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Dragoslava has four TV sets, three grandchildren, two best friends, and a husband with whom she fights over a remote control. She keeps her private archive of memories of all major events in recent political history of five countries in which she has lived, without ever moving from her apartment. She is a trained poll monitor, passionate about her right to be in the minority, but more and more desperate as another early election approach.
When Pigs Come (2018 )
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Living among the percebeiros of the Coast of Death (Galicia), this documentary shows a unique relationship between man and his surroundings, man and the sea. At the end of Europe, years after the Prestige oil spill disaster, these fishermen face an uncertain future.
Seafighters (2017 )
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A young woman attempts to extract meaning from an intense loss as she encounters signs in her daily life and through the art of Hilma af Klint and Wassily Kandinsky. Point and Line to Plane portrays the phenomenon of magical thinking endured during an individual’s journey to process, heal and document a period of mourning.
Point and Line to Plane (2020 )
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A night flight through hysteria and police surveillance in suburban America.
In Order Not to Be Here (2002 )
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The award-winning Old Believers (2001), made over a period of five years, documents the life of a strongly religious community in the Danube Delta where time seems to stand still.
The Old Believers (2002 )
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A poetic essay on the ramifications of the foot-and-mouth-disease in Great Britain in 2001
The Silence of Green (2002 )
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About a son who, in his father’s folder of negatives, finds love, despair and reconciliation with a painful memory. The father’s suicide and the great emptiness that followed. A journey among the 3000 negatives that the father left behind him. He was a very good photographer. Among the negatives Eric finds a self portrait, a picture of the other dad. A man that looks afraid. A man that barely dares to look into the camera. What was it he was was afraid of?
Boogie Woogie Daddy (2002 )
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In 1998, filmmaker Barbara Hammer had a one-month artist residency in the C Scape Duneshack which is run by the Provincetown Community Compact in Cape Cod, Massachusetts. The shack had no running water or electricity. While there, she shot 16mm film with her Beaulieu camera, recorded sounds with her cassette recorder and kept a journal. In 2018, Barbara began her own process of dying by revisiting her personal archive. She gave all of her Duneshack images, sounds and writing to filmmaker Lynne Sachs and invited her to make a film with the material.
A Month of Single Frames (2019 )
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After 17 years working as a street prostitute in New York City, undocumented immigrant, Iván Monalisa reunites with former college classmate Nicole, the director of this film. Through their creative bond, Monalisa re-flourishes as a transgender performer and writer, in the search for identity and legalization.
The Journey of Monalisa (2019 )
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Lake Urmia in Northern Iran was once the largest lake in the Middle East. Human influence brought upon a devastating drought that the lake could not withstand, and today, just 5% of the original lake remains.
Where We Used to Swim (2019 )
- Free
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In fall 2018, the Orchestre Symphonique de Montréal created the chamber opera Chaakapesh, a lighthearted story of the hero who founded the Innu people sung in three languages (Innu, Cree and Inuktitut) by Florent Vollant, Ernest Webb and Akinisie Sivuarapik. The orchestra then went on the road to perform the unique work in Quebec’s Far North, stopping in Kuujjuaq, Salluit, Kuujjuarapik, Oujé-Bougoumou, Mashteuiatsh and Maliotenam. Far more than just a concert film, Chaakapesh puts the audience front row centre as artists and communities come together in a remarkable cultural space. Poignant testimonials, important discussions and Maestro Nagano as we’ve never seen him before.
Chaakapesh (2020 )
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The architects' plans for Central Bus Station to swallow visitors has turned into an endless maze of corridors. Once a gift to the citizens of Tel Aviv now serves to the immigrants. Yonathan has been a guide there for 17 years and is able to show the other side of the station's significance to those who walk with him. Yonathan knows that the purpose of going down to the building is to find not only himself, but also a society that harbours its values, protects its original traditions and wants to defend its home.
