridge in the centre of Kyiv. Its construction started nearly 25 years ago, but was halted in the late 2000s due to lack of investment and overwhelming corruption. The locals have adapted the unfinished bridge to their own needs - from sports and leisure to risky parcour-style attempts at getting from one river bank to another. In the meantime, Kyiv’s mayor Vitaliy Klitschko is trying to figure out a way to complete the unfortunate project - with a little help from German politicians... - DAfilms
The Film of Kyiv. Episode One (2017 )
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Lynne shoots Super 8mm film of the Jan. 21 Women’s March in Washington, D.C. and intercuts this recent footage with archival material of early 20th Century Suffragists marching for the right to vote, 1960s antiwar activists and 1970s advocates for the Equal Rights Amendment.
And Then We Marched (2017 )
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Aimed at generating a revolution in perceptual habits, Semente Exterminadora approaches Indigenous knowledge as a radical means of reconceiving the relationship between humans and their environment in the twenty-first century.
Exterminator Seed (2017 )
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What starts out as a calm, observational record from an excursion boat filled with Taiwanese tourists admiring a glacier, soon turns into a frenzied – in places almost hallucinogenic – series of bizarre events after a black spot appears in the sky. Shots of the tourists alternate with views of horses grazing in a snowy landscape, a couple in a hotel room, and a group of young people digging film strips out of a garbage can. From the start, the viewer searches for the key to this random sequence of wordless scenes, trying to keep pace with the rapid, sometimes even stroboscopic montage of juxtaposed shots, which is slowed down with contemplative views of the monstrous glacier.
Wind Shaped Rocks (2017 )
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Set to a breath-like rhythm, Anna Marziano’s Beyond the One is an essayistic exploration of love’s various guises, considering different attempts at courtship, living together, and sustaining connections with people once they have died.
Beyond the One (2017 )
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Boys and girls from the colourful West-African Fulani people are raised separately on the savannah. Their daily activities are regularly interrupted by rituals that lead to adulthood. Filmed up close, you can almost feel the pain and endurance that accompany the rituals and daily experiences.
Boli Bana (2017 )
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A journey through the chronology, aftermath and a potential conclusion of a military conflict, as reflected in the topographies that the war, either physically or contextually, shaped and altered.
Landscapes of War, Landscapes of Peace (2017 )
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The ambassador used to come here often, say the young men rooting around with sticks in the undergrowth where the German cemetery used to be. But the treasures hurriedly hidden there by the colonial rulers before they fled are long since gone. And that’s how the road to Yaoundé eventually became overgrown, the area and its inhabitants were left to fend for themselves.
Tinselwood (2017 )
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In the mountains of Yakushima Island in Japan, do not do bad things, otherwise the gods will bewitch you. So we make sure we can live together. But when a typhoon approaches and the winds intensify, the men descend the deities on their backs to shelter them.
Milieu (2017 )
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Knight Borek is searching for his missing son. Enthralled by the stories of children's crusades, little Jan has run away from home. Borek's crusade is a journey into his own subconscious, where he is forced to confront his greatest fear.
Little Crusader (2017 )
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Splices together images from Isaacs's documentaries to create an experimental montage set to a soundtrack.
Rainy Days (2017 )
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In a small, snow-covered town in Belarus, a former English teacher manages to scrape a living distributing leaflets to people’s letterboxes. In the evening, he joins his wife in their dingy apartment, and together they reminisce about their son, a student in Minsk they rarely see. Possibly their only excitement of the week is buying a lottery ticket, which, for a few seconds, gives them a chance to dream. Yuliya Shatun’s camera, at first oddly focused on the white expanses along every roadside, then begins to scrutinise the teacher in his comings and goings – a precise recording with, however, a hint of the moroseness of a terrain so rare in today’s cinema. The teacher has stoically adapted to a degenerate world and a life fuelled by stifled shame. An odour of neglect wafts between the apartment blocks, the uttered words and the background noise of the television. A certain irony floats in the air too, and it needs Yuliya Shatun’s patience to grasp and take responsibility for it.
Tomorrow (2017 )
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They sacrificed their lives fighting for the independence of their country, but their stories remain untold for 60 years. The story begins with a man’s portrait, which has been hanging for more than 30 years in an old wooden house where I was born and grew up in Perak, Malaysia. It’s long become a taboo that my families do not talk about this man, not even to bring up his name or his past. Eventually I found out he is my grandfather, who sacrificed his life fighting for Malaysia’s independence and decolonisation, but his and his comrades’ stories are excluded from history. This documentary set out to unveil the mysteries.
Absent without Leave (2016 )
Steam on the River (2016 )
