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"Há terra! is an encounter, a hunt, a diachronic tale of looking and becoming. As in a game, as in a chase, the film errs between character and land, land and character, predator and prey."
There Is Land! (2016 )
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Landslide represents post-revolutionary Ukraine through a community of people who ‘try to build a new society’ in the cracks and pores of a collapsing social system. The film unfolds in central Kyiv, in a space that has been reclaimed from the city by forces of nature. As a result of a series of landslides, the area of Petrivska street has become untenable and was subsequently occupied by the outcasts and outsiders of all kinds. A secretive graffiti team, a group of tech geeks and an avant-garde gay theatre that fled the war in Luhansk all struggle to create a place where they could coexist outside the pressure of dysfunctional social structures. - DAfilms
Landslide (2016 )
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The Lithuanian scientist Ausra Revutaite has spent 30 years in the Tian Shan mountain range in Central Asia, straddling the borders between Kazakhstan, Kyrgyzstan and the autonomous Chinese region of Xinjiang. Some 3,500 meters above sea level with only her faithful dog and gray cat for company, she studies climate change on the Tuyuksu Glacier at an old Soviet-era research station. She loves the solitude and silence that her painstaking work brings her. Magnificent shots of her surroundings and everyday work are interspersed with archive footage of the people who preceded her by a century. Not much seems to have changed.
Woman and the Glacier (2016 )
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Las calles could be regarded as a film about words, about describing and naming, about secrets and confessions, and about language as the matter of memory. In a dialogue between generations, young people are responsible for elaborating the question, and School is the place that tries to come up with a technique for it. In turn, the elderly answer through their stories, which are basically the story of the town. And like the word –which is always a fiction– builds a reality, the film sustains its tone on that intermediate area in which a fictional setting provides the conditions for the pure documentary genre to mark the pace and reach out to people.
The Streets (2016 )
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At the foot of the waterfall once known as the Mexican Niagra, the people of El Salto dream only of crystalline waters. Fish, colorful birds and swimming in the river are now just memories of the fishermen who lost their world when the train and industry arrived. Resurrection is an eye opener upon the ruins of the present. The exemplary fight for survival of a family, which goes hand in hand with the destiny of a river.
Resurrection (2016 )
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1999: While NATO was bombing Yugoslavia, a truck containing 53 dead bodies plunged into the Danube near the border with Romania. No enquiries were carried out. Previously, in Suva Reka, Kosovo: Serbian police herd villagers together. A woman experiences terrible things, bodies disappear into remote mass graves. People as little more than mere matter.
Depth Two (2016 )
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In communist Romania in the 1980s the population collectively watches "Dallas", their only window into capitalism. Inspired by the US TV show, a young woman decides to emigrate to America. "Hotel Dallas" mixes documentary scenes with staged and experimental sequences.
Hotel Dallas (2016 )
The Tree (2016 )
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Kazimir Malevich wanted to burn all the pieces of art. And to create black squares from the ashes. The black square (Everything of art) did not appear here by an accident. Where are its roots? Is not the square in its core a circle, the return of Everything? And are we to speak on fundamental matters? Here we enter the quest of spies. The agents want to keep silence. The informaticians prefer the total openness, proximity, disposition. Distance or proximity?
Image of God (2016 )
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The cinema documentary Kinders follows children and teenagers of different origins through their sometimes difficult and confusing, sometimes funny and bitter lives. They all take part in the music education program ((superar)), where these neglected and sometimes invisible children develop from outsiders into confident young people who learn about their hidden potentials through the power of music.
Kinders (2016 )
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Bucharest, October 1989: a secondary school student disappears without a trace. Weeks later, he resurfaces at a meeting of the Communist Youth where he is denounced for certain "reprehensible actions" and excluded from the organization. As a result of the same "reprehensible" deeds he is expelled from the school. His schoolmates are never told what his actions actually were. "Notorious deeds, unworthy of being mentioned," is the only comment provided by a high-level communist party representative. Now, 25 years later, those involved are keen to tell their side of the story.
Notorious Deeds (2016 )
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A Sea Change takes its audience to the IBIS maritime boarding school in Ostende (Belgium). In buildings that look out towards the sea, boys from six to sixteen sleep, eat and play. They learn how to read the sea, sail with a fishing boat and help haul in the catch. In the classrooms, the impetuous sea is captured in maps. On sea maps, there are no storms and there is no time: the sea might seem timeless, but much is changing. The coast is permeated with nostalgia, as if the sea had turned its face to the past. Sooner or later the fishing fleet will disappear, together with many endangered species of fish. The fish auction hall in Ostende is in decay, the harbour coated in rust. Nonetheless, a new colour is appearing from beneath the peeling paint.