Central Bus Station (2019 )
DK (2013 )
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In Rio de Janeiro, over many days, the director Maria Ramos witnesses and films the judgment of several teenagers accused of stealing, trafficking and murdering. Underage youths are protected by the Brazilian laws and their faces can not be exposed; therefore, they are replaced by teenagers from poor communities.
Behave (2007 )
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A grandmother dies and leaves behind hours of secret film and audio recordings as well as an envelope with the words “Must read after my death,” which reveal a dark history for her family to discover.
Must Read After My Death (2007 )
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The ferry crosses the river, transporting people from one shore to the other, from one country to another. It runs year round, never stopping. The footage was filmed on the Latvian-Belarussian border in the early 1990s - a time when the Soviet Union began to crumble and Latvia regained its independence.
The Ferry (1994 )
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Wally's life is increasingly turned upside down by her mother's alcohol addiction. Helplessness, excessive demands and desperation shape her childhood - a daily struggle for survival.
Whatever the Weather (2016 )
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A visual dreamscape of Prague streets, a hallucinatory vision of a world from the operating table for robotic heart surgeries, collaged together with the stories narrated by the mysterious Dr. B, who is a gifted surgeon at the centre of a conspiracy and a criminal ring trafficking in human parts, especially hearts. Because that’s where the world has ended up – humans thirsting for endless lives and shadowy businessmen and dealmakers taking advantage of this hunger. Set to original music by Němec’s student and fellow filmmaker Petr Marek and his band Midi Lidi, the rich soundscape of the film creates a distinct counterpart to the freewheeling visuals shot digitally in 3D. The former Czech president Václav Havel makes an appearance in the film recalling a script he wrote in the 1960s with Němec, his distant cousin, which the present film utilises as a reflecting surface.
Heart Beat 3D (2010 )
- Free
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Newsreels, commercials, and home movies are used to study the life and influence of Anita Bryant.
I Just Wanted to Be Somebody (2007 )
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Joáo Bénard da Costa, director of the Portuguese National Film Archives [deceased in 2009], interviews the dean of contemporaneous film directors [96-years-old then]. Two humanists of different philosophical backgrounds, both with their long, entire lives dedicated to culture in general (music, painting, literature) and to film in particular, discuss freely, sometimes haltingly, the director's power as a creator or a magician, the philosophy beyond particular scenes in classic movies, film technique, the importance of color, sound and music to films, art versus entertainment, and much more. Their talk takes place in a museum room, seating in front of "The Annunciation" (a 1510 oil painting by João Vaz, a Portuguese artist), which eventually leads to a discussion of 'Leonardo da Vinci', and the relationship between a trend-setter master and his disciples.
The 15th Stone (2007 )
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In Italy, couples prepare for their imminent weddings. The bureaucratic State and the dogmatic Church oversee the nuptials. Municipal employees listen to couples' statements and intentions. A provincial priest delivers a matrimonial lesson: speaking of faith and science, spirituality, and sexuality.
The Betrothed (2007 )
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In 1947, two years after the end of the Second World War, Film Journal No. 1 was released in Sarajevo. Fifty years later, after the collapse of the Communist bloc, this newsreel was lost in the confusion of the fighting in Yugoslavia. In Journal No. 1 Hito Steyerl attempts to find out how the footage got lost and what was on this document from the Sutjeska studio. In the simultaneous projection of Journal No. 1 the ‘unattainability of an historical zero hour of the national identity’ takes concrete form: The lost newsreel reports on a literacy campaign as well as Muslim women confidently removing their headscarves. We listen however to eyewitnesses trying to recapture the lost content and we see the artist Arman Kulasic making a number of drawings that resemble the story-boards for the lost film. What appears to be moments of great change remain limited by subjective and uncertain memory. The film was premiered at documenta 12.
Journal No. 1 - An Artist's Impression (2007 )
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This is Denmark. This is Denmark’s most sold car. This house’s worth has doubled over the last 3 years. A measuring tape and some hedges. So begins Max Kestner’s story on Denmark. With an even-keeled narrative, this film takes us on a kaleidoscope tour around Denmark— from an editorial meeting at a magazine, to dictation in an Elementary school; from singing in a kindergarten, to a family planning their vacation; from a meeting with Pia Kjærsgaard, to a real estate agent in front of a newly sold house and a Danish landscape seen from above. These everyday situations tell universal stories about us. These are contemporary stories. This is Denmark’s world. With speed we shift through each story from up close to far away. This film is a mix of studio recordings with Denmark as its setting. This story is linear with a system of coordinates and a range of colors on repeat. Pseudo-scientific scenes are instruments that make it possible to isolate and compare objects and people.
The World in Denmark (2007 )
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Through footage derived from a 16 cam self-surveillance videodiary we are swept into the pro-paranoia world view of Dutch Cocaine Factory. Champions league cocaine consumer Arend, a lawyer and a drugs scientist unveil a well-kept secret of the past, the Dutch Cocaine Factory. Until World War II, the Netherlands were the largest producer of quality cocaine in the world. An attempt to fair trade? What if cocaine production prices would not extend the price of coffee? Who surveys the surveillance?
Dutch Cocaine Factory (2007 )
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This portrait of Allentsteig, a military training area and nature reserve, presents various aspects of life. Without comment but with a keen eye for humorous details.
Allentsteig (2010 )
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Sergey Astahov is a gay man converted by Church and state propaganda into an orthodox pro-Putin activist. Composed of terrifying images from Astahov's blog, this documentary by contemporary artist Oleg Mavromatti is the most radical insight into today's Russia and its ideological clashes.
No Place for Fools (2015 )
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A documentary investigation of the world of French agriculture today through various testimonials. A world that manages to resist the upheavals that it faces – economic, scientific, social – and which continues, for better or for worse, to maintain the link between generations.
Time of the Gifts (2010 )
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Mrs O. tosses a chicken from her balcony. Mrs O. thinks her neighbor is a secret agent. Mrs O. has Alzheimer’s, but her pet name for her disease is “Alda.” With great humor, irony, and self-deprecating insight, this defiant and willful woman commentates on her own daily life in Prague. There’s a list on the door of friends and family members she’s allowed to let in even if she doesn’t recognize them. Sometimes she thinks she’s living under Communist rule, and she worries that if she doesn’t hang out a flag on Labor Day she’ll be arrested.
Alda (2009 )
- Free
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Neurobiology has shown in the recent years that contrary to the traditional boundaries between animal and plants, plants can feel, move and even think. Over the recent years, a small but growing group of researchers from Austria, Germany, Italy, UK, Japan, South Africa and the USA, has developed a new scientific field of research: the neurobiology of plants. Their discoveries question the traditional boundaries set between the animal and the vegetable kingdom: plants are capable to develop the cognitive process claimed by humans and animals. If plants can move, and feel... Could they possibly think ? In a creative and captivating scientific investigation style, through spectacular specialist photography and CGI, and re-creating scientific experiments, this documentary is bound to change your own perception of plants.
In the Mind of Plants (2009 )
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'One day I realized it no longer made sense to make things to hang on walls'... Lourdes Castro became known as the artist 'who took care of shadows'. Throughout her international career as an artist, Lourdes developed the concept of shadow, giving it different forms and finally reducing it to the minimum and dematerializing it. She has lived in Munich, Berlin and Paris, but 40 years ago she decided to return to Madeira, her birth place, where she has lived ever since 'in the shadows'. 'What is Lourdes 'taking care of' nowadays?
Through Shadows (2010 )
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While people in Western Europe were used to choose between hundreds of brands, the communist Romanian used to have a different experience: all our life we lived with only one brand for each basic product. Imagine the importance that this 'mono-brands' could acquire for the lives of those who made them and for the lives of those who consumed them. A love story between man and object.
Metrobranding (2010 )
For Semafor (2010 )