A Sea Change (2016 )
Accept (2016 )
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As the aftermath of World War II and the Chinese Civil War morphed into the Cold War, Taiwan was ruled under martial law from 1949 to 1987. During the height of the White Terror in the 1950s, thousands of suspected Communists and subversives were arrested; many of them simply disappeared forever. In 1993 a forgotten graveyard of 201 unclaimed victims was rediscovered at Liuzhangli on the outskirts of Taipei. Experimental filmmaker Lin Hsin-I’s Letter #69 explores the violence and injustice that still haunt Taiwan today through the letters of Shi Shui Huan, a political prisoner during the White Terror—all the way up to her last letter before being executed, a blank piece of paper.-UCLAFilm&TV
Letter #69 (2016 )
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One of the largest deer farms in Europe becomes a scene of conflict, in an atmosphere that transcends physical space. The pulse is a way to seize connections and disruptions within the Human-Animal interaction, pulling us away or drawing us closer to Nature.
Pulse (2016 )
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The filmmaker finds, in some places and people in Mehrauli, a canvas of internal and external spaces. She explores the various elements of the physical and psychological that prevail in our society, elements that shape our fundamental ways of being.
From the Shadows (2016 )
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Documentary on the outskirts of Tehran (Nord, East, South, and West) and the relations of people with space.
Hashti Tehran (2016 )
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Looking for extras and locations, a filmmaker settles on Chiloé, the second largest island off the coast of Chile. He does auditions, but mainly listens patiently to the stories of young and old people. As an outsider, he cautiously searches for the soul of the community and its underlying tensions.
The Winds Know That I'm Coming Back Home (2016 )
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For the first time, a film about what's inside, behind, before, beneath and in the pockets of Italian animation legend Bruno Bozzetto.
Bozzetto non troppo (2016 )
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Wally's life is increasingly turned upside down by her mother's alcohol addiction. Helplessness, excessive demands and desperation shape her childhood - a daily struggle for survival.
Whatever the Weather (2016 )
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Living is like crossing a bridge. Is it possible that what looks like it is part of a cityscape is in fact a living being? Just like people, it is born, it lives an eventful life, it experiences its fate and its quiet forsaken aging, and then it inevitably dies. Meet Kyiv’s Rybalski Bridge and its memories.
The Bridge (2016 )
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Alexey is shooting a movie about himself. He is in search of a boyfriend. Everything would be alright, if Alexey's mother could accept his sexuality. Alexey comes to visit her and admits that he likes boys, saying 'Don't you anticipate any grandchildren from me'. We find Alexey at Tarkovsky film festival, where he apparently came to rest. Alexey meets Grisha, and a stormy holiday romance begins.
Butterflies (2016 )
Between Fences (2016 )
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The main hero of the film 'Island' is Mykola Golowan, an old sculptor from the Ukrainian town of Lutsk where he has been building his unique house for over 30 years now. The place has become a tourist's attraction: people come here to take a souvenire photo with the house, and sometimes with the master himself. The film, however, tells about the everyday life of a person who does what he loves, not paying attention to popularity, not seeking acclaim. It is a story about the harmony of solitude.
The Island (2016 )
Všichni mají pravdu? Karel Floss a ti druzí (2016 )
Česká cesta (2016 )
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A young Bulgarian girl digs into her grandfather's turbulent life in an attempt to unravel the past and find answers and explanations for the catastrophic fall of communism.
The Beast Is Still Alive (2016 )
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Igor and Sveta visit Igor's hometown. Igor wants nothing more than to spend the weekend recording a fun vlog with his girlfriend when a talk with his mom uncovers more of a pressing problem in his relationship with Sveta.
Love & Partnership (2016 )
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Tales of Two Who Dreamt is set in a housing block in Toronto and pivots on representation and self-representation. Here, a Roma family rehearses the stories of their past for the upcoming hearing on their residency status.
Tales of Two Who Dreamt (2016 )
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The film tells the life story of its director, Jan Nemec, one of the most known and important filmmakers of Czech New Wave.
The Wolf from Royal Vineyard Street (2016 )
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A poetic documentary about life in a war-torn Chechen village, with the cemetery as its symbolic focal point. The village lives and breathes in unison. The Chechen gravediggers are always busy. Death is an everyday visitor. It does not even matter that yet another war has ended. The people live stuck in a circle of vengeance. They also gather into circles to chant prayers to God. Only the cows are grazing calmly next to the cemetery and the children are happily going about their business. The Chechens' parting words to one another are, "May you come back free!"
Come Back Free (2016 )
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Three former political prisoners tell the story of their imprisonment in the Soviet-era Perm-36 prison camp. Years later they return to the camp (now a museum) to participate in the “Pilorama” Forum, a campsite, mirror-like, reflects the condition of Russian society haunted by phantom pains after the fall of the Soviet Union.
Perm-36. Reflexion (2016 )
